Posts tagged “1936

Mike’s Top Ten of 1936

1936 makes me happy. This is the first top ten list where I can honestly give a resounding thumbs up to all of the films. I look at this list and I feel actual excitement at the films that are on it.

The one thing that jumps out at me for this list in particular: William Powell. He’s in four films in this top ten. And Myrna Loy is in three of them too! Which, honestly… that pretty much sums me up as a film goer.

Otherwise — a lot of the standard stuff appears, both in terms of my taste and the classics. The big thing about this year in particular for me is that it contains one of the great hidden gems of all time, one of those films that I am constantly shouting about as one of the greatest films ever made that has never fully gotten its due. (more…)


A Pictorial History of the Movies: 1936 – Swing Time

Okay, some prefacing here. I originally, for 1936, had a certain film with a certain iconic image involving some gears. But then I realized, “Wait, I’m just putting that here because the image is iconic and nothing more. I mean, sure, it is iconic, and the film is iconic, but I talked about Chaplin twice already. I’d actually have nothing more to talk about except to just go on about other things. So I decided to alter my plans at the last minute.

Originally, I was going to put Top Hat as the 1935 film, but after deciding Modern Times wasn’t going to be the 1936 film, I looked at how best to switch things around. So Astaire and Rogers went here, since Swing Time is just as good, if not a better film than Top Hat (both are incredible and the best two they made, in my opinion), and I was able to talk about Shirley Temple for 1935. So it all worked out.

And now we get to talk about Fred Astaire, Ginger Rogers, and the movie musical. Which, if you really thought we were gonna get through this list without these things being brought up, you were sorely, sorely mistaken. (more…)


Mike’s Top Tens of the Decade (1930-1939)

Oh man, it’s the 30s.

Sadly, I think this is going to be my last decades list. It was fun while it lasted. I guess I could do the 20s if I wanted to, but… I don’t really want to. ’27 started the sound era, and 1930 is good enough for me. Plus I have another series of “top tens” I’m in the middle of (by director), and I really want to focus on those. That said, these lists have been so much fun for me, and they got me to see so many movies that I’d never seen (to the point where I’ve actually now seen about 80% of all the major releases of the 40s, 50s and 60s).

For those who don’t know, the way these lists have worked is, I go and list my ten favorite movies from each year. I also try to list ten more from each year as an 11-20. Originally I said I did it to give myself more options for when I revisited the lists a year, five years, whatever down the road, in case I decided I didn’t like a certain film as much anymore, the alternatives would be right there. Though mostly it’s become about sharing as many great films from these years as possible. I also, underneath the 11-20, created the “fun” lists, which would be extra recommendations (or, not, in the case of one decade) that were related to that specific decade. The 2000s, I actually had a list of what I thought the worst films of those years were, the Terrible Tens. The 1990s, I had the “Films of My Childhood.” The 1980s, I had the “Awesomely 80s Movies.” The 1970s were just great 70s movies, the “70s Recommendations.” The 1960s had “Out with the Old, In with the New,” with all the films representing “old” Hollywood and “new” Hollywood. The 1950s had the “Gems of the Studio System,” forgotten films of (mostly) major directors. The 1940s had “More Great 40s Films,” since people generally don’t delve too deeply into the 40s anyway unless they’re someone like me. This decade, I’m gonna keep it simple, like I’ve been doing. Just more great 30s gems. No need to get complicated.

All right friends. Once more, unto the breach: (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)