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Posts tagged “Category Breakdown

Oscars 2018 Category Breakdown: Best Original Screenplay

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Original Screenplay. One of the more interesting categories of the year. It’s a toss up, but it’s an interesting toss up. (more…)

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Oscars 2018 Category Breakdown: Best Adapted Screenplay

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Adapted Screenplay. One of the races that should leave me happy no matter which way it goes. (more…)


Oscars 2018 Category Breakdown: Best Sound Editing

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Sound Editing. AKA Best “PEW PEW *Explosion Noise*.” (more…)


Oscars 2018 Category Breakdown: Best Sound Mixing

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Sound Mixing. Which is not Sound Editing. Because you can totally tell those two apart. (more…)


Oscars 2018 Category Breakdown: Best Costume Design

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Costume Design. AKA Best Frills. We probably didn’t need to wait this long to go over it, but I feel like this one could be interesting, so I wanted to wait until most of the precursors were in before I talked about it. (more…)


Oscars 2018 Category Breakdown: Best Editing

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Editing. And what is shaping up to potentially be the most interesting Editing category since 2011. You all remember 2011 Best Editing, right? (more…)


Oscars 2018 Category Breakdown: Best Original Score

So what we do here each year as a warm up for the Oscars is, I break down each of the 24 categories. The idea is to both familiarize everyone with the category and its history. I look at what the major trends are throughout the past bunch of years, how the precursors tend to go, whether they matter or not, that sort of stuff. I look at how the category came to be this year, and just anything else that seems totally pertinent about it. Then I rank each of the nominees and tell you what their likelihood (at this particular moment in time) of winning is.

This is all prelude to my giant Oscar ballot that I’m gonna give you. But I figure, if you have these as the warmup, it’s not as intimidating. You’ll have seen a lot of the pertinent trends here and we’ll all be able to reference these as a sort of cheat sheet. Plus it shows you where my head is at for how I think each of the categories are gonna go, and you can see me working my way up to all the bad decisions I usually make while guessing. Pretty much, with this, you’ll have a pretty good idea of how the category is gonna turn out.

Today is Best Original Score. The most sensuous of the categories. The “Let’s put on the Quiet Place soundtrack and chill” category. Happy Valentine’s Day, folks. (more…)