Mike’s Top Ten of 1932
You definitely start to see an overall increase in quality when you get to 1932. Previous sound years have really good films, but you can’t really go 20 deep with films most people would want to watch. Here, you’re starting to be able to do that. It’s exciting to me to see Hollywood growing up. To put this into terms you young people who don’t know anything before 2002 can understand: Hollywood in the silent era was a full-sized Groot. And then sound happened and the whole thing got blowed up. And now, we’re dealing with a Baby Groot, slowly coming into its own again. We’re watching it get back to form.
1932 and 1933 are also the two years where Hollywood started really pushing the envelope, subject matter-wise, which lead to the creation of the Production Code. There are a couple of those here. You get your smatter of sex, violence and social problems. And then other cool stuff, like what might be the most bizarre film Hollywood made in the studio era. (more…)
Pic of the Day: “Mr. Cogburn, did you find a bottle with a hundred and twenty-five dollars in it?” “Objection your Honor, Leading.” “Sustained. Rephrase the question.” “What happened then?” “I found a bottle with a hundred and twenty-five dollars in it.”
Mike’s Top Ten of 1931
1931 places us firmly in the sound era. The only silent films you’ll see here are ones made either foreign, or by very specific auteurs. Now that sound is the norm, we start to see the era of Pre-Code films seep in. More specifically, one type of picture that would be very big in this era: the gangster picture.
The gangster picture sees its heyday from 1931 through the early 40s, when it starts to fade away and be melded into the noir genre. Also here, a genre that is only starting to emerge now, with sound, the horror film. The horror genre wasn’t really prevalent in the silent era. There are notable exceptions, but the genre only really starts to take off in 1931, with three very iconic films of the genre coming out and paving the way.
There’s not a whole lot to say about 1931, since it’s still transition to sound, and Pre-Code. Mostly of interest are the specific films that came out this year. (more…)
Pic of the Day: “We’re finally getting out of this turkey town, and now you wanna crawl back into your cell, right? You wanna end up like John? You just can’t stay seventeen forever.”
Mike’s Top Ten of 1930
1930 is a year that’s memorable historically because it’s smack-dab in the middle of the transition to sound. The Jazz Singer comes out October 1927. Hollywood only starts getting into talkies in 1929, because it took them the first year to clear out the inventory and start new. The transition to sound is a fascinating era. Because first it’s all about showing films with sound. A lot of them are plays, with tableau staging and very theatrical stories and performances. Then slowly, as techniques begin to be developed and technology gets better (because remember, in order to shoot sound at first they had to keep cameras — which were very loud, as were the lights — stationary and had giant soundproof booths just to pick up everything), they start to get more advanced. By 1932, they’ve basically perfected the sound technology and are moving into narrative advancements.
But in 1930, you have an interesting mix of films that are just learning to use sound. Still a smattering of silents, but mostly talkies. And the talkies you see that do well here are of very specific genres: comedy, western, war, musical. The quintessential genres. You also see a very specific genre emerge: Pre-Code films. Now that Hollywood has the use of sound, they have much more leeway on dialogue. And they’re starting to go into some pretty dangerous territory, which will get them in trouble in a few years and lead to a self-censorship that prevented them from going into the subjects of sex and addiction and all that good stuff.
It’s an interesting year. There’s some good stuff in it. A lot of stuff that only works when you understand the era, but this year did give us an all-time great film. Like legitimate all-time, still holds up today, still one of the greatest films ever made. And the fact that it happened during the transition to sound is all the more impressive. (more…)




















