Mike’s Top Ten of 2012
2012 is the first (and perhaps only) year from this decade where the top ten list I posted at the time exactly matches my top ten now. I knew immediately what my ten favorite movies were that year, and that hasn’t changed. And, in all likelihood, that won’t change. These ten are pretty much my ten. My goal in writing up the list each year is to try to best guess what films are not only my favorite films at the moment, but also which ones are going to continue being my favorite films over time. Some years turn out better than others. And as it stands, this might be the only one of the decade where I ended up being completely right all the way through.
Which is impressive to me, because there are two choices on this list that are not mainstream choices for top ten films. I don’t think you’ll see those on most people’s lists. And if you do, chances are they won’t be around a lot of the other stuff I’ve also chosen. But I love them, and would 100% call them two of the top movies of the year.
I’m a big fan of this list. (more…)
Hugo and the History of the Movies (Part I)
This was originally going to be my 1,000th post. I was thinking of something to write up, and saw that the article I wrote about my favorite moments from the film was getting a ridiculous amount of traffic as compared to everything else (I guess because of the HD screenshots), so I figured, “Well, that would be fun to talk about how the film relates to film history and all of that, plus I can throw in a lot of screenshots, and make it like those Tron articles (which still get by far the most views on the blog, because people just link to all the pictures).” Basically — fun, and a calculated risk to boost traffic. Because if you can, why not?
So my plan was to write up an article with screenshots about, as the title says, Hugo and the history of the movies. Only, with me, nothing is ever that simple. I started watching the film again (third time now) and then my film student brain turned on, and I started noticing all these great moments, which turned into a whole film analysis, and — it became a whole thing. I can never contain myself to just one article. Ever.
Anyway, here’s part one of me talking about Hugo and its use of and reliance upon the history of movies (as well as some other stuff. Mostly about how Martin Scorsese is a genius). (more…)