Posts tagged “92nd Academy Awards

Oscars 2019: MPSE Awards

The Motion Picture Sound Editors gave out their awards last night.

Ford v Ferrari won for SFX+Foley, while 1917 won Dialogue+ADR, Jojo Rabbit won Music and Rocketman won Music in a Musical. Parasite won for Foreign Language Film, to nobody’s surprise. And Toy Story 4 won for Animation, further cementing that film’s status as the Animated Feature winner.

This isn’t a huge help for us in the Sound Editing (or Mixing) category, since Ford v Ferrari and 1917 are figuring to be the two big frontrunners there. The rest of the category in Editing is Joker, Once Upon a Time in Hollywood and Star Wars, so not that we needed the help, but those are the clear favorites. Though the only distinction we really have for what’s gonna win is that 1917 is the big war Best Picture nominee with 10 nominations and Ford v Ferrari only has four nominations, almost all technical. We’ll see what CAS does on Saturday night, though 1917 isn’t nominated there, so I suspect Ford v Ferrari will win or Once Upon a Time will win. Pretty much whatever they do is gonna make our lives harder in guessing these categories. So that’ll be fun.

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Oscars 2019 Category Breakdown: Best Original Score

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Original Score. AKA John Williams’ annual poker night, because that dude is always here. (more…)


Oscars 2019: SAG Awards

The SAG Awards were handed out tonight.

I actually missed part of the show because I figured they’d wait for the football to be done. But apparently not. Fortunately by the time I realized, the game was already a blowout, so I was able to watch both and not really have to pay full attention to either.

This is my least favorite awards show, but the results mean the most of just about any of them. Plus, going in, I could have told you every single film winner. So there wasn’t really a whole lot of surprise there or anything for me to want to see, and really it was just about seeing who gave the best speeches (Brad Pitt wins again on that front and De Niro had a great one too, specifically when he was speaking from the heart and not reading from his prepared words).

So let’s just get into it. Here are your SAG winners: (more…)


Oscars 2019 Category Breakdown: Best Makeup & Hairstyling

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Makeup & Hairstyling, which — guess what? They’re finally letting it eat at the adults table! Instead of three nominees they finally let it have five! Congrats. Now you have to talk politics and listen to Great Grandma ramble because no one else will talk to her. (more…)


2019: PGA Awards

The PGA Awards were handed out tonight. 1917 won Best Picture.

That’s two precursors for it now, after winning the Globe. Once Upon a Time in Hollywood won BFCA and the other Globe. Interesting those are the two nominees that weren’t nominated for Editing at the Oscars (though one of them by design). I guess we’ll see where BAFTA goes (though at this point, it’s almost literally the difference between Europe and Hollywood). Of note is that the PGA, which used to be automatic and is seen as close to automatic, is 21/30 all-time (70%) and are 8/10 the past decade, missing only 2015 and 2016. So that’s a pretty big result. That about cuts the Best Picture race to three total films.

Meanwhile, Toy Story 4 won for Best Animated Feature and Apollo 11 won for Best Documentary. Which fits with every other result we’ve had thus far. Apollo 11 got left off (unsurprisingly), and the PGA Animated winner has not won the Oscar only four times ever, with two of them (Tintin and Lego Movie) not being nominated at the Oscars, one being Cars losing to Happy Feet and the other being Wreck-It Ralph losing to Brave. Which is essentially 10/12, one being a lesser Pixar losing to a runaway phenomenon hit and the other being a boring old Pixar choice. Given how little’s in the category and how little alternative there is to Pixar in there when voters look at that ballot, Toy Story should run away with that one.

SAG Awards are tomorrow night. So we should have (BAFTA pending) a lot of big stuff set by Monday morning.

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Oscars 2019: ACE Eddie Awards

The Eddie Awards were handed out last night. Here are the winners:

Dramatic: Parasite

Comedy: Jojo Rabbit

Animated: Toy Story 4

Documentary: Apollo 11

Nothing particularly surprising. Parasite winning Dramatic made the most sense for them. Marriage Story was never gonna win, Joker would have been a big surprise, for everyone including the Joker team. The Irishman would have made some sense, because it’s Thelma, but I haven’t seen real love for that movie out there to this point. Ford v Ferrari would have made sense as a pure ‘editing’ movie, but Parasite is the consensus favorite film out there by a lot of people and feels like it can easily win the Editing category even without winning Picture. 1917 wasn’t nominated because there’s no editing, so if they’re all in on that, then this didn’t matter, did it? And then in Comedy, Jojo was the de facto winner the minute Once Upon a Time in Hollywood wasn’t nominated. If the guild didn’t nominate it, why would they give it their big award? And Jojo’s the only other nominated film in the category. Then, Toy Story in Animated made total sense. It’s gonna win that category. And Apollo 11 is the consensus best documentary of the year (and they didn’t even nominate it, so that’s how you know it’s good), so that’s no surprise either.

It’ll be real interesting to see what BAFTA does with editing, especially given Parasite not being nominated there. This might actually be one of the few categories of the night we actually have to think about. Which is sure setting up for a 2011 scenario, isn’t it?

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Oscars 2019 Category Breakdown: Best Live Action Short

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Live Action Short, aka the category where you go refill the chips bowl because no one knows or cares about any of the nominees. (more…)