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The Oscar Quest: Best Supporting Actor – 1952

This year and this category are both pretty bad. This will not be fun.

The Greatest Show on Earth wins Best Picture over High Noon. It’s generally listed among the worst Best Picture decisions of all time. It’s not a bad film, but it is a bad decision. You can tell it was a cop out decision because they didn’t even give it Best Director. That went to John Ford (his fourth) for The Quiet Man. Probably the second best possible decision, but it wasn’t for High Noon, as it should have been. Then, making things even more complicated, Gary Cooper wins Best Actor for High Noon a film they decided they didn’t want to vote for because it was too controversial (I talked about it here). It’s very confusing. Then Best Actress was Shirley Booth for Come Back, Little Sheba (which I talked about here), and Best Supporting Actress was Gloria Grahame for The Bad and the Beautiful (which I talked about here).

Which brings us to this category. It’s not good. It’s not strong at all. I don’t like three of these nominees. Which means — oh that’s right, you guessed it — it’s time to look for alternatives. Is this a bad category or a bad year? Let’s see: no, it’s a pretty bad year. The only other possibility I can think of are either Walter Pidgeon or Barry Sullivan for The Bad and the Beautiful. It would have made me feel better, at least. Definitely wouldn’t have added to the category, though. So I guess it was just a weak year for supporting actor roles.

BEST SUPPORTING ACTOR – 1952

And the nominees were…

Richard Burton, My Cousin Rachel

Arthur Hunnicutt, The Big Sky

Victor McLaglen, The Quiet Man

Jack Palance, Sudden Fear

Anthony Quinn, Viva Zapata! Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1941

I think we can get this out of the way quickly by saying that 1941 is a travesty. Citizen Kane clearly should have won Best Picture, and didn’t because, well, William Randolph Hearst had a lot of influence. How Green Was My Valley wins Best Picture in a cop out decision. John Ford wins Best Director for it too (which goes with the territory).

Gary Cooper wins Best Actor for Sergeant York (talked about here), which I don’t like, but can’t really argue with. Then Best Actress was Joan Fontaine for Suspicion, which is kind of a makeup Oscar for the year before, and also a kind of best case scenario. Though I’d personally have gone with Greer Garson here. And Best Supporting Actress was Mary Astor for The Great Lie. Not a very memorable film or performance, but, she also played Brigid O’Shaugnessy in The Maltese Falcon, so I’m very okay with the decision.

And then we have this category. I’m not sure what I think about this. On the one hand, Donald Crisp gave a solid performance, but on the other hand, I have a clear personal favorite, and there’s also another “year” candidate (that is, one person had such a strong year, I can’t see how they didn’t get it based on that). I don’t know. I just don’t really like this decision.

BEST SUPPORTING ACTOR – 1941

And the nominees were…

Walter Brennan, Sergeant York

Charles Coburn, The Devil and Miss Jones

Donald Crisp, How Green Was My Valley

James Gleason, Here Comes Mr. Jordan

Sydney Greenstreet, The Maltese Falcon Read the rest of this page »

The Oscar Quest: Best Actor – 1987

1987 is one of the more forgotten years of the Academy. Just because — while The Last Emperor is a great film and I can see why it won Best Picture and Best Director for Bernardo Bertolucci (talked about here), it’s just not a very interesting film. A film like this is a film like Gandhi — sure it’s good and all, but, Academy-wise, it’s just not an interesting choice. Broadcast News or Hope and Glory — those would have been interesting choices (more so the latter). This — just standard business. Which is why most people forget about it.

As for the rest of the year, both Cher and Olympia Dukakis win Best Actress and Best Supporting Actress, respectively, for Moonstruck (Best Actress was talked about here), which, I consider weak decisions. I think there were better decisions to be made in both categories. Then, Sean Connery wins Best Supporting Actor for The Untouchables, which, I don’t think anyone can really disagree with that. Even if they don’t like the film and don’t like the performance — which, how many people does that leave? — I don’t think anyone can really call giving Sean Connery a career Oscar a bad thing (regardless of how great Morgan Freeman was in Street Smart). That’s the Chicago way.

And then there’s this category. No one can call this a bad decision. No one. First — it’s Gordon fucking Gekko. Right there — done. But even if you don’t think the performance was that great — look at the rest of the category. Who the hell else was gonna win? This was a great decision, through and through.

BEST ACTOR – 1987

And the nominees were…

Michael Douglas, Wall Street

William Hurt, Broadcast News

Marcello Mastroianni, Dark Eyes

Jack Nicholson, Ironweed Read the rest of this page »

The Oscar Quest: Best Actor – 1970

There are few categories in Academy history as cut and dry as this one. I, for one, like that, because you don’t have to spend time explaining it. George C. Scott’s Patton is one of the most iconic performances ever put to screen. Of course it won. As for the rest of the year, Patton also won Best Picture, which makes sense, even though I’d have gone another way (Love Story is one of my favorite films of all time), and Best Director for Franklin J. Schaffner, which, actually is a fantastic decision.

Then, Best Actress this year is THE WORST BEST ACTRESS DECISION OF ALL TIME. The amount of a snub this is, is honestly the biggest snub in Academy history. This is the one everyone points to as THE worst. Glenda Jackson wins Best Actress for Women in Love, beating Ali MacGraw who gave the performance of a lifetime in Love Story. Sickening. Then Best Supporting Actor was John Mills for Ryan’s Daughter, which I also consider one of the worst single decisions of all time, because he beat both John Marley for Love Story, who was incredible, and he also beat Chief Dan George for Little Big Man. Unacceptable. Then Best Supporting Actress was Helen Hayes for Airport (which I talked about here), which was a fantastic decision. So, in all, a tough year for me. But at least this category is quick and easy. That’s great.

BEST ACTOR – 1970

And the nominees were…

Melvyn Douglas, I Never Sang for My Father

James Earl Jones, The Great White Hope

Jack Nicholson, Five Easy Pieces

Ryan O’Neal, Love Story

George C. Scott, Patton Read the rest of this page »

The Oscar Quest: Best Actor – 1960

I love 1960. To me, it’s one of the best years in Academy history. Maybe that’s because one of my favorite films of all time won Best Picture. Might have something to do with it. The Apartment is a film I love dearly. I love that it won. It’s perfect. Billy Wilder winning Best Director? I like it, but, as I said here, it probably wasn’t the best of the decisions that could have been made. (Juuusst a bit outside.)

Then, Best Actress was Elizabeth Taylor for BUtterfield 8, which I talked about here, so I won’t get into it too much, but, the gist of it is, Shirley MacLaine should have won. Read the article to get the full scoop. Then Best Supporting Actor was Peter Ustinov for Spartacus, and Best Supporting Actress was Shirley Jones for Elmer Gantry. All in all, pretty much every decision here was solid. And then there’s this category, which, while I do have a sentimental favorite, is a well-deserved Oscar to a much-deserved actor for a fantastic performance.

BEST ACTOR – 1960

And the nominees were…

Trevor Howard, Sons and Lovers

Burt Lancaster, Elmer Gantry

Jack Lemmon, The Apartment

Laurence Olivier, The Entertainer

Spencer Tracy, Inherit the Wind Read the rest of this page »