The American Society of Cinematographers announced their awards tonight. Roger Deakins won it for Blade Runner 2049.
Before we get all excited about how this makes him a favorite for the Oscar, know that this is his fourth ASC win (after Shawshank, The Man Who Wasn’t There and Skyfall), and he has exactly zero Oscar wins to show for it. So let’s not jump the gun on this one just yet. I’ve had my heart broken many times on the Deakins train, and I’m not about to let my hopes get dashed yet again without having all the facts.
Him winning is a big step in the right direction, however, ASC is not scripture when it comes to Oscar winners. Just last year, ASC gave their award to Lion, when it was La La Land that ultimately won the Oscar. ASC is only 6 out of the past 10 years and 9 of the past 20. So it’s not over yet. BAFTA announces tomorrow, and that’ll be a big help if he wins that on top of this and the BFCA award he’s already won.
Right now, I count him, Hoyte van Hoytema for Dunkirk and Dan Lautsen for Shape of Water as the three favorites to win. (Mudbound has almost no shot, unfortunately, as does Darkest Hour.) So if BAFTA goes Deakins’ way too, I’ll be real interested to see how this one turns out on Oscar night.
– – – – – – – – – – –
The American Society of Cinematographers announced their nominees this year. Not a whole lot to say in the way of prologue — this is the big Cinematography precursor. This, BFCA and BAFTA are all we’re gonna get to figure it out. And this year, you’re basically guaranteed to get two of the nominees right. So really, I think you can probably cobble four, no-problem, and then be reasonably sure about the fifth.
Your 2017 ASC nominees are:
Blade Runner 2049
The Shape of Water (more…)
The ASC Awards were the second awards from last night we’re dealing with.
To start — they’re not the end-all, be-all for what’s gonna win the Oscar. Going back, they’re 13 for 30 all time. Of the past 24 years, they’re at an even 50%. 12/24. So they’re not something you need to listen to, necessarily.
This year in particular, it’s a pretty open category. You expect La La Land to be a favorite. You expect Silence and Arrival to get votes. Lion will get votes too. And I’m sure Moonlight will as well. It’s pretty open. This will be one of those categories you think about for a while, since so many of them feel practically locked already.
But anyway — your ASC winner this year was Grieg Fraser for Lion. Making that more of a favorite than it was. at this point that and La La Land have to be considered #1 and #2. We’ll see what BAFTA has to say next weekend (though they’re 50% over the past 20 years too, so that’s not gonna necessarily help us all that much).
– – – – – – – – – – –
A lot of shortlists today. They’re coming fast and furious in time for nominations day next week. We begin with the American Society of Cinematographers and their nominations.
I haven’t particularly clocked what the best shot films were this year, and without a mental checklist of the big names of the past few years/most years (no Chivo, no Deakins) having films this year, I’m feeling like the list they chose is pretty much chalk. It feels like the obvious choices. But when pressing myself for alternatives, I couldn’t really think of a whole lot. I’m sure I could if I really thought about it, but on an initial attempt, I feel like they did okay.
Here are your ASC nominees: (more…)
The ASC Awards were handed out tonight.
Surprising absolutely nobody, Chivo won for the third straight year. Making him the overwhelming frontrunner to win Best Cinematography at the Oscars. For the third straight year. He won for Gravity and for Birdman, and is now poised to win for The Revenant.
This also coming a few hours after winning the BAFTA in the same category. Pretty sure this one’s locked too.
Guess if Roger Deakins was nominated.
Seriously, I saw they were out and didn’t even have to look to know he was nominated.
The American Society of Cinematographers (I’d like to be part of a society. If only that were possible) announced their nominees today.
And yeah… not a whole lot else to say there. Here they are: (more…)
The American Society of Cinematographers handed out their awards tonight.
There’s not really much to add to that. There would have been something to talk about only if it didn’t win.
As much as it takes a lot of the surprise out of the night, I do like having a bunch of categories that I know the most likely outcome to. Because then I don’t have to think about them and can focus on the more difficult ones. This one has, all along, been one of those categories. I think we all know this one is going Birdman’s way.