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The Oscar Quest: Best Director – 1970

I have to be okay with 1970, because you just can’t argue with it. Patton is a film that’s gonna win Best Picture almost every time. It just is. And George C. Scott winning Best Actor for it (talked about here) is one of the greatest Best Actor decisions of all time (sorry, James Earl Jones. you were incredible too).

As for the rest of this year, Glenda Jackson winning Best Actress for Women in Love ranks as the single worst Academy decision of all time. You can feel my pain here. Best Supporting Actor was John Mills for Ryan’s Daughter, which I hate, as I said here. And Best Supporting Actress was Helen Hayes for Airport (talked about here), which is one of the few decisions from this year I actually like.

My problem with this year is — I love Love Story. It’s one of my favorite films of all time. And the fact that Patton was gonna win no matter what (much like 1997 with Titanic and L.A. Confidential) is quite disappointing. But fortunately, this category, Patton or not, was a good decision.

BEST DIRECTOR – 1970

And the nominees were…

Robert Altman, MASH

Federico Fellini, Satyricon

Arthur Hiller, Love Story

Ken Russell, Women in Love

Franklin J. Schaffner, Patton Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1994

All opinions aside… 1994 is a great year. Between Pulp Fiction, The Shawshank Redemption and Forrest Gump, we were treated with a great year for American movies. Let’s focus on that rather than what we think should have won.

Forrest Gump wins Best Picture, Best Director for Robert Zemeckis (talked about here) and Best Actor for Tom Hanks (talked about here). I understand the first two and like the second one (despite the fact that Hanks won the year before this, a decision I hate). Jessica Lange wins Best Actress for Blue Sky (talked about here), which was gonna happen at some point, and it worked out because they used her as an excuse to not give Jodie Foster her third statue in seven years. And Best Supporting Actress was Dianne Wiest for Bullets over Broadway (talked about here), which I don’t love, but understand.

And that leaves us with this, arguably the strongest category of 1994 (including Best Picture). I love all of these performances (well, the fifth one…), and picking a winner is really tough. But don’t worry, I totally did it.

BEST SUPPORTING ACTOR – 1994

And the nominees were…

Samuel L. Jackson, Pulp Fiction

Martin Landau, Ed Wood

Chazz Palminteri, Bullets over Broadway

Paul Scofield, Quiz Show

Gary Sinise, Forrest Gump Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1942

Like 1942 but don’t love it. A lot of that has to do with the fact that the Best Picture choice feels too easy. It’s a good film, but not a definitive winner to me. And the year doesn’t seem to have that definitive winner (though, historically, they did make a good choice. I’m all about how the Oscars tie into history).

Mrs. Miniver wins Best Picture, Best Director for William Wyler (talked about here), Best Actress for Greer Garson, and this category. I love all of these decisions. (Though as an addendum to that, I’d have voted for Teresa Wright in Best Actress, because I voted for Greer Garson the year before this in Blossoms in the Dust because I think that performance was better, so me voting for Garson there and Wright this year meant that I voted for someone else in this category. Ya follow?)

The non-Miniver Oscars went to James Cagney, as Best Actor for Yankee Doodle Dandy (a fantastic decision) and Best Supporting Actor was Van Heflin for Johnny Eager, which is the biggest blank in the history of that category.

So let’s get into this one, which, as I already said, I love the decision, but through my bookkeeping, I’m voting for something else. Don’t worry, I’ll explain everything.

BEST SUPPORTING ACTRESS – 1942

And the nominees were…

Gladys Cooper, Now Voyager

Agnes Moorehead, The Magnificent Ambersons

Susan Peters, Random Harvest

Dame May Whitty, Mrs. Miniver

Teresa Wright, Mrs. Miniver Read the rest of this page »

The Oscar Quest: Best Actor – 1977

Oh, 1977. Annie Hall beats Star Wars. Isn’t that cute?

I really have no opinion on this year. I hate Woody Allen films and I hate what Star Wars has become. I mean, it clearly should have won Best Picture over Annie Hall, because it’s just superior in every way (except neurotic Jewish people. But — C-3PO…almost). Woody Allen should not have won Best Director over George Lucas (talked about here), either. Diane Keaton should have won Best Actress, though (talked about here), only she should have won it for Looking for Mr. Goodbar instead.

Best Supporting Actor this year was Jason Robards for Julia, which I don’t really care about, as I said here. And Best Supporting Actress was Vanessa Redgrave, also for Julia, which, as I said here, I don’t really care about either.

Which brings us to this category. Well — at least Woody didn’t win. And good thing Richard Dreyfuss did.

BEST ACTOR – 1977

And the nominees were…

Woody Allen, Annie Hall

Richard Burton, Equus

Richard Dreyfuss, The Goodbye Girl

Marcello Mastroianni, A Special Day

John Travolta, Saturday Night Fever Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1939

1939 was the greatest year in the history of movies. Bar none. There has never been so many great movies released in the same year outside of this one. It’s incredible. And the best thing about such a great year is, despite all the great movies, there was a definitive Best Picture winner: Gone With the Wind.

Gone With the Wind wins Best Picture, Best Director for Victor Fleming (talked about here), Best Actress for Vivien Leigh, and here. All perfect decisions. The only awards the film didn’t win were Best Actor, which went to Robert Donat for Goodbye Mr. Chips, which as I said here, is an award that should have went to Jimmy Stewart for Mr. Smith Goes to Washington (and the Academy knew it because they blatantly gave him an Oscar the year after this), and Best Supporting Actor, which went to Thomas Mitchell for Stagecoach, which, as I said here, I love (despite also loving Claude Rains).

And that brings us to this historic category, which features the first black actress (or black anyone) to win an Academy Award. This one needed to happen, and I approve.

BEST SUPPORTING ACTRESS – 1939

And the nominee were…

Olivia de Havilland, Gone With the Wind

Geraldine Fitzgerald, Wuthering Heights

Hattie McDaniel, Gone With the Wind

Edna May Oliver, Drums Along the Mohawk

Maria Ouspenskaya, Love Affair Read the rest of this page »