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The Oscar Quest: Best Actress – 1972

1972 is so easy to recap. Two films won most of the awards.

The Godfather wins Best Picture and Best Actor for Marlon Brando (talked about here). Cabaret wins Best Director for Bob Fosse (talked about here) and Best Supporting Actor for Joel Grey (talked about here). I’m of the opinion that The Godfather should have just won everything.

The only non-Godfather/Cabaret winner was Best Supporting Actress, which went to Eileen Heckart for Butterflies are Free (talked about here). That was one of the weakest Best Supporting Actress categories of all time.

And then this category. This is one of the weakest categories I’ve ever seen. Just glancing at it, you can pick out an easy winner. I mean — it’s not even close. Like, at all. Not even a little bit.

BEST ACTRESS – 1972

And the nominees were…

Liza Minnelli, Cabaret

Diana Ross, Lady Sings the Blues

Maggie Smith, Travels with My Aunt

Cicely Tyson, Sounder

Liv Ullmann, The Emigrants Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1989

Everyone knows 1989. We all have opinions. No need to talk about it. We’ll let the individual articles do the talking.

Driving Miss Daisy wins Best Picture and Best Actress for Jessica Tandy (talked about here). Veteran Oscar. Best Actor was Daniel Day-Lewis for My Left Foot (talked about here), and Brenda Fricker also won Best Supporting Actress for the film (talked about here). And Oliver Stone won Best Director for Born on the Fourth of July (talked about here).

And then there’s this category. I don’t really know what to do with it. It’s — I don’t know. Smells like a makeup Oscar to me. (Which isn’t a surprise, considering the Academy’s treatment of Denzel and their blatant racism throughout history.)

BEST SUPPORTING ACTOR – 1989

And the nominees are…

Danny Aiello, Do the Right Thing

Dan Aykroyd, Driving Miss Daisy

Marlon Brando, A Dry White Season

Martin Landau, Crimes and Misdemeanors

Denzel Washington, Glory Read the rest of this page »

The Oscar Quest: Best Actor – 1957

I love 1957. It begins and ends with The Bridge on the River Kwai. It’s a Lean year.

The film wins Best Picture, Best Director for David Lean (talked about here), and this category. Terrific all around. And you have 12 Angry Men also up for Picture and Director to keep it interesting (and honest). I like that.

Best Actress was Joanne Woodward for The Three Faces of Eve (talked about here). Probably a top ten decision of all time in that category. Best Supporting Actor and Best Supporting Actress were Red Buttons (talked about here) and Miyoshi Umeki (talked about here) for Sayonara. I am on the record about despising both decisions.

And then we’re left with this category, which to me is an open and shut case. Go Alec!

BEST ACTOR – 1957

And the nominees were…

Marlon Brando, Sayonara

Anthony Franciosa, A Hatful of Rain

Alec Guinness, The Bridge on the River Kwai

Charles Laughton, Witness for the Prosecution

Anthony Quinn, Wild is the Wind Read the rest of this page »

The Oscar Quest: Best Actress – 1935

1935 is a weak year for me. I don’t like it very much. Mutiny on the Bounty is a great film and a classic film, but it’s not my favorite film from 1935 (that would be The Informer. And Top Hat, but that wasn’t winning). It’s the only Best Picture winner to not win any other award (and be nominated for them. Not like Grand Hotel, which was only nominated for Best Picture).

Victor McLaglen wins Best Actor for The Informer, which was a terrific decision. He was fantastic. And John Ford also wins Best Director for the film (talked about here). Hmm…maybe that’s a sign that the film was actually better than the film that won, don’t you think?

And this category — what the hell? Bette Davis wins by default. Don’t think she didn’t. There was such an outcry that she wasn’t nominated for Of Human Bondage the year before this (which she should not have won for at all) that, after a write-in campaign that almost got her the win, they pretty much were willing to give her this one for just about anything she put up on screen. And I didn’t think she was that good.

BEST ACTRESS – 1935

And the nominees were…

Elisabeth Bergner, Escape Me Never

Claudette Colbert, Private Worlds

Bette Davis, Dangerous

Katharine Hepburn, Alice Adams

Miriam Hopkins, Becky Sharp

Merle Oberon, The Dark Angel Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1971

I love 1971 because a real 70s film won. There are few films that perfectly encapsulate the 70s more than The French Connection. What a great film. All due respect to A Clockwork Orange and The Last Picture Show (and even Nicholas and Alexandra and Fiddler on the Roof… strong year), but The French Connection should have won.

Gene Hackman won Best Actor for the film (talked about here), which I love, and William Friedkin won Best Director for it (talked about here), which he deserved (between this and The Exorcist, he deserved a statue).

Best Actress this year was Jane Fonda for Klute, which was also a very 70s decision. I like it. And Best Supporting Actress was Cloris Leachman for The Last Picture Show (talked about here), which I’m okay with, even though I’d have gone another way.

And then there’s this category. I don’t like it. Not even a little bit. I just don’t see it at all. I don’t see it in the performance or the actor. Add to that one of my favorite actors in a great film, and I just can’t abide this one.

BEST SUPPORTING ACTOR – 1971

And the nominees were…

Jeff Bridges, The Last Picture Show

Leonard Frey, Fiddler on the Roof

Richard Jaeckel, Sometimes a Great Notion

Ben Johnson, The Last Picture Show

Roy Scheider, The French Connection Read the rest of this page »