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The Oscar Quest: Best Supporting Actress – 1938

I don’t like 1938. As I’ve said on a number of occasions, it feels like a year where the Academy said, “We don’t know what to do…well, what worked for us before?” and went with that.

You Can’t Take It with You wins Best Picture and Best Director for Frank Capra (talked about here). It feels like they were trying to recapture that 1934 magic. It feels weak and insincere. Best Actor was Spencer Tracy for Boys Town (talked about here), which I consider the single weakest Best Actor-winning performance of all time. Not the worst decision of all time, just performance that won. Best Actress was Bette Davis for Jezebel (talked about here), which I also don’t like but can sort of accept. And Best Supporting Actor was Walter Brennan for Kentucky (talked about here), which is pretty weak and feels like them saying, “What do we do? Well, we like Brennan, let’s vote for him.”

And this category — this one I actually like. Mostly because it’s weak, and because Fay Bainter was also nominated for Best Actress this year, and I feel the two performances easily add up to one award. And this one was the right one, I felt.

BEST SUPPORTING ACTRESS – 1938

And the nominees were…

Fay Bainter, Jezebel

Beulah Bondi, Of Human Hearts

Billie Burke, Merrily We Live

Spring Byington, You Can’t Take It With You

Miliza Korjus, The Great Waltz Read the rest of this page »

The Oscar Quest: Best Actor – 1983

1983 is one of the not dull spots of the 80s. It’s not particularly bright, but it’s — cheap fluorescent. I’ll take that.

Terms of Endearment wins Best Picture, which is not a terrible choice (though I loved The Right Stuff so much more), considering the weak set of nominees, but it is a weak Best Picture choice, considering many of the films that won the award. It also won Best Director for James L. Brooks (talked about here), which makes sense, since Phillip Kaufman inexplicably wasn’t nominated, Best Actress for Shirley MacLaine (talked about here), which was 23 years overdue, and Best Supporting Actor for Jack Nicholson (talked about here), which I don’t understand past, “It’s Jack, we have to vote for him.” I go Sam Shepard all the way there.

The other non-Endearment winner this year, besides this category was Best Supporting Actress, which went to Linda Hunt for The Year of Living Dangerously (talked about here). In case you don’t know or haven’t seen the film — she plays a man! And nobody notices!

Okay, that brings us to this category. It had to happen. I don’t love the performance (much the way I didn’t love Jeff Bridges’ country singer Oscar winner performance (you know you loved those rhymes)), but (more so than the Bridges one) this had to happen because — Duvall’s snub in 1979 was so bad, so horrible, that he should have won for any performance he gave this year, whatever it was. (Sorry Michael Caine, but, blame the Academy. Though he got two awards later on, so he came out all right.)

BEST ACTOR – 1983

And the nominees were…

Michael Caine, Educating Rita

Tom Conti, Reuben, Reuben

Tom Courtenay, The Dresser

Robert Duvall, Tender Mercies

Albert Finney, The Dresser Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1958

I hate talking about 1958. It’s so — middling. All the nominees for Best Picture feel weak. And the winner is just — fluff. Gigi is a fine film and all, but it shouldn’t have won Best Picture. None of the nominees really should have. The Defiant Ones was probably the best choice among the bunch.

Vincente Minnelli won Best Director for Gigi (talked about here), which actually was a good decision. The dude was owed two by this point. David Niven wins Best Actor for Separate Tables (talked about here) and Wendy Hiller wins Best Supporting Actor for the film as well (talked about here). Both were veteran Oscars and are acceptable to varying degrees. And Best Actress was Susan Hayward for I Want to Live! (talked about here), which she’d earned by this point. I just wish she’d won earlier and someone else could have won here (especially since Deborah Kerr and Rosalind Russell never won Oscars, and if Elizabeth Taylor won here she wouldn’t have had to win in 1960).

And then this category. I fucking love this category. So much. I’d have wanted to vote for Burl Ives without having seen the performance. But having seen it, and the other performance he gave this year that he wasn’t nominated for — oh man, does he win this in a landslide. What a great decision for all time.

BEST SUPPORTING ACTOR – 1958

And the nominees were…

Theodore Bikel, The Defiant Ones

Lee J. Cobb, The Brothers Karamazov

Burl Ives, The Big Country

Arthur Kennedy, Some Came Running

Gig Young, Teacher’s Pet Read the rest of this page »

The Oscar Quest: Best Actor – 1961

1961 is one of those years that’s so good that you can afford to get upset with it. I sometimes go off about how much I think I don’t like it, and then I realize, “Shit, I’m arguing between two or even three great films.”

West Side Story wins Best Picture, Best Director for Robert Wise & Jerome Robbins (talked about here), Best Supporting Actor for George Chakiris (talked about here) and Best Supporting Actress for Rita Moreno (talked about here). All would be perfect decisions in almost any year but this one. This one, however, has at least two other strong nominees in all the categories, which leads to situations where you think the winners weren’t good decisions.

Best Actress this year was Sophia Loren for Two Women (talked about here). I won’t get into it too much, but — I just don’t like it. I don’t.

And this category — the other one I really don’t like. This, to me, is one of the top five worst Best Actor decisions of all time. It’s horrible. Sure, they sort of made up for it, but the snub in and of itself is Unforgivable.

BEST ACTOR – 1961

And the nominees were…

Charles Boyer, Fanny

Paul Newman, The Hustler

Maximilian Schell, Judgment at Nuremberg

Spencer Tracy, Judgment at Nuremberg

Stuart Whitman, The Mark Read the rest of this page »

The Oscar Quest: Best Actress – 1930-1931

1930-1931 is one of the early years. Different set of rules.

Cimarron wins Best Picture. The first Western to win, and, honestly, a decent choice. I’d have probably went another way, but it’s a matter of personal preference. Cimarron is an epic western, takes place over a number of years, is based on a best-selling book — it’s a good choice. Best Actor was Lionel Barrymore for A Free Soul (talked about here). He was a respected actor, and was a good choice for a year that was about legitimizing the awards. I wouldn’t have voted for it, but it makes sense. And Norman Taurog wins Best Director for Skippy (talked about here), which is a terrific, terrific decision, and one of my favorites of all time.

Okay, now we’re at this one. Tough call. Like I said — different set of rules. The rules dictate that the most respected/popular actors of the day win, in order to legitimize the award. You have Janet Gaynor, Mary Pickford, Norma Shearer winning — and here, Marie Dressler, the most popular star in Hollywood (at age 60, to boot), is nominated. Of course she’s going to win. But does that mean it was the right decision? I don’t know.

BEST ACTRESS – 1930-1931

And the nominees were…

Marlene Dietrich, Morocco

Marie Dressler, Min and Bill

Irene Dunne, Cimarron

Ann Harding, Holiday

Norma Shearer, A Free Soul Read the rest of this page »