To run down the intro quickly — this is a series of articles about what I would nominate in every single Oscar Quest category if I had a ballot. I always felt I should do them, but didn’t want to pull that shit everyone pulls of, “Here’s what I’d nominate,” even though it’s all the same five films they add on and they haven’t even seen half the stuff that was nominated. I know my stuff’s legit, because I’ve seen all the films, but I refused to start this discussion unless I was going to do it with the ability to tell people how to do it the right way, since unless you keep them honest, it’s fucking chaos.
So I decided to, along with picking what I’d vote for, create what I’m calling a Compromise List. The Compromise List is — aside from my personal nominations (which on the whole are pretty close to what would fit the typical notion of “Oscar,” since I’ve seen everything and know what is and what isn’t an “Oscar” movie and actually respect the precedents in place even though I don’t always agree with them enough to not be like, “I vote for Star Trek!”), a list of films that are basically a mix of my nominees and their nominees that I think everyone could live with. The idea is to make a list that works for everyone that’s great, and to cut out all the shit that so clearly shouldn’t be there.
The things to keep in mind: 1) if a category has five nominees, I’m only nominating five films. 2) The lists are only based on what I’ve seen. 3) Don’t bother me with your opinion unless you’re gonna go the full nine and do every single year. 4) If you’re going to attempt something like this — be honest. Don’t get too subjective, and DO NOT take off a film you haven’t seen just to put on a film you have seen. And most importantly, 5) YOU CANNOT take off a Best Picture winner. You can not vote for it on your list, but on your compromise list, the Best Picture winner MUST BE THERE. If it won, you have to include it. No exceptions.
Okay, let’s get to the next set of Best Picture years: (more…)
This will be a fun article. Because I think we can all agree that in nearly every year here, they made the wrong decisions. Well, at least in the majority of them. Still — jesus.
1976: “EVERGREEN (LOVE THEME FROM A STAR IS BORN),” FROM A STAR IS BORN
I love 1978. So much. Apparently some people don’t like The Deer Hunter as a Best Picture choice. I do. Very much. So to me, this is a terrific year. It continues a nice streak of great 70s choices.
Michael Cimino won Best Director for the film (talked about here), which makes sense and was well-deserved, and Christopher Walken won Best Supporting Actor for the film (talked about here). I think we all love that Christopher Walken has an Oscar. Best Actor was Jon Voight for Coming Home (talked about here), which, while I wouldn’t have voted for it, is actually a great choice, since it got him an Oscar and De Niro got his second one two years after this anyway. Jane Fonda also won Best Actress for the film (talked about here), which I actually think was a horrible decision, simply because she had one already and Jill Clayburgh was so much better in An Unmarried Woman. And Best Supporting Actress this year was Maggie Smith for California Suite (talked about here), which was a good decision, because she was terrific, and Meryl won the year after this (and because hasn’t Meryl won enough?).
So, really, outside of one decision I don’t agree with, 1978 was pretty perfect. We can only hope for such great years most of the time.
BEST PICTURE – 1978
And the nominees were…
Coming Home (United Artists)
The Deer Hunter (Universal)
Heaven Can Wait (Paramount)
Midnight Express (Columbia)
An Unmarried Woman (20th Century Fox) (more…)
It’s time for another one of these. Perhaps my favorite recurring feature on the blog (next to the Pic of the Day). Me listing my favorite films of a particular decade. We’re up to the 70s now.
This one will be just like those other ones. Same Ten films per year, same 11-15 (or 20, if it’s particularly strong) at the bottom, so when I come back to these lists, I can easily know which films almost made the cut so I don’t have to put too much work into updating them. The only difference is the fun list at the bottom. The first time was the “Terrible Ten” list of films I hated from that year. The second was “Films of my Childhood,” a list of films I saw and loved when I was a kid. This one will be, simply — 70s Recommendation. I will be recommending certain films from the decade (that don’t already appear on my Top Ten lists) that I feel greatly represent the 70s as a decade. You’ll see what I mean when you see the lists. Just know, though, that these films are either wonderfully representative (the way the Awesomely 80s Films were of that decade), or are real hidden gems of the decade that not many people may have seen (or would think to see) nowadays.
Also, as always, the list is based on what I’ve seen. As I see more films of the decade (and like them), the lists will be altered accordingly. Now, let’s get listing: (more…)
Love me some 1978. The Deer Hunter is one of my favorite films. I think it’s a masterpiece. It wins Best Picture, Best Director for Michael Cimino (talked about here) and Best Supporting Actor for Christopher Walken (talked about here). All of them are fantastic decisions.
Then, Best Actor for this year was Jon Voight for Coming Home (talked about here). This is a decision that, while I wouldn’t have voted for it, is a great decision because it gave a deserving actor an Oscar. So I like it. And Best Supporting Actress was Maggie Smith for California Suite (talked about here), which, I like as a decision because — while sentimentally I like Meryl’s performance in Deer Hunter, she won the category the year after this, and Maggie Smith winning here gives both her and Meryl two Oscars (and you know Meryl’s gonna get a third one before all is said and done anyway). So I think it works out great. Plus Maggie Smith was amazing in the film.
Which leaves us with this category. The one category I don’t like at all from this year. I think this was a terrible, terrible decision. The only reason I don’t automatically proclaim this as one of the worst five Best Actress decisions of all time is because it’s Jane Fonda. And I love Jane Fonda. But she shouldn’t have won here, and this is definitely one of the ten worst Best Actress decisions of all time. Let me explain…
BEST ACTRESS – 1978
And the nominees were…
Ingrid Bergman, Autumn Sonata
Ellen Burstyn, Same Time, Next Year
Jill Clayburgh, An Unmarried Woman
Jane Fonda, Coming Home
Geraldine Page, Interiors (more…)
I love 1978. Such great films, topped with my favorite film of the year, The Deer Hunter, winning Best Picture. That, to me, is a great year.
The film also won Best Director for Michael Cimino (talked about here) and Best Supporting Actor for Christopher Walken (talked about here). I love both of these decisions. Then, Best Actress was Jane Fonda for Coming Home. I don’t like this decision at all, because she had an Oscar already. And I know she’s Jane Fonda and all, but, Jill Clayburgh gave a much better performance in An Unmarried Woman and should have won there. And Best Supporting Actress was Maggie Smith in California Suite, which, as I said here, wasn’t my favorite performance (that would be Meryl Streep), but I understand why she won and actually really like the decision.
And now, this category — this is a category where, I don’t think the best performance won, but, historically, this has proven to be a very good decision. So it’s one of those where, while I still won’t vote for the winner, I’m totally cool (and even happy) with the fact that he won.
BEST ACTOR – 1978
And the nominees were…
Warren Beatty, Heaven Can Wait
Gary Busey, The Buddy Holly Story
Robert De Niro, The Deer Hunter
Laurence Olivier, The Boys from Brazil
Jon Voight, Coming Home (more…)
I love 1978. Few years make me happier. I love The Deer Hunter so, so much. I think it’s an amazing film. My favorite Vietnam film, probably. This and Apocalypse Now are like a joint one and two. Anyway, it wins Best Picture, Best Director for Michael Cimino (which I talked about here), and this award, which I’m about to talk about (obviously).
Then, the rest of the year had Jon Voight winning Best Actor for Coming Home, which I don’t think I’d have voted for, but am very okay with, since Jon Voight definitely deserved an Oscar, and De Niro would get his two years after this. Jane Fonda also won Best Actress for Coming Home, which I don’t like at all (as much as I love Jane Fonda), just because I think Jill Clayburgh really should have won for An Unmarried Woman. But I’m not too broken up about it. I think it was a poor choice, but I don’t want to riot or anything (this isn’t 1970). And then Best Supporting Actress was Maggie Smith for California Suite (which I talked about here). That’s a decision where, while I personally would have voted for Meryl in Deer Hunter, I totally get why Maggie Smith won, and her winning ended up working out for the best anyway, since Meryl won Best Supporting Actress the year after this (for a better performance).
So, in all, I really like four of the six decisions this year, and the other two I’m okay with, even though one of them I’m bordering on disliking. In all, though, a strong year. And this category — wow, look at how strong it is. I have three legit people to vote for here.
BEST SUPPORTING ACTOR – 1978
And the nominees were…
Bruce Dern, Coming Home
Richard Farnsworth, Comes a Horseman
John Hurt, Midnight Express
Christopher Walken, The Deer Hunter
Jack Warden, Heaven Can Wait (more…)