This is one of the strongest years at the top of the 60s. This is like when a famous band that’s been around a long time plays a concert and then starts playing the major hits one after another. It’s just banger after banger.

The year as a whole isn’t as strong as some of the other 60s years. You don’t go ten deep of classics. But still, there’s cool shit here. The 60s isn’t so much about the major stuff — since we can all pretty much agree on that — it’s about the gems that are below the surface that no one remembers anymore. They’re not as numerous as they were in the 50s, so they’re more pronounced. And because they’re not as much a product of the studio system as they were (since the studio system at this point is decaying and will be gone before the end of the decade), they’re all really interesting, subject wise.

But really, the best part of 1961 is getting to talk about the top tier films. Because man, are those all-timers. Read the rest of this page »

I love 1960. I look at my favorite films of this year, and they make me smile. Not just because one of my five favorite films of all time came out this year, but also because legitimately half this top ten list (minimum) is widely considered among the absolute greatest films ever made. Personally, I think that distinction goes about seven or eight deep for this one. Plus, there’s a lot of cool under-the-radar stuff this year as well.

As far as the year goes, I think the major note is that you’re starting to see things turn. You don’t see the standard “studio” movie anymore. You look at most movies from the 50s, and they just feel like studio system movies. The movies are getting longer, they’re starting to feel less artificial and the subject matter is starting to broaden.

You also start to see way more foreign films permeating the lists, as this is part of the golden era of foreign cinema. Certain countries had movements before now, but in the 60s, you’re gonna see a lot of countries producing masterpieces left and right.

1960 is a good year. Read the rest of this page »