Today’s category is Best Original Score, which has largely been a really solid category throughout the years. And the reason I know that is because, even since they’ve started announcing a shortlist for the category, even those have been solid. Sure, like International Feature this year, there are a couple of entries on there that are more about the stature of the composers more than the scores themselves, but that’s why you have a shortlist of 15. To be able to have that extra padding. Overall, these categories have been really good most years and while I can quibble about some of their choices of winners, they generally get it right in terms of the nominees.

This year, we get a nice mix of great scores, respected composers and overall good movies represented. And, like most years, while I can quibble one choice over another, it’s a really nice list that really feels like it cares about quality above all else. And you have to respect that, especially given the ups and downs this branch has had in the Original Song category over the years. Read the rest of this page »