For me, the big thing about 1944 is the noirs. I know the war is still in full force and the dominant set of films are either pro-war movies or light and fluffy stuff to take people’s minds off of it. But really, the thing that stands out is the amount of noir films that came out this year. This is really the first year where the noirs are a staple of cinema. Sure, all those other ones were the headliners, but the noirs played in front of all of them.
You look at this list — maybe 7 or 8 noirs in total. And it’ll only grow from here. This is the time when the cynical underbelly of society started to pop up. Most people speak of that popping up post-war. With everyone returning to the suburbs and people’s collective weariness about the war and all of that starting to creep into the films. But you really start to see it as early as 1944. It doesn’t solidify until after the war, but you definitely start to see it happening as early as now. I’d say the noirs here are much more “drama”-leaning. That is to say, they’re presented more like dramas than what we’d consider the traditional noirs. But they’re still noirs by any account.
That’s how I look at this list — great comedies, great war films, and that nice underbelly of noirs. Just how I like it. Read the rest of this page »