Okay, our final shortlist for today — the Writers Guild.
These nominations always have to be taken with a grain of salt just because there are always ineligible scripts each year. I think because people aren’t actually guild members. The ones that I know for sure that weren’t eligible this year were: The Favourite, Hereditary, Sorry to Bother You, Death of Stalin, Incredibles 2, The Sisters Brothers and Leave No Trace.
Most of those really stood no shot at the final list, but The Favourite almost certainly will, so it not being nominated here means nothing for its ultimate chances in the end.
That said, here are your WGA nominees for 2018: (more…)
The WGA Awards were handed out tonight.
The winners were Get Out for Original Screenplay and Call Me By Your Name for Adapted Screenplay. The latter was not surprising in the least, and the former is only interesting because it beat Lady Bird. Three Billboards, the presumptive favorite to win the Oscar (at least, until it loses BAFTA next week), was ineligible here. So really it was gonna come down to which won, Get Out or Lady Bird. So here we are.
Crazy to me that The Shape of Water is nowhere in this Screenplay conversation, despite being the presumptive favorite for Best Picture. Then again, if Three Billboards really is the movie that’s gonna win the whole thing, it winning Screenplay makes more sense. But if it is The Shape of Water, you do realize that the Best Picture winner does win Screenplay like 2/3 of the time, right? It’s crazy that it doesn’t even feel like a contender at this point.
Anyway, more categories tomorrow. (And by the way, I’m also 17,000 words into my Oscar picks article, due to go up in about three weeks. Haven’t even started making choices yet. the 17,000 words is just set up. So get ready for that, eventually.)
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The new year is up and running, and we’ve got some guild nominations to get through.
We begin with the WGA, which is generally helpful in figuring out the Screenplay categories, outside of the fact that invariably a handful of scripts are not eligible for the WGA, which will throw a giant monkey wrench into everyone’s calculations. I know for a fact that Three Billboards and Darkest Hour are not eligible. Though I believe those are the only ones.
This is also a year where it feels like Original Screenplay is way stronger than Adapted Screenplay, which will undoubtedly lead to some ‘snubs’ there at some point during the race.
Let’s see what the WGA has given us this year: (more…)
The WGA Awards were announced tonight. A few guilds announced tonight. But they got done first, so they get first dibs.
Moonlight won for Original Screenplay. Arrival won for Adapted Screenplay.
Which basically dominoes that one. Moonlight is nominated Adapted at the Oscars. So that’s a wrap, and now we don’t need to concern ourselves with whether or not Arrival is gonna win.
And all that leaves is Original Screenplay, which is plain old guesswork. And a 50/50 choice, so it’s not too bad.
Though what this does tell me is — for those who want to make the case that Moonlight is a legitimate upset choice for Best Picture, this goes a long way to helping make that argument.
I’d also highly recommend checking out the video of the speeches that were made. Particularly Aaron Sorkin, Oliver Stone and Richard Curtis.
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The Writer’s Guild announced their nominations.
Generally you can only really believe about 60% of what you see with them, just because every year a bunch of scripts go in different categories (two years ago, Whiplash was nominated in Original at WGA and was pushed Adapted for the Oscars), or are just straight up ineligible at the WGA for various reasons. So you can only go so far in believing the WGA nominations in terms of translating into Oscar nominations.
That said, let’s take a look at what they nominated this year: (more…)
Oh yeah, the WGA Awards were announced last night.
I realized I never wrote it up as I checked to see if ASC announced yet (which they will soon).
The Big Short won for Adapted and Spotlight won for Original.
Your screenplay categories are locked. No need to stretch this article out any more than it needs to be.
The Writers Guild announced their nominees this year.
I don’t put a whole lot of stock into them, just because of their eligibility issues (if you’re not a member, you won’t get nominated. Which is why Quentin is never nominated and wasn’t nominated for Django, despite winning the Oscar), but they are generally helpful for seeing what the major contenders are (and what scripts people will think have a chance to be nominated, even if they don’t).
Here are the nominees: (more…)