Posts tagged “2019

Oscars 2019 Category Breakdown: Best Supporting Actress

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Supporting Actress, the most locked acting category of the night. I tried to wait on it, but it’s just too easy to not do this early. We all know how this one is ending. (more…)


Oscars 2019 Category Breakdown: Best Animated Feature

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Animated Feature. AKA, ‘Is it Disney or Pixar that’s winning this year?’ (more…)


Oscars 2019 Category Breakdown: Best Actor

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Actor. I’m trying not to start with all of the acting categories, since they’re all locked, but I do wanna get this one done as soon as possible. (more…)


Oscars 2019 Category Breakdown: Best International Feature

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

We begin with Best International Feature, which is the stupid new name for Best Foreign Language Film, a change they made to make it sound more inclusive and positive, rather than as the dismissive category for foreigners. Problem is — a name means jack shit unless you’re actually gonna work to make it feel like it means more. Plus also, the first time they have that name, we have the biggest lock of the night and a category that’s totally meaningless because we already know what’s gonna win. (more…)


And the Nominees Are: Analyzing the 92nd Academy Award Nominations

Okay, so Oscar nominations are out. The moment we’ve all been waiting for. I posted the list earlier, but by itself and without comment, because I woke up at 5:30 and typed the nominations As they were spoken. This is all from the time between then and now, as I’ve thought about it all and could talk somewhat coherently about it all.

Somehow I thought they started reading the nominations at 5:30. You know, like it said. So I woke up and saw Issa Rae and John Cho had already finished half the nominees. So I went back, hurriedly typed out twelve categories and caught it just as they started round two. At least I didn’t sleep totally through them, which has happened before.

Anyway, the thing I always say now is — we’ve just crossed that Autosave zone. There’s no going back now. No more talk about what can or will be nominated — this is the list. This is what we have now and in perpetuity. We get our ‘shouldn’t have been nominated’ stuff out now, but this is what we got. Now all that matters is what’s going to win. And that’s what we’ll be talking about for the next 24 days. Because literally I have to start category breakdowns TOMORROW due to the truncated schedule. We’re gonna go 24 days from tomorrow through all the categories and that takes us to two days BEFORE the Oscars. That’s how short this time period is.

But anyway, let’s see how it all went down. What the surprises were, where the snubs came, what this means for picking the winners. All that good stuff.

Here are your 92nd Academy Award nominations: (more…)


And the Nominees Are… (2019)

Best Picture

1917

Ford v Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women

Marriage Story

Once Upon a Time in Hollywood

Parasite

 

Best Director

Bong Joon Ho, Parasite

Sam Mandes, 1917

Todd Phillips, Joker

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood (more…)


Oscars 2019: BFCA Awards

BFCA announced their awards tonight. I spent the whole day writing up my Nominations Ballot, so I’ve paid zero attention to this. Fortunately, though, the night before nominations, we get some precursor winners, which already has helped sway me in at least one category, and that was just me glancing at stuff. So let’s go down all the categories and see if the winners help change my opinion on stuff or further solidify how I feel about nominees / what’s probably going to win.

Here are your BFCA winners: (more…)


Oscars 2019: The B+ Nominations Ballot

I get so excited for this article, but it feels like we’re just rushing right into it this year. Which is because it’s coming about a week earlier this year than it usually does, pushed up due to the fact that the Oscars are three weeks early this year. It doesn’t matter. I’m still gonna go all out and blather on forever. Because it’s what I do. This article only comes second to the actual Oscar night article in terms of how all out I go in talking about stuff that only matters to me and just about no one else.

Tomorrow morning, at 5:30am PST, they will announce the Oscar nominees. There will be anywhere from 120 and 125 nominees, owing to the sliding scale for Best Picture. There will be 120 for sure, and there can be up to 125. If previous years hold, expect either 123 or 124. I’m gonna try to guess all of them correctly. Because that’s what I do. Typically, if I can get to 90, I’m happy. If I can hit 75% or more, I’m thrilled. The goal is to, one of these years, get to 80%. But that’s all hypothetical. I’m really just here to guess shit and talk about Oscars. The rest is just personal goals to make it more interesting for myself.

The tens of you who read this site should know by now that I’m not just gonna give you the same shit everyone gives you. Most people just give you a list and don’t explain themselves or they guess based on what’s gonna get them clicks. You know I don’t do the latter ever and I refuse to give you the former. I’m gonna give you way more information than you could ever possibly need. My goal is to do well enough for you to be able to do better than me. I’m not just telling you, I’m showing you the thought process so you can hopefully find some creases that I don’t see (or refuse to acknowledge because of whatever shred of pride there is left in these cockles). It’s not about how well I do. It’s about empowering you to do better. (more…)


Oscars 2019: Makeup & Hairstylist Guild Awards

The Makeup & Hairstylist Guild Awards were given out last night. I’ll make this quick, because we have nominations to guess.

Bombshell won Contemporary Makeup, Contemporary Hair and Special Makeup Effects. Joker won Period/Character Makeup and Downton Abbey won Period/Character Hair.

As a reminder, your shortlist is:

Bombshell
Dolemite Is My Name
Downton Abbey
Joker
Judy
Little Women
Maleficent: Mistress of Evil
1917
Once upon a Time in Hollywood
Rocketman

So that probably helps us out for later. Even though I think you could have probably figured a lot of that out just by looking at the shortlist.

Nominations Ballot coming at you in a few hours. I’m toiling away on it as you read this.

– – – – – – – – – –

http://bplusmovieblog.com


Oscars 2019: My Nominations Ballot

A tradition here on the site is for me to spend the two days before Oscar nominations to guess what I think those nominees are going to be and give you my preferred nominees in all the categories. I keep the articles separate because to me, what I think should happen has absolutely no bearing on what I think is actually going to happen. All too often I find that people writing about the Oscars are completely unable to do that. The two main reasons I stopped reading all the Oscar sites years ago are because 1) too few people actually did the work in analyzing the categories and went with general overall ‘narratives’ and ‘feelings’, and 2) they far too often went with their own personal opinions when they weren’t sure (or sometimes even when they were). So what I do is get all my personal opinions out of the way first, and then when I pick everything, you get the full, unvarnished honesty and analysis to help you out.

And also admittedly this is the “one for them, one for me” model. If you want all the good shit, you gotta indulge my narcissism and listen to me prattle on about my own opinions for a day. I think it’s a reasonable tradeoff. I can at least get this one done in less than half the time it takes me to write up that other article.

Anyway, while tomorrow you get all the guesses as to what’s gonna be nominated on Monday, today you get what I’d nominate, assuming I could have a magic wand and create the entire Oscar ballot. Or, I guess, slightly more realistically, if I were able to vote for the nominations in every category, this is what my ballot would look like. Since I’m at least adhering to the shortlists for a bunch of the categories and am not just picking willy-nilly. I want this to be as realistic as I can possibly make it, even if it is a ‘dream scenario’ kind of situation.

But anyway, here’s what I’d nominate in all of the categories this year: (more…)


My Favorite Directorial Efforts of 2019

I’m doing these way early this year, because of the truncated Oscar schedule. A lot of the time the nominations have already happened by the time these lists go out. Usually I’m using them to fill time between nominations and the second half of the Release Calendar, or before it’s time to start category breakdowns. But we’re in a weird year, so here we are. I barely got to watch a lot of the films more than once before these lists go up. But it’s also not like they really matter all that much outside of some more content.

I will specify what I always need to specify — these are my lists. These are the performances that I personally preferred the best. They do not always line up with what the awards groups and the herd believes. They are literally me going through the list of every film I saw this year and jotting down the performances from each film that I thought were noteworthy and then paring the article down to a list of 15 and then creating some sort of ranking of those 15. So any problems — keep ’em to yourself. I’m only here to talk up the things I liked the best, not to create any sort of objective list. So if you’re butt hurt that this doesn’t match up with the slideshows on the other websites, then stick to the slideshows.

Today we’re finishing it all up with my favorite directorial efforts of the year. This one’s more straightforward. It’s less nuanced than figuring out performances, but it’s also more difficult, because you’re gauging things as a whole. It’s like what we do with Best Editing every year, where it’s like, “Are we picking most editing or are technically our favorite movies the best edited because we liked them the best?” I have my own weird rubric for figuring this all out, but generally, I go with the efforts that actually made me feel something and felt like they stood out to me on the year.

So here are my favorite directorial efforts of 2019: (more…)


My Favorite Female Supporting Performances of 2019

I’m doing these way early this year, because of the truncated Oscar schedule. A lot of the time the nominations have already happened by the time these lists go out. Usually I’m using them to fill time between nominations and the second half of the Release Calendar, or before it’s time to start category breakdowns. But we’re in a weird year, so here we are. I barely got to watch a lot of the films more than once before these lists go up. But it’s also not like they really matter all that much outside of some more content.

I will specify what I always need to specify — these are my lists. These are the performances that I personally preferred the best. They do not always line up with what the awards groups and the herd believes. They are literally me going through the list of every film I saw this year and jotting down the performances from each film that I thought were noteworthy and then paring the article down to a list of 15 and then creating some sort of ranking of those 15. So any problems — keep ’em to yourself. I’m only here to talk up the things I liked the best, not to create any sort of objective list. So if you’re butt hurt that this doesn’t match up with the slideshows on the other websites, then stick to the slideshows.

Today we’re talking about the female supporting performances of the year. And if you thought the lead actress category was weak, whoo boy, just you wait. I’m slightly less ‘off the board’ in terms of other awards shows with this category than I was in Actress, but not by much. I really disagree with a lot of the choices they’ve made thus far in those categories and am very much about to do my own thing in this one. To the point where I had to dig really deep at the end just to find someone to put over one of the most ‘obvious’ choices that everyone else will have that I just did not really agree with all that much. I don’t like sticking with ‘just fine’ just because it’s what everyone else will have. I want someone that actually made me go, “Oh, that’s a really good performance.

So, here are my favorite female supporting performances of 2019: (more…)


My Favorite Male Supporting Performances of 2019

I’m doing these way early this year, because of the truncated Oscar schedule. A lot of the time the nominations have already happened by the time these lists go out. Usually I’m using them to fill time between nominations and the second half of the Release Calendar, or before it’s time to start category breakdowns. But we’re in a weird year, so here we are. I barely got to watch a lot of the films more than once before these lists go up. But it’s also not like they really matter all that much outside of some more content.

I will specify what I always need to specify — these are my lists. These are the performances that I personally preferred the best. They do not always line up with what the awards groups and the herd believes. They are literally me going through the list of every film I saw this year and jotting down the performances from each film that I thought were noteworthy and then paring the article down to a list of 15 and then creating some sort of ranking of those 15. So any problems — keep ’em to yourself. I’m only here to talk up the things I liked the best, not to create any sort of objective list. So if you’re butt hurt that this doesn’t match up with the slideshows on the other websites, then stick to the slideshows.

Today, we’re gonna talk about the male supporting performances of the year. This is 2019’s strong category. Every year has one category that’s particularly strong. This year, it happens to be supporting actors. The other categories I had trouble getting to 15. This one, I easily got to 30. So, before I begin, I just wanna give quick shoutouts to some other performances I really enjoyed from this year that didn’t officially make this list: Jonah Hill and Martin Lawrence in The Beach Bum. Pacino and Stephen Graham in The Irishman. Archie Yates and Sam Rockwell in Jojo Rabbit. Of all the people in Endgame, I was really impressed by what Hemsworth did with Thor. J.K. Simmons of course gives the cameo of the year in the end credits of Spider-Man: Far from Home. There’s Lucas Hedges in Waves, who continues a strong of strong supporting work over the past couple of years. Billy Crudup is great in Where’d You Go Bernadette in a thankless role. Jack Black continues his hilarious work in Jumanji: The Next Level. Tommy Lee Jones in Ad Astra, as the Colonel Kurtz character. Keanu Reeves has that great cameo in Always Be My Maybe. Jeffrey Donovan gives one of the underrated turns of the year in Villains. And then the late, great Robert Forster in El Camino, in a role I assume he had in the show that I thought was just riveting in the movie.

Okay, so that’s what I got. Now onto the list. (more…)


My Favorite Female Lead Performances of 2019

I’m doing these way early this year, because of the truncated Oscar schedule. A lot of the time the nominations have already happened by the time these lists go out. Usually I’m using them to fill time between nominations and the second half of the Release Calendar, or before it’s time to start category breakdowns. But we’re in a weird year, so here we are. I barely got to watch a lot of the films more than once before these lists go up. But it’s also not like they really matter all that much outside of some more content.

I will specify what I always need to specify — these are my lists. These are the performances that I personally preferred the best. They do not always line up with what the awards groups and the herd believes. They are literally me going through the list of every film I saw this year and jotting down the performances from each film that I thought were noteworthy and then paring the article down to a list of 15 and then creating some sort of ranking of those 15. So any problems — keep ’em to yourself. I’m only here to talk up the things I liked the best, not to create any sort of objective list. So if you’re butt hurt that this doesn’t match up with the slideshows on the other websites, then stick to the slideshows.

Today are the female lead performances. And as tends to be the case a lot of other years… this one was a bad year. Women in general don’t get good roles for themselves, not nearly on the level as men do, so you’re typically stuck picking through the same crop of about 25 performances, and then because I watch so much, maybe I’ve got a handful more I can pick from. But this year in particular, it was a struggle. I really only had about ten I felt really confident about, and everyone else was a compromise of, “I guess…” and, “Sure, let’s throw them on.” This is also the one where I will most wildly differ with the majority of the other ‘lists’ that are out there. Because I most distinctly did not care for a lot of the stuff that most other people have considered ‘the best’ from this year when it came to female leads.

So here are my favorite female lead performances of 2019: (more…)


Oscars 2019: DGA Nominations

Okay, DGA nominations. Here we go. Last piece of the puzzle and then we’ve got it all.

I’m not wasting time. Here they are:

Best Director

Bong Joon-ho, Parasite

Sam Mendes, 1917

Martin Scorsese, The Irishman

Quentin Tarantino, Once Upon a Time in Hollywood

Taika Waititi, Jojo Rabbit

(more…)


Oscars 2019: VES Nominations

Okay, as we await the DGA nominations, here are your VES nominations for this year.

This is Visual Effects and here is the shortlist we’re all working off:

1917
Alita: Battle Angel
Avengers: Endgame
Captain Marvel
Cats
Gemini Man
The Irishman
The Lion King
Star Wars: The Rise of Skywalker
Terminator: Dark Fate

Basically five of these are locked, with Alita a probable sixth. I suspect we should look for Avengers, Irishman, Lion King and Star Wars on the Best Effects category, with Alita the fifth nominee, and then 1917 in Supporting Effects. Once we see that, then we can eliminate everything else and basically know what’s gonna happen all the way through.

Here are your VES nominees: (more…)


Oscars 2019: PGA Nominations

Okay, here we go. PGA nominations.

This is the last of the Best Picture help, and this will basically confirm what the Best Picture list is going to be. We’re all pretty certain about at least six of these (1917, Irishman, Once Upon a Time, Marriage Story, Joker, Parasite), and the BAFTAs told me what the seventh is gonna be (Jojo). How can you not expect Ford v Ferrari here, and I assume Knives Out is gonna make it too. So really it’s just that last spot. Which, Little Women, right? Can we really get that lucky with that list? That would be 8/10 my top ten, sans Motherless Brooklyn, which never had a shot, and Waves, which I can get over but won’t stop talking about as a horrendous snub across the board. I would be very happy if that were the list. But also… what else could it be?

Let’s find out together, shall we? Here are your PGA nominees: (more…)


Oscars 2019: BAFTA Nominations

Alrighty, then. He said, quoting Ace Ventura, a quintessentially British film.

It’s BAFTA morning, people. It’s bright and midday in the UK and the BAFTA nominations are out. This is the final piece to a lot of the category nominations. And the rest are also coming today, because apparently only WGA announced yesterday, which means that we’re getting PGA, DGA and VES nominations today, which means that literally every piece of help we’re going to get is gonna be in our greasy little mitts by the end of the day, and we will have exactly one week to figure out what gets nominated from there.

Okay, then, let’s get into nominations before I quote more Jim Carrey movies (somebody stop me).

Here are your BAFTA nominations: (more…)


Oscars 2019: WGA Nominations

Okay, WGA nominations are out. This will help with the Screenplay categories.

Though I should mention – a lot of stuff isn’t eligible here, so when you don’t see certain films on the list, it’s not because they didn’t vote for them. It’s because the scripts are ineligible, most likely because the writer isn’t a member of the guild. Quentin is famously not in the guild, so he’s won like two Screenplay awards without ever being nominated at the guild.

Here’s a quick list of stuff that was ineligible here: Once Upon a Time in Hollywood, Pain and Glory, The Farewell, The Peanut Butter Falcon, The Last Black Man in San Francisco, Waves, Midsommar, Judy, Downton Abbey, Toy Story 4.

Also note that both The Two Popes and Hustlers were deemed Original by the WGA and are competing for Adapted at the Oscars. Though looking at these lists we’re about to see… maybe that’s not the right call.

Here are your WGA nominees for 2019: (more…)


Oscars 2019: 77th Golden Globe Awards

Okay, Golden Globes recap. Sort of. I’m basically typing half of this up as the show happens, just to get my immediate thoughts down and then am gonna translate it into English, so by the time you read it, you’ll get my immediate thoughts and the post mortem thoughts going into the five major sets of nominations coming today and tomorrow.

In terms of the show as a whole — I’m used to it without a host. They only started this hosting thing with Gervais a few years ago. And honestly he’s the only one, to me, who’s gotten it right. Everyone else has been either just fine or straight up unnecessary and not good at it. I’m guessing part of that is because they’ve been on NBC the past couple of years and had to hire their own stable of talent (which means Jimmy Fallon and Seth Meyers and Andy Samberg. Who I’m not the biggest fan of as hosts and think did a so-so job. They tried throwing Sandra Oh in there too, but she’s not a natural host/stand up, so it didn’t really work). But having Gervais back was nice. Especially because he did not care. And that’s the kind of energy a host of a show like this needs. It’s not the Oscars. You’re not shepherding an unwieldy show and giving a grounding presence. You’re there to make jokes and point out how dumb it all is. And he did a good job of that.

The Wild Hogs joke was nice. Loved the Two Popes pedophilia joke. Enjoyed him straight up calling HFPA racist. Enjoyed the In Memoriam list not being diverse enough. That was clever joke formatting, even though it could have came across as tone deaf (as some of his later jokes did). The Jeffrey Epstein joke was perfectly timed and delivered. Especially the tag, “I know he’s your friend, but I don’t care.” That was nice. Loved the obligatory ‘date too old for Leo’ joke. It didn’t feel as stale as it could have, given how often we’ll probably hear that joke over the next month. I also love his inability to get through the Judi Dench joke. It wasn’t that amazing a joke, but the way he delivered it (or couldn’t), made it work. I also loved his ending bit, about “thank your agent and your god and fuck off.” I know the wrong people are gonna read the wrong thing into the sentiment behind that, but in terms of a ‘you’re not that important and this is a jerkoff awards show’, I enjoyed it. (more…)


Oscars 2019: 77th Golden Globes Predictions

The Golden Globes are tonight. Unlike other years, I actually knew they were happening and didn’t wake up this morning and realize, “Oh shit, that’s tonight.” Usually I get texts or calls from other people and they remind me. But nope, I’m on top of my shit this year. That’s new.

I should warn you that these predictions are really only to remind me of what the categories are and prep me for what to watch out for. Namely, “Expect this film in this category, but if this one wins, it could mean that’s gonna win there, so then we look to see what wins SAG”… etc, etc. That’s really all this is for.

But hey, this is a big one. We’ll see what this means for who’s gonna start winning everything, which is fun, since WGA, DGA, PGA and BAFTA nominations are all coming in the next two days, and we’re not getting BFCA winners for another week. So for the next week, get ready for all the hot takes about what’s gonna win based solely on this.

For now, let’s see what kind of help we might get from this show tonight. (more…)


My Favorite Male Lead Performances of 2019

I’m doing these way early this year, because of the truncated Oscar schedule. A lot of the time the nominations have already happened by the time these lists go out. Usually I’m using them to fill time between nominations and the second half of the Release Calendar, or before it’s time to start category breakdowns. But we’re in a weird year, so here we are. I barely got to watch a lot of the films more than once before these lists go up. But it’s also not like they really matter all that much outside of some more content.

I will specify what I always need to specify — these are my lists. These are the performances that I personally preferred the best. They do not always line up with what the awards groups and the herd believes. They are literally me going through the list of every film I saw this year and jotting down the performances from each film that I thought were noteworthy and then paring the article down to a list of 15 and then creating some sort of ranking of those 15. So any problems — keep ’em to yourself. I’m only here to talk up the things I liked the best, not to create any sort of objective list. So if you’re butt hurt that this doesn’t match up with the slideshows on the other websites, then stick to the slideshows.

We begin with the male lead performances and what is a pretty standard year for those. They’re really the only group that gets an abundance of choices for each year, because unlike the women, Hollywood actually cares about giving them decent material to work with. I didn’t feel a dearth of options in this, though I’ll also say it didn’t feel as though I was leaving people off I would have otherwise chosen. 15 is the proper cut off point. There wasn’t really anyone else I feel like I’d have included. Though shout out to Paul Walter Hauser in Richard Jewell. That’s one of those ‘born to play’ kinda roles. Also Matthew Rhys in A Beautiful Day in the Neighborhood, who had the trickiest role in the film and got none of the credit for it. And minor shout out to Adam Driver in The Report. He’s getting all the notice for the other movie, but I thought he was better in that one.

Anyway, here are my favorite male lead performances of 2019: (more…)


Oscars 2019: ASC Nominations

The American Society of Cinematographers announced their nominees today. With them as the guild, we’ll get BAFTA nominees soon and we have BFCA nominees already. Between the three, we’ll figure out the category.

As a reminder, BFCA nominated 1917, Ford v Ferrari, The Irishman, Joker, The Lighthouse and Once Upon a Time in Hollywood.

Which will be important in a second, because here are the ASC nominees:

Best Cinematography

1917

Ford v Ferrari

The Irishman

Joker

Once Upon a Time in Hollywood (more…)


Oscars 2019: AFI Awards

So apparently the AFI Awards were announced a month ago and I just wasn’t paying attention. Mostly because they don’t matter. Turns out, today is the luncheon for them. Oh well.

Typically they do get 6-7 Best Picture nominees on their list. Last year they had 5 on their list proper with Roma as a ‘Special Award’. Having only seen the list just now, as I’m posting it, this looks exactly like all the other lists everyone else has been putting out. You’re probably looking at the same 6-7 as per usual, depending on what films ultimately get left off in the end.

AFI Top Ten Films

1917
The Farewell

The Irishman
Jojo Rabbit
Joker
Knives Out
Little Women
Marriage Story
Once Upon a Time in Hollywood
Richard Jewell

And they gave a ‘Special Award’ to Parasite. (more…)