Posts tagged “Best Sound Editing

92nd Academy Awards Recap

So most years when I write this article, I talk about how good I feel, how nice it is for the crunch of awards season to be over. But honestly, I’ve been relaxed for about a week. I finished my picks and all that stuff last Sunday night after BAFTAs. I proofread it Monday morning, and really all I did between then and now was maybe tweak a ranking or two (none of which ended up actually mattering in the end, which we’ll get to). And they shortened the time span this year, so the whole thing went pretty quickly and didn’t drag on at all. And now here we are, with the entire rest of February to go. This is weird, but also kinda great.

I’ll straight up say it — I put like no effort into this year’s awards. I kept putting off having to actually think about everything until all the results were in. I thought harder about what would be nominated than I did about this. There was only about three weeks between nominations and the awards, so I just let the results come to me and once they were all in, sat down and went, “Yup, that all looks about right,” and let the picks essentially make themselves and didn’t worry all too much about it.

And for most of the night, it sure looked like I might only get one category wrong of all the 24. That didn’t happen, but I still did insanely well (sorry to spoil it at the top, but I did). But man, for a while I thought, “There’s no way I’m gonna do well on this. I feel like I’m phoning this one in.” Because most of the choices were so obvious and I didn’t agonize over them like I normally would. So I figured it had to just be that I was wrong. Or maybe I’ve just done this so long that I’ve learned that I don’t have to spend much time thinking about it all. Which is kinda freeing.

Anyway, let’s recap the Oscars, so we can finally put 2019 to rest and close out the decade in film (sort of).
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The B+ Oscar Ballot 2019: The Cheat Sheet

So this is the quick version of the giant article I posted this morning. The Oscars are on in two hours, and just so you don’t have to go back and reference the giant article if you don’t want to (though you should, there are nice colors and gifs and everything, and I put some real effort into it), I’m giving you the abridged version of it all.

I used to do this in two articles, but I’m just gonna do it in one, since I always put the rankings here anyway, so I’ll just make that section my official ‘Scorecard’ entry for this year. (And if you don’t know what that is, go read the big article. It’ll explain it. And it’s something I recommend you start doing if you’re serious about trying to guess Oscar winners. It’s so much better than just a straight ballot.)

Anyway, here’s your Oscar cheat sheet for later on: (more…)


The B+ Oscar Ballot: Guide to the 92nd Academy Awards

It’s Oscar night, folks.

I’ve done this enough to know what’s about to happen. You all want my picks for what’s gonna win because I’m the person you know who’s stupid enough to actually put real thought into this whole charade and generally am right about all this stuff, and I like talking about this nonsense. So we have the trade-off… I write a lot and you pretend to read it while skipping down to what I picked.

We all know the drill — I’m gonna ramble for 24 categories, try to make sense of it all, eventually decide “fuck it” and leave it to chance, then I’m gonna go get drunk and eat Chinese food and watch the ceremony. Everybody has their traditions.

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Oscars 2019 Category Breakdown: Best Sound Editing

Here’s how this works: every day leading up to the Oscars, I break down each of the 24 categories. The goal is to both familiarize everyone with the category itself (how it works, what its history is and how you go about figuring out what’s gonna win) while also making it easier to reference when I write my giant article with picks and everything. A lot of the leg work is already here. But really, the goal is to see if there’s anything to look for leading into Oscar night that could be a shortcut to me picking the category.

What we do is — I give you all the winners of the category throughout history, go over all the recent trends if there are any, discuss the precursors and whether or not they matter, and then we talk about this year’s category and how we got to it, and then just look at where we are and rank the nominees in terms of their likelihood of winning (at the current moment in time. Of course, things can and will change going into the ceremony). It’s all pretty simple. I’ve done this every year. Everyone should know the drill.

Today is Best Sound Editing, which is the one that’s not Sound Mixing. You know the difference, of course. (more…)


Oscars 2019: MPSE Awards

The Motion Picture Sound Editors gave out their awards last night.

Ford v Ferrari won for SFX+Foley, while 1917 won Dialogue+ADR, Jojo Rabbit won Music and Rocketman won Music in a Musical. Parasite won for Foreign Language Film, to nobody’s surprise. And Toy Story 4 won for Animation, further cementing that film’s status as the Animated Feature winner.

This isn’t a huge help for us in the Sound Editing (or Mixing) category, since Ford v Ferrari and 1917 are figuring to be the two big frontrunners there. The rest of the category in Editing is Joker, Once Upon a Time in Hollywood and Star Wars, so not that we needed the help, but those are the clear favorites. Though the only distinction we really have for what’s gonna win is that 1917 is the big war Best Picture nominee with 10 nominations and Ford v Ferrari only has four nominations, almost all technical. We’ll see what CAS does on Saturday night, though 1917 isn’t nominated there, so I suspect Ford v Ferrari will win or Once Upon a Time will win. Pretty much whatever they do is gonna make our lives harder in guessing these categories. So that’ll be fun.

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Oscars 2019: MPSE Nominations

Okay, so the Academy just dumped nine shortlists on us today. But before we get into those, you’re all gonna have to listen to the Motion Picture Sound Editors Guild nominees for Sound Editing.

This might be the last time they get their own category, since the Academy is thinking of folding the Sound categories into a single entity. Which won’t diminish how important the guild is for guessing nominees and winners, but it will just take away half the category we’ve become used to.

Anyway, MPSE nominates a bunch of categories. FX+Foley is the big one, Dialogue + ADR is the second big one, and then there’s Music as a third, and then Musical and Animated are also kinda there. But it’s those big three in that order that matter.

As a reminder, the Sound Mixers guild, in their one category, nominated Ford V. Ferrari, The Irishman, Joker, Once Upon a Time in Hollywood and Rocketman.

Anyway, here are your nominees for Sound Editing from MPSE: (more…)


91st Academy Awards Recap

This is the most relaxed moment of the year for me. This is the day your thesis is turned in and all the work is done. At this point, Oscar season isn’t particularly stressful for me, but it’s a culmination of two-plus months of thinking about this stuff. And it’s been something going up every single day since December. Now, it’s all over, and the books are closed.

I wish I could say I’m remotely shocked by anything that happened. But no. This all went about how I expected it to. A couple of minor surprises here and there, but nothing that far from the realm of expectation. At one point throughout the night I remember remarking to a friend, “Bohemian Rhapsody has won every award it was nominated for. It has four awards and Black Panther has three. Which is the most Academy thing ever. ‘Look at us, we’re inclusive! (But also we’re still us.)” Honestly, how could anyone be surprised at the way things turned out? I mean, I never am because I’m so deep into this shit I’ve figured out every possible permutation for how things could have gone. So to me, this is all, “Yup, yup, yup, oh that won there, which means this will win here and it won’t win there.” I was calling out three categories ahead when they announced a new one. That’s where I’m at. I’m almost incapable of being surprised by all this. That’s why I do the Scorecard ballot thing now.

Anyway, let’s recap what happened and close the book on 2018. (more…)