Pic of the Day: ♫ “What is that? / It’s priest / Have a little priest / Is it really good? / Sir, it’s too good, at least / Then again, they don’t commit sins of the flesh / So it’s pretty fresh / Awful lot of fat / Only where it sat / Haven’t you got poet or something like that? / No, you see the trouble with poet is how do you know it’s deceased? / Try the priest.” ♫ (15th Anniversary)
Okay, here they are, finally. All those lists I usually post sporadically throughout December, January (and maybe February) in between Oscar stuff. I said I’d get around to it in some form. This is that form. Most of it was done by January 1st, save a couple of performances that took me a bit longer to watch. Really the delay has just been waiting to try to work through all the scores.
I’ve consolidated my lists into what I feel are the essentials, which are: hidden gems from the year, the films that disappointed me/surprised me, favorite performances, favorite documentaries, favorite posters, and of course, favorite scores. They’ll all be presented without comment, because I just don’t feel the need (or have the time and energy) to come up with stuff to say. I liked it all, and I hope you’ll find my opinion trustworthy enough to go watch and/or listen to this stuff yourself if you haven’t already. Plus, odds are you can probably find everything you need in terms of me talking up how much I liked most of these films in my Top Ten list. I think everyone gets the idea by now.
So, without further ado, here’s a bunch of lists of stuff I really liked from this year: Read the rest of this page »
So yeah, I’ve been lax about a couple of these precursors. But VES announced today so I figured I’d just run through a few things at once and catch up to what I haven’t officially covered. Because why not?
We’ll start with the Annies, which announced almost a full month ago at this point, then get into a new guild, the Set Designers Guild, which I’ve never covered (because last year was their first set of awards) and should help us with Production Design along with the Art Directors Guild, and then end with today’s VES nominations for Visual Effects.
Also, side note, before we get into everything: because of all the craziness in the world, CAS has pushed their entire awards timeline crazy forward, so nominations won’t even be announced until March 2nd, almost a month after Oscar nominations are announced, and winners won’t be announced until three weeks after the Oscars are given out. So good thing we have a Sound shortlist this year, because we’re only getting help from MPSE and BAFTA and not CAS. Read the rest of this page »