Posts tagged “1936

Mike’s Top Ten of 1936

1936 makes me happy. This is the first top ten list where I can honestly give a resounding thumbs up to all of the films. I look at this list and I feel actual excitement at the films that are on it.

The one thing that jumps out at me for this list in particular: William Powell. He’s in four films in this top ten. And Myrna Loy is in three of them too! Which, honestly… that pretty much sums me up as a film goer.

Otherwise — a lot of the standard stuff appears, both in terms of my taste and the classics. The big thing about this year in particular for me is that it contains one of the great hidden gems of all time, one of those films that I am constantly shouting about as one of the greatest films ever made that has never fully gotten its due. (more…)


A Pictorial History of the Movies: 1936 – Swing Time

Okay, some prefacing here. I originally, for 1936, had a certain film with a certain iconic image involving some gears. But then I realized, “Wait, I’m just putting that here because the image is iconic and nothing more. I mean, sure, it is iconic, and the film is iconic, but I talked about Chaplin twice already. I’d actually have nothing more to talk about except to just go on about other things. So I decided to alter my plans at the last minute.

Originally, I was going to put Top Hat as the 1935 film, but after deciding Modern Times wasn’t going to be the 1936 film, I looked at how best to switch things around. So Astaire and Rogers went here, since Swing Time is just as good, if not a better film than Top Hat (both are incredible and the best two they made, in my opinion), and I was able to talk about Shirley Temple for 1935. So it all worked out.

And now we get to talk about Fred Astaire, Ginger Rogers, and the movie musical. Which, if you really thought we were gonna get through this list without these things being brought up, you were sorely, sorely mistaken. (more…)


Mike’s Top Tens of the Decade (1930-1939)

Oh man, it’s the 30s.

Sadly, I think this is going to be my last decades list. It was fun while it lasted. I guess I could do the 20s if I wanted to, but… I don’t really want to. ’27 started the sound era, and 1930 is good enough for me. Plus I have another series of “top tens” I’m in the middle of (by director), and I really want to focus on those. That said, these lists have been so much fun for me, and they got me to see so many movies that I’d never seen (to the point where I’ve actually now seen about 80% of all the major releases of the 40s, 50s and 60s).

For those who don’t know, the way these lists have worked is, I go and list my ten favorite movies from each year. I also try to list ten more from each year as an 11-20. Originally I said I did it to give myself more options for when I revisited the lists a year, five years, whatever down the road, in case I decided I didn’t like a certain film as much anymore, the alternatives would be right there. Though mostly it’s become about sharing as many great films from these years as possible. I also, underneath the 11-20, created the “fun” lists, which would be extra recommendations (or, not, in the case of one decade) that were related to that specific decade. The 2000s, I actually had a list of what I thought the worst films of those years were, the Terrible Tens. The 1990s, I had the “Films of My Childhood.” The 1980s, I had the “Awesomely 80s Movies.” The 1970s were just great 70s movies, the “70s Recommendations.” The 1960s had “Out with the Old, In with the New,” with all the films representing “old” Hollywood and “new” Hollywood. The 1950s had the “Gems of the Studio System,” forgotten films of (mostly) major directors. The 1940s had “More Great 40s Films,” since people generally don’t delve too deeply into the 40s anyway unless they’re someone like me. This decade, I’m gonna keep it simple, like I’ve been doing. Just more great 30s gems. No need to get complicated.

All right friends. Once more, unto the breach: (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actor (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Picture (1927/1928-1949)

To run down the intro quickly — this is a series of articles about what I would nominate in every single Oscar Quest category if I had a ballot. I always felt I should do them, but didn’t want to pull that shit everyone pulls of, “Here’s what I’d nominate,” even though it’s all the same five films they add on and they haven’t even seen half the stuff that was nominated. I know my stuff’s legit, because I’ve seen all the films, but I refused to start this discussion unless I was going to do it with the ability to tell people how to do it the right way, since unless you keep them honest, it’s fucking chaos.

So I decided to, along with picking what I’d vote for, create what I’m calling a Compromise List. The Compromise List is — aside from my personal nominations (which on the whole are pretty close to what would fit the typical notion of “Oscar,” since I’ve seen everything and know what is and what isn’t an “Oscar” movie and actually respect the precedents in place even though I don’t always agree with them enough to not be like, “I vote for Star Trek!”), a list of films that are basically a mix of my nominees and their nominees that I think everyone could live with. The idea is to make a list that works for everyone that’s great, and to cut out all the shit that so clearly shouldn’t be there.

The things to keep in mind: 1) if a category has five nominees, I’m only nominating five films. 2) The lists are only based on what I’ve seen. 3) Don’t bother me with your opinion unless you’re gonna go the full nine and do every single year. 4) If you’re going to attempt something like this — be honest. Don’t get too subjective, and DO NOT take off a film you haven’t seen just to put on a film you have seen. And most importantly, 5) YOU CANNOT take off a Best Picture winner. You can not vote for it on your list, but on your compromise list, the Best Picture winner MUST BE THERE. If it won, you have to include it. No exceptions.

Okay, let’s get to the next set of Best Picture years: (more…)


Best Original Song: A Categorical History (1934-1940)

I’ve been wanting to do this for a while. Once I got done with all the Oscar Quest categories, I said to myself, “What other categories can I write up that would be fun?” And most of them wouldn’t be terribly interesting. Who really wants to hear me talk in depth about Best Sound? This one seemed like an obvious one because — we can all do it so easily.

All you really need to do to put forth an opinion on the Best Original Song category is listen to all the songs. Pretty simple. The hard part’s just finding them. Which I did. Though I’m linking to so many Youtube videos I can only do a couple of years at a time. Five, in fact. Otherwise it gets crazy and the pages take forever to load.

So that’s what we’re going to do. We’ll go through every year of Best Original Song, I’ll link to as many songs as I can find, and I’ll tell what I like and what I’d have voted for. And we’ll get to go over the rich history that is original songs in movies. (more…)


The Oscar Quest: Best Picture – 1936

This is another one of those years where the Academy established what they really consider to be a Best Picture. The Great Ziegfeld has everything you’d expect to see in a Best Picture. Though they were still figuring things out, despite that. Until this point, Best Picture and Best Director only synched up three times, which is the opposite of how we know it to be nowadays. (And it wouldn’t start synching up until 1941, with only 5 of the first 14 Best Director winners synching up with Best Picture.) It seems as though they were still equating Best Director with Best Screenplay at this point (since you’ll notice that a lot of the Best Director winners had stronger writing in their films than they did noticeably superior direction. With exceptions, of course), which explains how they could give Best Director this year to Frank Capra for Mr. Deeds Goes to Town (talked about here). That film isn’t so much well-directed as well-written, especially next to something like San Francisco or even Dodsworth and The Great Ziegfeld. But even so, at least they knew, for the most part, what they were doing with Best Picture.

This year was also the first year in which the Supporting Categories were introduced. The first Best Supporting Actor Oscar was given out, which went to Walter Brennan for Come and Get It (talked about here), which — who better to be given the first Supporting Actor Oscar than Walter Brennan? Even though they were still figuring out what “supporting” actually meant here. The category was insanely weak. And the first Best Supporting Actress winner was Gale Sondergaard for Anthony Adverse (talked about here), which I don’t much agree with, but, just like the pre-1934 years, you can’t really fault them, since they didn’t yet establish the category. You can tell they didn’t really know what constituted a supporting performance, since they gave Best Actress to Luise Rainer for The Great Ziegfeld (talked about here). Her performance is definitely what we’d consider nowadays to be a supporting performance, even though she was good in it.

The other winner was Paul Muni as Best Actor for The Story of Louis Pasteur (talked about here), which seems too much like a rush to get Muni a statue, since William Powell and Walter Huston had much better years (and performances) than he did (plus, he could have easily won the year after this for The Life of Emile Zola, which would have helped legitimize that film as a Best Picture winner).

In all, though, 1936 is a strong year. One of those years with several potential winners in most categories. That’s always a good year to have.

BEST PICTURE – 1936

And the nominees were…

Anthony Adverse (Warner Bros.)

Dodsworth (Goldwyn, United Artists)

The Great Ziegfeld (Metro-Goldwyn-Mayer)

Libeled Lady (Metro-Goldwyn-Mayer)

Mr. Deeds Goes to Town (Columbia)

Romeo and Juliet (Metro-Goldwyn-Mayer)

San Francisco (Metro-Goldwyn-Mayer)

The Story of Louis Pasteur (Warner Bros.)

A Tale of Two Cities (Metro-Goldwyn-Mayer)

Three Smart Girls (Universal) (more…)


The Oscar Quest: Best Supporting Actor – 1936

I call 1936 the year with the first “Academy” film. That is, a film that seemed designed from the start to win Best Picture won Best Picture. The Great Ziegfeld is one of those films that has everything the Academy looks for in a Best Picture, and it makes perfect sense that it would win.

Luise Rainer also won Best Actress for the film (talked about here), which I don’t really like as a decision, but would have been okay with it, if only she didn’t also win Best Actress the year after this. Best Actor this year was Paul Muni for The Story of Louis Pasteur (talked about here), which is a good decision, since Muni deserved an Oscar, but I felt it came a year too early. Best Supporting Actress (the first in the category’s history) was Gale Sondergaard for Anthony Adverse (talked about here), which makes no sense to me. And Best Director was Frank Capra for Mr. Deeds Goes to Town (talked about here), which I really can’t even begin to fathom for a lot of reasons. That was a very poor choice, I felt.

And now we have the very first Best Supporting Actor category in the history of the Oscars. The problem with it is — when you look closely at it — it stinks. It’s weak as hell. But fortunately, Walter Brennan is Walter Brennan, so him winning alleviates any concerns of how shitty the category is.

BEST SUPPORTING ACTOR – 1936

And the nominees were…

Mischa Auer, My Man Godfrey

Walter Brennan, Come and Get It

Stuart Erwin, Pigskin Parade

Basil Rathbone, Romeo and Juliet

Akim Tamiroff, The General Died at Dawn (more…)


The Oscar Quest: Best Actor – 1936

1936 is a year I feel was the first real Academy decision. You know? Typically, when I say “Academy decision,” I mean one of those films that — of course it won Best Picture. From Here to Eternity, The Sound of Music, Forrest Gump, Titanic — films that you know were gonna win Best Picture no matter their quality. The English Patient. That’s an Academy decision. It’s big, expensive, and it has all the things the Academy likes in their films.

The Great Ziegfeld, to me, is the first obvious Best Picture winner. Strange though, that its director didn’t also win Best Director. That went to Frank Capra for Mr. Deeds Goes to Town (talked about here). That decision makes no sense to me at all. Best Actress was Luise Rainer for Ziegfeld (talked about here), which I think was a bad decision, but one I can sort of understand based on the category. It’s worse, though, that she won the year after this as well. It highlights all the reasons she shouldn’t have won here. Best Supporting Actor (the first in the category’s history) was Walter Brennan for Come and Get It. If anyone should have won the first Best Supporting Actor Oscar, it was Walter Brennan. And Best Supporting Actress was Gale Sondergaard for Anthony Adverse (talked about here). I do not understand this decision at all, and I feel Alice Brady was a much better decision in almost every way.

Which brings us to this category. Paul Muni was gonna win an Oscar at some point. It was only a matter of time. Here’s a dude who just bled Oscar. Everything he did, it seemed, was worth a nomination. He’s the only guy to have his very first performance (The Valiant) and his last performance (The Last Angry Man) be nominated for Oscars. Thing is, though — I don’t think he should have won here. He deserved it, but I don’t think this should have been his year.

BEST ACTOR – 1936

And the nominees were…

Gary Cooper, Mr. Deeds Goes to Town

Walter Huston, Dodsworth

Paul Muni, The Story of Louis Pasteur

William Powell, My Man Godfrey

Spencer Tracy, San Francisco (more…)


The Oscar Quest: Best Actress – 1936

Like me some 1936. But I don’t love it. This would be the fuck on the “Fuck, Marry, Kill” list. Fuck 1936, Marry 1939, Kill 1937.

The Great Ziegfeld wins Best Picture for 1936, and it’s a fantastic decision. It’s a quintessential Oscar film, and a really great film at that. Everything a film from 1936 that won Best Picture should have. Best Director this year was Frank Capra for Mr. Deeds Goes to Town (talked about here). I like that the film got recognized, but I don’t like the decision. Leonard should have won for Ziegfeld or Van Dyke should have won for San Francisco and that great recreation of the earthquake they have there.

Best Actor this year was Paul Muni for The Story of Louis Pasteur, which is a fine decision, although I say William Powell should have won for his Ziegfeld performance and his My Man Godfrey performance. Muni was better served winning the year after this for The Life of Emile Zola, which would have added a bit more legitimacy to that film winning Best Picture. Best Supporting Actor (the first in the category’s history) was Walter Brennan for Come and Get It, which makes sense. He is the quintessential supporting actor. Best Supporting Actress was Gale Sondergaard for Anthony Adverse (talked about here), which I don’t get at all. To me, Alice Brady was a much better choice.

And then this category — I don’t get it at all. Not at all. She was a supporting character in the film, for one, and they seem to be basing the award on one scene. Plus she won the year after this — I don’t like this decision at all.

BEST ACTRESS – 1936

And the nominees were…

Irene Dunne, Theodora Goes Wild

Gladys George, Valiant is the Word for Carrie

Carol Lombard, My Man Godfrey

Luise Rainer, The Great Ziegfeld

Norma Shearer, Romeo and Juliet (more…)


The Oscar Quest: Best Supporting Actress – 1936

Oh hey, it’s the very first Best Supporting Actress category ever. That means several things. Most of all, it means that the rules don’t apply. You can’t judge this based on strictly the performances. You have to think of it as establishing the category. This sets the trend for what exactly is a supporting performance as we know it.

As for the rest of the year, The Great Ziegfeld wins Best Picture, which, is a pretty good choice, since it’s big and epic (at least, for 1936), and Best Actress for Luise Rainer, which, is a terrible decision. She was a supporting character at best in the film. And, surprisingly, William Powell does not win Best Actor for that film and for My Man Godfrey (being nominated for the latter), but rather, Paul Muni wins Best Actor for The Story of Louis Pasteur, which I don’t really like as a decision. It just seemed like too easy a performance to vote for. Powell, and especially Walter Huston, were better choices. (They could have given it to Muni, who very much deserved an Oscar, for The Story of Louis Pasteur the year after this. It would have made perfect sense.) Then Best Supporting Actor (the very first of that category) went to Walter Brennan for Come and Get It. While I don’t much care for the film or the performance, Brennan does play Swedish, and is an actor who epitomizes the category, so ultimately it was a good decision. Then Best Director was Frank Capra for Mr. Deeds Goes to Town, which, as much as I loved the film (as I said here), I think is a terrible decision.

So, keeping in mind it’s not so much the performance as much as it is a foundation for a category, let’s take a look at this one…

BEST SUPPORTING ACTRESS – 1936

And the nominees were…

Alice Brady, My Man Godfrey

Beulah Bondi, The Gorgeous Hussy

Bonita Granville, These Three

Maria Ouspenskaya, Dodsworth

Gale Sondergaard, Anthony Adverse (more…)


The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)