Posts tagged “Cinema Audio Society Awards

Oscars 2019: CAS Awards

Okay, second awards handed out tonight — CAS. For Sound Mixing.

The winner was Ford v Ferarri. I should point out that 1917 WAS NOT nominated at CAS, so really that was a foregone conclusion that it would probably win. I was only really looking out to see if somehow Once Upon a Time in Hollywood would win. But really the Sound categories are gonna come down to Ford v Ferrari and 1917, and the question is gonna be — as it usually does — will one film win them both or should you commit the cardinal sin and split the Sound categories?

I’m really curious to see what BAFTA does next weekend, because right now, Ford v Ferrari technically has more precursor wins than 1917 does. But BAFTA will really tell us where this is all likely gonna go come Oscar night.

Meanwhile, Toy Story 4 won their Animation award, in case there was any doubt about where that category was headed. That’s won like every single guild there is to win thus far except animation, which is its own weird thing.

Anyway, that’s Sound Mixing. DGA and ASC still to come.

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Oscars 2019: CAS Nominations

Two more guilds announced today. The first of which is CAS, the Cinema Audio Society. That’s for Sound Mixing. Mixing is the sound design as a whole, versus Editing, which is the compilation and creation of those sounds. Though we might not need that distinction in the future, since the Academy is considering going back to just one ‘Sound’ category like how BAFTA does it, given the substantial overlap between the categories and the general lack of distinction between the two by voters. But that’s not the case this year, so this one’s for Sound Mixing.

Basically we’re gonna take this, MPSE (Sound Editors guild) and BAFTA and then guess what’s gonna get nominated from that. Though at this point, you have a pretty damn good guess at for sure 2 of the 5 nominees, if not 3. So I don’t think it’s gonna be all that difficult in the end.

Here are this year’s CAS nominees: (more…)


Oscars 2018: CAS Awards

The CAS Awards were also given out tonight. Hooray, Sound Mixing.

The winner was Bohemian Rhapsody, which paints a really interesting picture for Oscar night. I suspected this would be the case for the guild, but with First Man being nominated in both categories, and my everlasting mantra of “Don’t split the Sound categories, Mike,” I’m really wondering how this one is gonna turn out. There’s a chance First Man wins Editing and this wins Mixing. But we’ll see. I’m still figuring out my final thoughts on everything and preparing my giant 45,000 word Oscar article (I’m wondering if we approach 50,000 words this year). Apparently that’s about what a decent-sized novel would be. That sounds about right for the nonsense I spew.

Oh, and Isle of Dogs won for Animation and Free Solo won for Documentary. The latter makes sense at first glance. I assume Isle of Dogs beat Spider-Verse, which I kinda get. Music tends to be a factor in Mixing more than the other categories. But honestly anything outside of the big category is meaningless to me. Let’s not pretend either of those factor into their races.

Tomorrow night is WGA and MPSE, and then CDG is the last precursor on Tuesday, and then we’re totally done in terms of precursors and it’s just straight up guessing at that point. We’re in the final stretch, guys. This is it. The Endgame. Shit’s about to start turning into dust and stuff.

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Oscars 2018: CAS Nominations

Okay, the shortlist you’ve all been waiting for has been announced. BEST SOUND MIXING!

Oh, what, you thought you were getting the DGA list first? Nah. You gotta eat your salad and then you’ll get the main course.

The Cinema Audio Society also announced their nominations today, so we’re gonna talk Best Sound Mixing as well.

Sound Mixing, to remind you if you’re not all up on your categories, is the entire sound design in the film. Musicals do great here, as do war movies. Basically, if you assume Dunkirk and Baby Driver and probably Star Wars, then you’re most of the way there already. (And this is before I’ve even seen the list.)

Here are your CAS nominees for this year: (more…)


Oscars 2017: CAS Awards

The Cinema Audio Society announced their awards tonight as well. In an over three-hour ceremony, they produced exactly one category of note for our purposes. Which is for Best Sound Mixing.

The winner was Dunkirk, which pretty much cements that as the winner of at least one of the two Sound categories at the Oscars. But you already probably knew that.

That’s the last precursor, guys. You now have all the information you need to guess what’s gonna win next Sunday. I’d be lying if I said I wasn’t already 35,000 words into my giant picks article, but what can I say, this is my favorite thing to do each year. I can’t help it if I’m nuts.

See you guys on Sunday.

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Oscars 2017: CAS Nominations

The Cinema Audio Society also announced their nominations today, so we’re gonna talk Best Sound Mixing as well.

Sound Mixing, to remind you if you’re not all up on your categories, is the entire sound design in the film. Musicals do great here, as do war movies. Basically, if you assume Dunkirk and Baby Driver and probably Star Wars, then you’re most of the way there already. (And this is before I’ve even seen the list.)

Here are your CAS nominees for this year:

(more…)


Oscars 2016: CAS Awards

CAS announced their winner tonight.

It was La La Land.

The original musical that’s gonna win Best Picture is also gonna win Best Sound Mixing.

Shocking.

A bunch more precursors tomorrow.

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Oscars 2015: CAS Awards

The Cinema Audio Society also announced their winners tonight. They’re the guild of sound mixers.

In a category featuring four of the five Oscar nominees (The guild nominated The Hateful Eight instead of The Martian), The Revenant won. Which shows a lot of support for that film in the guild, and possibly for Best Picture.

Mad Max not winning either means nothing in the end, or it means a split for Sound. And, as we all know, predicting a split in the sound categories is always perilous, unless there’s a musical involved. Though, to be fair, they were also wrong last year in picking Birdman. So maybe this means nothing. We’ve got a week to decide.

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Oscars 2015: Cinema Audio Society Nominations

CAS has announced their nominations. They’re the guild for Sound Mixing. Meaning the entire sound mix, not just the compiling of sound effects and such.

This is one of three guild nominees today, and is the easiest of the three to talk about, so let’s just get into it.

Here are your CAS nominees for 2015: (more…)


Oscars 2014: CAS Awards

The Cinema Audio Society handed their awards out tonight.

That’s Sound Mixing, for those who don’t know. And Sound Mixing is the entire sound design of a film, for those who don’t know. Not the creation of the sounds, but rather everything you hear when you experience a movie.

The CAS category and the Oscar category matched 4/5, with both having Birdman, Interstellar, Unbroken and American Sniper, and CAS having Guardians of the Galaxy with the Oscars having Whiplash as the fifth nominee.

Which means that whatever wins is most likely a good bet to take the category at the Oscars. (more…)


Oscars 2014: CAS Nominations

The Cinema Audio Society announced their nominations. They’re the guild that corresponds to Best Sound (Mixing).

To make it easier on everyone, Best Sound Mixing is basically just the sound in the entire movie. And Sound Editing is the creation and assembling of those sounds. What you hear when you watch the movie. Which is why only musicals get nominated for Mixing and Pixar only gets nominated for Editing.

And the guild nominees for this year by the mixer are:

Motion Picture (Live-Action)

American Sniper

Birdman

Guardians of the Galaxy

Interstellar

Unbroken (more…)


Oscars 2012 Update: ACE Eddie Awards & Cinema Audio Society Awards

Two guilds announced tonight. First, The American Cinema Editors. As a reminder, only 14 times did one of the winners for the Eddie Award NOT go on to win Best Editing.

The Eddie Awards for Dramatic and Comedy Film went to, respectively, Argo and Silver Linings Playbook.  That pretty much seals the deal for Argo as Best Picture and makes it a huge favorite to win Best Editing too. (Hey, remember when I said it was probably gonna end up with Picture, Editing and Screenplay?)

Oh, and Brave won for Animated Film, which makes an upset seem very probable, given that it also won the BAFTA and that Wreck-It Ralph might not have the older contingent going for it. Searching for Sugar Man won for Documentary, which pretty much means we’re all taking that until it loses. And, on a personal note, The Newsroom won one too. I love that shot.

The Cinema Audio Society also announced their awards tonight. That’s for sound mixing. We’ll get into what that actually is if you don’t know when that article goes up soon. But basically, know that the winner of the CAS Awards will impact what happens in the Best Sound Mixing (aka Best Sound, as they seem to like calling it) category. And the winner of the CAS Award this year was Les Misérables. Which, honestly, pretty much means it has that category all but won. They love voting for musicals there when they can. Oh, and Brave won for Animated Film. I see an upset coming…

Oh, so yeah, that’s where we’re at. More categories tomorrow.

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