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Mike’s Top Ten of 1988

This is my favorite year of the 80s. And that has nothing to do with the fact that it’s the year of my birth. This year has, in my mind, the strongest set of films. I’ll take most of these ten over a lot of #1s and #2s from the other years.

You got an all-time great comedy, an all-time great action movie, two incredible animated films, four other classic comedies, an iconic Oscar-winning drama… and Moonwalker.

The top three movies on my list shaped my childhood. I am who I am because of those movies. You can’t say that about most years. Read the rest of this page »

Mike’s Top Ten of 1987

This is one of the strongest overall years of the 80s. This list goes pretty deep. The theme of it seems to be “great directors making great movies.” And then other cool, offbeat stuff too.

I’m sure there are other years from this decade that can match this one, but the minute I look down at this list, I’m struck by who made most of the movies: Brooks, Kubrick, Boorman, Donner, Jewison, Reiner, the Coens, De Palma. Sure, it’s not the biggest on star power, but also, when you look at some of the movies on there, you might argue that they’re those directors’ best movies. Or at least the movie for which they’re best remembered.

My interest in the films is definitely also picking up overall, which might just be a head of steam knowing the decade is on the way out. Read the rest of this page »

Mike’s Top Ten of 1986

If 1985 was peak 80s, this is more… how best to explain it… if we hit the pinnacle last year, then this is where everything starts to splinter off and go into its own little niche. This is where all the weird little strands start to appear as the decade winds down. I feel like the next three years are where you start to see the “80s”-ness dilute out of movies and you start to see the growing 90s independent film style start to creep up

But, while we’re still in the 80s, I think the main thing I get out of this year are the great comedies. Other than that, it’s mainly childhood staples, genre staples and weird or interesting movies by big filmmakers. That’s what it feels like.

Mostly, though. It’s the comedies. #1 and #2 on this list are unequivocally two of my absolute favorite movies of all time. Read the rest of this page »

Mike’s Top Ten of 1985

Peak 80s. That’s what this is. This feels like everything I remember the 80s being. Not that I particularly remember the 80s, since I wasn’t alive for just about 90% of it. But in my mind, this year epitomizes the decade for me.

This is one of those lists that was forged mainly by my childhood. A bunch of these are movies I grew up watching. Some of them I saw in college for the first time, and the rest I saw as part of the Oscar Quest. Which, for me, makes it feel like I’ve been with them for a while, given the amount of stuff I’ve seen since then.

Though I will say, as far as the decade goes… not the deepest. All the strength tends to be up top. But, so far we haven’t had a year that was horrendously bad, so we should be grateful for that. Read the rest of this page »

Mike’s Top Ten of 1984

We’re approaching peak 80s. The thing about this list is that you can look at most of them and go, “That’s an 80s movie.” It just feels like the decade. Also… it’s a great list. It’s just, boom, boom, boom, one after another.

The one thing I note about this year is that it has a proliferation of mainstream movies. All the best stuff are things that were not nominated for awards. In fact, this Oscar crop is one of the weakest of all time, in my mind. It shows that occasional disconnect where all the best stuff is ignored by the voting body in favor of the stodgy “Oscar” kind of movie.

I don’t have a whole lot to add about the year other than that. HOWEVER… there is a historical piece of information to relay about this one that makes it different from other 80s years. This is the year where the PG-13 rating was introduced. And we can thank Temple of Doom for that. And also Gremlins. These were movies with content above that young kids could handle that otherwise weren’t extreme enough for an R rating. So Spielberg suggested a rating in between, and then the PG-13 was introduced. Red Dawn was the first film to officially get the rating. Read the rest of this page »