Latest

The Oscar Quest: Best Actor – 1999

1999. This is the last category from this year, right? I feel like I’ve done them all. Supporting Actress, yes — that was Angelina Jolie for Girl, Interrupted. Director, yes — that was Sam Mendes for American Beauty. American Beauty also won Best Picture. Actor is here. Which leaves, Best Actress. I haven’t covered that yet. That was Hilary Swank for Boys Don’t Cry. And then Best Supporting Actor, which, I haven’t covered either. Really? It feels like this year is always coming up. Well, Supporting Actor was Michael Caine for The Cider House Rules.

What else do we need to cover here? Can we just get into it? Actually, let’s break this category down. I like how it’s structured. First, we have the veteran nomination. That’s Richard Farnsworth. Never really was one for the Academy, but is old and gives a fairly poignant performance. That’s all they need to nominate you. Then we have “actor’s” performance. Which is Sean Penn. That’s one where, he’s a dude who they know is completely dedicated to his work, and they saw what he could do in Dead Man Walking, and now have him on the radar. I feel like it’s, they makes them bridesmaids a few times until it’s their turn to be a bride. I really think that’s what it is. The Academy Awards are like marriage. Then the second time they win is either a marriage after a nasty divorce (the comeback) or the renewal of the vows. Oh, plus the Sean Penn one was a Woody Allen film. They’re just looking to nominate an actor in a Woody Allen film. Anyway, so there’s the veteran and then the actor who they’re sort of gearing up to win one one of these days. Then we have the other three. Here’s where I find it gets really interesting. Read the rest of this page »

The Oscar Quest: Best Actress – 1953

And now for one of my personal favorite years and individual categories of the entire Oscar Quest — Best Actress 1953. I posted a list the last time I covered 1953, of all the great films that came out this year. That list is why it’s one of my favorite years for movies. As for this category, there are three films on this list that I love dearly, two extremely so, with the other two being particularly strong as well, leading to a category that, while easy to separate in terms of how I’d rank them, is still one of the strongest I’ve personally seen.

As for the rest of the year, From Here to Eternity pretty much swept everything. While it might not have been my personal choice as Best Picture of the year, it’s still a very good film, and it’s understandable why it won. Fred Zinnemann also winning Best Director HAD TO happen. The reason for that is, one, he directed the hell out of the picture. Two, he didn’t win the year before this for High Noon, which is kind of a shame. Though, John Ford won for The Quiet Man instead, which was a good decision, but everyone acknowledges that High Noon lost all its awards (except the Gary Cooper one, because who’s gonna dispute Gary Cooper?) because it’s clearly an anti-HUAC film and it was a weird time in their lives. So him winning this year was virtually assured. Frank Sinatra won Best Supporting Actor for the film, which I’ve talked about, and Donna Reed won Best Supporting Actress for it as well. Which only leaves two categories: Best Actor, which was William Holden for Stalag 17 (most likely due to a vote split from dueling From Here to Eternity nominations), and this one, which I’ll get into forthwith.

BEST ACTRESS – 1953

And the nominees were…

Leslie Caron, Lili

Ava Gardner, Mogambo

Audrey Hepburn, Roman Holiday

Deborah Kerr, From Here to Eternity

Maggie McNamara, The Moon is Blue Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1991

1991. This year makes me smile. It’s so fucking good. First, here’s a list of the films that came out in 1991: An American Tail: Fievel Goes West, Backdraft, Barton Fink, Beauty and the Beast, Boyz N the Hood, Bugsy, Cape Fear, The Doors, The Fisher King, Hook, JFK, Necessary Roughness (a personal favorite of mine. A great football movie that is largely unknown), Point Break, The Silence of the Lambs, Terminator 2: Judgment Day, Thelma & Louise, and of course, Teenage Mutant Ninja Turtles 2: The Secret of the Ooze. It was a very good year, 1991.

What makes me even happier is that, 4 out of the 5 Best Picture nominees are incredible films. Beauty and the Beast, Bugsy, JFK, and The Silence of the Lambs. The Prince of Tides? Ehh, not so good. But te other four? Wow. There was almost no bad choice this year (though Bugsy would have been kinda weak, considering they ignored Goodfellas the year before). And then the acting choices. Anthony Hopkins as Best Actor for Hannibal Lecter? Genius. Jodie Foster as Best Actress for Clarice Starling? Awesome. Mercedes Ruehl as Best Supporting Actress for The Fisher King? Best choice of the category. Jonathan Demme as Best Director for Lambs? Good choice (considering Stone had two Oscars already for directing, and one for writing). Jack Palance gets a Best Supporting Actor Oscar? Well, let’s talk…

BEST SUPPORTING ACTOR – 1991

And the nominees were…

Tommy Lee Jones, JFK

Harvey Keitel, Bugsy

Ben Kingsley, Bugsy

Michael Lerner, Barton Fink

Jack Palance, City Slickers Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1959

I’ve covered 1959 a few times in recent weeks. Ben-Hur, sweeps all the big awards, Best Picture, Best Director for William Wyler, Best Actor for Charlton Heston, and Best Supporting Actor for Hugh Griffith. So all the male awards went to one movie. (Because, in such a male-dominated industry, Best Picture and Best Director are, essentially, male awards.) Which only leaves two. Best Actress, and this one. Best Actress went to Simone Signoret for Room at the Top, which, as you can guess from reading the two categories from this year that I’ve already covered, I’m not okay with. It’s not subtle. So what we have is, outside of Best Picture and Best Director, a year I don’t really like. And yet there were such great films this year.

Wow. I covered it all in one paragraph. That might be a first. I really don’t have anything else to say about this one. Remember this, folks, this doesn’t happen often.

BEST SUPPORTING ACTRESS – 1959

And the nominees were…

Hermione Baddeley, Room at the Top

Susan Kohner, Imitation of Life

Juanita Moore, Imitation of Life

Thelma Ritter, Pillow Talk

Shelley Winters, The Diary of Anne Frank

Read the rest of this page »

The Oscar Quest: Best Actor – 1974

I know myself so well. I seem to schedule these things on purpose so things come up at just the right time. I generally set out an entire month’s worth of categories in advance, just so I don’t have to sit and pick from the lot. Everything gets nice and balanced that way, and when the day comes up, it’s, “Oh, hey, I’m talking about this category today.” And, somehow, I manage to always have things scheduled for the right mood. For instance, if I’m on a really productive streak, it seems like all the categories I really want to talk about come up, so that way I end up writing a lot and really recommending the films I want to recommend. Or if I’ve been out binge drinking the night before, it seems like the category for that day is always a quick one. Things always seem to work out that way. Today I get to vent my frustrations on what I consider to be one of the worst single choices (in the acting categories) in the Academy’s history. Worst. Of all time.

My criteria for judging how bad a category is consists of several factors. First, who won, and how does that performance rate on its own? Second, who, specifically did they beat? As in, what was the main competition for it. Example: How Green Was My Valley beat Citizen Kane. That is, for all intensive purposes, the main competition. Next, how strong was the rest of the category? Is it a simple case of voting one over another, or did they pass on multiple good and/or better choices in favor of the bad one? And the last two — these are to a much lesser extent, but still factor in — how badly did this mess up history (ie, did this require that a makeup Oscar be given to someone at some point in the future, which would then possibly deprive someone else of an Oscar in that case and perpetuate the makeup Oscar cycle) and did someone not get an Oscar because of this? That means, was this someone’s only/best chance to win an Oscar, and did they not ever end up getting one, possibly due to this bad decision. Think people like Richard Burton or Peter O’Toole, who never won Oscars. A bad decision is made worse if because of it, someone like Peter O’Toole was deprived of an Oscar. These last two categories definitely get intertwined at a certain point, but, largely, can remain separate. Now, if a decision fits firmly in the sweet spott of the Venn Diagram, then it deserves to be counted among the worst decisions of all time. This, my friends, is in that sweet spot. Read the rest of this page »