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Mike’s Top Ten of 1982

Pound for pound, 1982 is one of the strongest years of the 80s.

This is the first year the industry feels like it switched over into the “80s.” Though, that being said, it still feels like there’s a strong auteurial stamp on the bigger movies, if that makes sense. It doesn’t feel like the studio has overwhelmed the filmmaker quite yet. For example — E.T. feels like a very personal movie for Spielberg, and it would end up being the thing that created that Amblin feel that would permeate the rest of the studio’s work for the decade.

Outside of that — heavy hitters this year. At least half the top ten list is just no-brainers on title alone. Read the rest of this page »

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Pic of the Day: “Do you think you can hold me?” “We’ll do our best, Mr. Grindelwald.”

Mike’s Top Ten of 1981

I’ve always looked at 1981 as a weak year. Which might have something to do with their Best Picture choice. I don’t know. I just don’t find myself excited about many of the films. It’s the kind of year where, some of the films at the top would not be there had they come out in other years. But I guess you could say that for just about any year. It just feels kinda flat to me. Some of the below the line stuff definitely wouldn’t be there in a stronger year.

I’m guessing this is like 1968, which I also always looked at as a weak year, because the industry was flushing out the last of the “70s” stuff before moving onto the 80s. These industry transitions don’t just happen. They take a few years. This feels like the nadir of the transition, before everything fully switches over. This is like that moment, as you’re backing up, when the car sort of rolls to a stop before you put it back in drive. That’s how I would describe this year.

That said, one of my all time favorite movies came out this year, so that’s always nice. And then there’s some really cool stuff I like a lot also there. So that’ll keep things interesting. Overall, though, not my favorite year. Read the rest of this page »

Mike’s Top Ten of 1980

1980 is the transition period from the filmmaker-driven period of the 70s to the studio-driven period of the 80s. You can definitely see that shift taking place. Plus, this year has the big end marker: the giant bomb that effectively ended directors having complete control of projects.

The 80s as a decade always felt a bit formless to me. It’s just a weird time. But when you take each year on its own, there’s some great stuff. Here, two of the all-time most iconic films ever made were released. And honestly, if you didn’t know they came out in 1980, you wouldn’t know when it was they came out.

I think the theme of this decade is going to be, “Strong at the top, weak down below, with some good gems sprinkled throughout.” And a lot of terrible fashion choices. Oh, but it looks good on you though.

Here’s 1980. Read the rest of this page »