Mike’s Top Ten of 2021
2021 is like the flood after a storm. With the crazy year 2020 was, so much stuff was pushed in the hopes of finding an audience not fully burdened with the possible fall of democracy and a global pandemic and, as the year went on, they figured out how to keep working safely and things got back to being filmed. So we had not only all the stuff that was shot throughout the pandemic but also the stuff that was supposed to be released last year, which ended up giving us a real smorgasbord of films to pick from. And, for a change, I definitely didn’t feel worried I wasn’t gonna have enough stuff to put in my top ten.
One thing that will be interesting to look back on in regard to this year (much like last year) is what films people end up gravitating toward and/or discovering over time. Because with the shifting release schedule (most films this year either went day-and-date or went to streaming 30 or 45 days from their theatrical release date, as opposed to the 90 it used to be) and the already-present overabundance of content for people to watch, I haven’t gotten the sense that most people are aware of the a lot of these films. In the latter part of this year, I found myself as the only person in a theater to watch some of these choices. Which means that people either don’t know, don’t care or are waiting for the films to go streaming to see them (which is dicey for some of them because unless it’s a major title, it’s so easy to lose something in the shuffle). Which opens up a whole can of worms of questions in and of itself. But for my purposes here, I am curious to see what films end up later becoming hits when people actually get around to seeing them. And hopefully will do my part to get some people to watch a few of these.
One trend, though, that I think will be fairly uniform across the board for 2021: most people seem to be agreeing on the same crop of films as the best ones. Pandemic or no pandemic, the best filmmakers are still making the best films. (more…)
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