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The Oscar Quest: Best Actress – 1980
1980 is the beginning of what I consider the single worst decade in the history of the Academy Awards (not to mention the beginning of what would lead to our current state of events in the industry). The 80s, to me, are a decade that not only has the weakest Oscar years, but also the single worst decisions. Of 10 Best Picture choices, I think only two of the 80s decisions are strong, with two okay ones (from weak categories), two obvious ones, and the rest, terrible.
As for 1980, Ordinary People wins Best Picture, Best Director for Robert Redford (talked about here) and Best Supporting Actor for Timothy Hutton (talked about here). The Hutton decision is a good one (even though he’s really the lead of the film), but the other two — they beat Raging Bull. I think we all agree they were terrible. Then, Best Actor was Robert De Niro for Raging Bull, which is clearly one of the best decisions of all time in the category, and Best Supporting Actress was Mary Steenburgen for Melvin and Howard (talked about here), which — meh.
So that’s 1980. Fortunately, this category makes up for the rest of the stuff. I know some people would have went another way, but historically, I think this was a terrific decision.
BEST ACTRESS – 1980
And the nominees were…
Ellen Burstyn, Resurrection
Goldie Hawn, Private Benjamin
Mary Tyler Moore, Ordinary People
Gena Rowlands, Gloria
Sissy Spacek, Coal Miner’s Daughter Read the rest of this page »
The Oscar Quest: Best Director – 1946
No sense in wasting time for 1946. The Best Years of Our Lives, a film about the aftereffects of war on the average American soldier and his family, was going to win Best Picture no matter what. No matter how much we all love It’s a Wonderful Life, it wasn’t going to win. Not in 1946, right after the war. Not gonna happen.
The Best Years of Our Lives wins Best Picture, Best Actor for Frederic March (talked about here), Best Supporting Actor for Harold Russell (talked about here), and this category. And no matter how much we may not like any of those decisions, they were gonna happen anyway. Best Actress was Olivia de Havilland for To Each His Own (talked about here), which was a fantastic decision, and she was about seven years overdue for one of these. And Best Supporting Actress was Anne Baxter for The Razor’s Edge, which was another terrific decision.
Then there was this category. Wyler’s second of three. (All for Best Picture winners, too. When this man wins, he really wins. Kind of like Clint Eastwood.) I feel less bad about this one because Capra already had three. (And Lean would win two.) It makes perfect sense. The only thing complicated about this is who the hell I’m gonna vote for.
BEST DIRECTOR – 1946
And the nominees were…
Clarence Brown, The Yearling
Frank Capra, It’s a Wonderful Life
David Lean, Brief Encounter
Robert Siodmak, The Killers
William Wyler, The Best Years of Our Lives Read the rest of this page »
The Oscar Quest: Best Supporting Actor – 1960
I love 1960. Mostly because The Apartment, one of my favorite films of all time (top five, even), wins Best Picture and Best Director for Billy Wilder (talked about here). I love both decisions, even though Hitchcock probably should have won Best Director for Psycho.
Best Actor this year was Burt Lancaster for Elmer Gantry (talked about here), which was a gerat decision (and was so well-deserved). Shirley Jones also won Best Supporting Actress for the film (talked about here), which was a good decision, even though I’d have gone another way. Best Actress was Elizabeth Taylor for BUtterfield 8 (talked about here), which we all recognize as a bad decision, but it’s not a terrible one, just because they did think Taylor might die and because Shirley MacLaine eventually did win an Oscar. In all, we have a strong year, with all decisions making sense, even if they weren’t necessarily the best decisions.
And then we have this category, which — there was no way any other decision was gonna happen.
BEST SUPPORTING ACTOR – 1960
And the nominees were…
Peter Falk, Murder, Inc.
Jack Kruschen, The Apartment
Sal Mineo, Exodus
Peter Ustinov, Spartacus
Chill Wills, The Alamo Read the rest of this page »
The Oscar Quest: Best Actress – 1942
1942. It’s pretty cut and dry and understandable all the way through. I like that.
Mrs. Miniver wins Best Picture, Best Director for William Wyler (talked about here), this category, and Best Supporting Actress for Teresa Wright (talked about here). Picture had to happen, because it’s a war film made during the peak war years, promoting family and strength and togetherness, and — it just had to win. It wasn’t going to not win. Director was going the way of Picture, so that’s that Teresa Wright — she was also nominated for Best Actress this year, and was up-and-coming. There was no way she wasn’t winning something. And this category I’ll tell you about in just a second.
The other categories this year were Best Actor, which went to James Cagney for Yankee Doodle Dandy (talked about here), which was a terrific decision (especially since Gary Cooper won the year before this), and Best Supporting Actor, which went to Van Heflin for Johnny Eager, which was a bad decision in a terrible category. So whatever.
And this category — had to happen. She was really overdue by this point, and the only reason she didn’t have won already was because she lost to a makeup Oscar. So now she gets her makeup Oscar, and everything works out just fine.
BEST ACTRESS – 1942
And the nominees are…
Bette Davis, Now, Voyager
Greer Garson, Mrs. Miniver
Katharine Hepburn, Woman of the Year
Rosalind Russell, My Sister Eileen
Teresa Wright, Pride of the Yankees Read the rest of this page »
The Oscar Quest: Best Supporting Actress – 1967
1967. The landmark year. Hollywood breaks from classical tradition. But not so you’d really notice it, the Oscars seemingly try to mask that change by picking the most watered down version of it. Of the five Best Picture choices, here’s the order in which they’d have been good choices for the year that was 1967: Bonnie and Clyde, The Graduate, Guess Who’s Coming to Dinner, In the Heat of the Night, Doctor Dolittle. Dolittle of course would have been a complete rejection of the situation, and that wasn’t gonna happen. And some people might put In the Heat of the Night third (but I don’t). But still — it was not an ideal choice.
I think that’s evident in the fact that Mike Nichols won Best Director for The Graduate (talked about here). Even bad Best Picture choices also won Best Director (King’s Speech, anyone?). Though they did do a good job of spreading the wealth. Best Actor was Rod Steiger for In the Heat of the Night. I wouldn’t have voted for it, but it’s an acceptable decision, since he’d earned one of these from ’65 for The Pawnbroker. Best Actress was Katharine Hepburn for Guess Who’s Coming to Dinner (talked about here), which, while I wouldn’t have voted for it, isn’t that bad, since all the other potential winners had, or later won, Oscars. Best Supporting Actor was George Kennedy for Cool Hand Luke (talked about here), which I love dearly.
Then there’s this category. Holy shit, was this a great decision. This is also one of the strongest Best Supporting Actress categories of all time.
BEST SUPPORTING ACTRESS – 1967
And the nominees were…
Carol Channing, Thoroughly Modern Millie
Mildred Natwick, Barefoot in the Park
Estelle Parsons, Bonnie and Clyde
Beah Richards, Guess Who’s Coming to Dinner
Katharine Ross, The Graudate Read the rest of this page »
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