Pound for pound, 1982 is one of the strongest years of the 80s.
This is the first year the industry feels like it switched over into the “80s.” Though, that being said, it still feels like there’s a strong auteurial stamp on the bigger movies, if that makes sense. It doesn’t feel like the studio has overwhelmed the filmmaker quite yet. For example — E.T. feels like a very personal movie for Spielberg, and it would end up being the thing that created that Amblin feel that would permeate the rest of the studio’s work for the decade.
Outside of that — heavy hitters this year. At least half the top ten list is just no-brainers on title alone. Read the rest of this page »