Posts tagged “1943

Mike’s Top Ten of 1943

1943 is the weakest year of the early 40s, and a lot of that has to do with one thing and one thing only: World War II. A lot of the top directors in Hollywood (the ones with the highest percentage of great films) were off participating in the war. There’s a great book (and documentary) about it called Five Came Back. The big five are John Ford, John Huston, Frank Capra, George Stevens and William Wyler. Of the five, only one has a movie that came out this year, and that was because he was finishing his obligations before joining the war.

With those directors gone, it’s pretty slim pickings at the top. That’s not to say there aren’t really good films here, but there’s a marked difference between the overall quality of films in 1941 and 1942 vs. 1943. And it’s totally understandable. America is in the thick of the war effort and the industry doesn’t really have the time or the money to churn out the amount of films they had been.

The other thing I like about 1943 is the overall influx of Technicolor films. Still a primarily black-and-white top ten, but there’s definitely more color all around, and good use of color, too. (more…)


A Pictorial History of the Movies: 1943 – The Ox-Bow Incident

“My marriage, or as it was known, ‘The Oxbow Incident’.”

The fact that Woody Allen was doing standup about this movie and people immediately knew what he was talking about over 20 years later is, in my mind, all the validation I need for this one.

And I’m sure there’s some other shit too.

1943 is made slightly more difficult because the film that won Best Picture is a film that came out the year before (and one we talked about already. Yesterday). Outside of that, you’re left with a pretty uninspiring group of films. There are a lot of good ones there, but nothing stands out as, “Wow, that’s the one.” A lot of them are films that deal with the war in some way. Or they’re big classy films like For Whom the Bell Tolls. There’s not too much that stands out as being “the choice” for the year.

Except this one, really. This one stands out for a lot of reasons. (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actor (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Picture (1927/1928-1949)

To run down the intro quickly — this is a series of articles about what I would nominate in every single Oscar Quest category if I had a ballot. I always felt I should do them, but didn’t want to pull that shit everyone pulls of, “Here’s what I’d nominate,” even though it’s all the same five films they add on and they haven’t even seen half the stuff that was nominated. I know my stuff’s legit, because I’ve seen all the films, but I refused to start this discussion unless I was going to do it with the ability to tell people how to do it the right way, since unless you keep them honest, it’s fucking chaos.

So I decided to, along with picking what I’d vote for, create what I’m calling a Compromise List. The Compromise List is — aside from my personal nominations (which on the whole are pretty close to what would fit the typical notion of “Oscar,” since I’ve seen everything and know what is and what isn’t an “Oscar” movie and actually respect the precedents in place even though I don’t always agree with them enough to not be like, “I vote for Star Trek!”), a list of films that are basically a mix of my nominees and their nominees that I think everyone could live with. The idea is to make a list that works for everyone that’s great, and to cut out all the shit that so clearly shouldn’t be there.

The things to keep in mind: 1) if a category has five nominees, I’m only nominating five films. 2) The lists are only based on what I’ve seen. 3) Don’t bother me with your opinion unless you’re gonna go the full nine and do every single year. 4) If you’re going to attempt something like this — be honest. Don’t get too subjective, and DO NOT take off a film you haven’t seen just to put on a film you have seen. And most importantly, 5) YOU CANNOT take off a Best Picture winner. You can not vote for it on your list, but on your compromise list, the Best Picture winner MUST BE THERE. If it won, you have to include it. No exceptions.

Okay, let’s get to the next set of Best Picture years: (more…)


Mike’s Top Tens of the Decade (1940-1949)

It’s that time again. I love doing these lists.

The thing about them, though, is that they’ve been progressively more work each time. The first few, the 2000s and the 1990s, I saw most of those by just being alive. And then the 1980s, all I really had to do was watch the big movies I’d never seen, so it wasn’t that bad. Then the 1970s, I had just finished the Oscar Quest and was looking for things to watch, so it was a smooth transition. Then the 1960s and 1950s (see how smoothly I worked in the links this time?) went up while I was in the middle of finishing the Quest articles, so I just powered through them. This time, though — I had stuff going on. I was watching Disney movies and writing a script. I barely got started on watching all the movies (and there were a lot) until the end of July.

To recap how these lists work: I list my ten favorite films for each year. Underneath that, I list an 11-20 of films just outside the top ten. Then, under that, is a “fun” list. To give you more stuff to watch. The 2000s had the “Terrible Ten,” of films I really disliked. The 90s had the “Films of My Childhood,” films I loved when I was growing up. The 80s had the “Awesomely 80s Movies,” films I feel perfectly capture that decade. The 70s had the “70s Recommendations,” a list of quintessentially “70s” films that I recommend highly (many of which are hidden gems). The 60s had “Out with the Old, In with the New,” films that represent the crumbling studio system and coming of New Hollywood. And the 50s had the “Gems of the Studio System,” which were (mostly) films from major directors that have flown under the radar among their filmographies (and history). This year, it’s going to be pretty simple — just “More Great 40s Movies.” I doubt most people are versed in the 40s, so I’m not gonna get complicated. Just 10 more great movies from each year on top of the other 20. Plain and simple. Also, since it bears repeating — I haven’t seen everything. I can only watch so much within three months. The lists are only based on what I’ve seen. I’ll update them as I watch more stuff and like it.

All right… list time: (more…)


Best Original Song: A Categorical History (1941-1945)

This is a lot of fun for me. I’m not even going to waste time with an introduction. Today we do Best Original Song from 1941-1945.

1941: “THE LAST TIME I SAW PARIS,” FROM LADY BE GOOD

(more…)


The Oscar Quest: Best Picture – 1943

This is the last year of ten nominees. I never mentioned the number of the nominees yet. The way it had been until this point was: three the first year, no official nominees the second, then five from 1930-1932, then they went to ten from 1933 until this year (with the exception of 1934 and 1935, the two “write-in” years, which had 12 nominees). After this year, they went strictly to five, which lasted until 2009.

Outside of that, the great thing about this year is that it’s the year of Casablanca, which makes it quite easy to discuss. Two things to note about the film: first, while the film did premiere in November of 1942, it didn’t go into wide release until early 1943, which is why it counted amongst the films of 1943. (It’s basically the same as a film getting that late December limited release nowadays to qualify for Oscars, but not getting a wide release until January, only with different rules since it was 1943.) The other thing is that: while the film is a classic and one of the best films ever made, it also is a war film. The story is about Bogart, a neutral man, choosing a side in a war. So it does actually fit with the times. Oh, and, aside from Best Picture, Michael Curtiz won Best Director for the film (talked about here). Nice to see him finally get his due.

Other winners this year included Paul Lukas as Best Actor for Watch on the Rhine (talked about here), which is one of the worst Best Actor decisions of all time (it’s so bad), Jennifer Jones as Best Actress for The Song of Bernadette (talked about here), which was deserved (since Ingrid Bergman was nominated for the wrong film), Charles Coburn as Best Supporting Actor for The More the Merrier (talked about here), which, despite my love for Claude Rains as Louis Renault, is a good decision, and Katina Paxinou as Best Supporting Actress for For Whom the Bell Tolls (talked about here), which — meh. So, overall, many of the individual categories are either forgettable or not particularly memorable, yet the year remains strong simply because of the Best Picture choice. Which again shows how a good or bad Best Picture choice can make or break a year.

BEST PICTURE – 1943

And the nominees were…

Casablanca (Warner Bros.)

For Whom the Bell Tolls (Paramount)

Heaven Can Wait (20th Century Fox)

The Human Comedy (Metro-Goldwyn-Mayer)

In Which We Serve (United Artists)

Madame Curie (Metro-Goldwyn-Mayer)

The More the Merrier (Columbia)

The Ox-Bow Incident (20th Century Fox)

The Song of Bernadette (20th Century Fox)

Watch on the Rhine (Warner Bros.) (more…)


The Oscar Quest: Best Supporting Actress – 1943

I love 1943. The synopsis goes by so quickly.

Casablanca wins Best Picture and Best Director for Michael Curtiz (talked about here). I rest my case.

Paul Lukas wins Best Actor for Watch on the Rhine (talked about here). Second worst Best Actor-winning performance (and probable worst Best Actor decision) of all time. Really terrible. Jennifer Jones wins Best Actress for The Song of Bernadette (talked about here). Makes sense, and was a solid choice, since Ingrid Bergman was nominated for the wrong film (not Casablanca). And Best Supporting Actor was Charles Coburn for The More the Merrier (talked about here). Great decision, although it breaks my heart to see Claude Rains lose.

Then there’s this category. Weak as hell, completely irrelevant, historically, and thoroughly forgettable in every way. The decision almost doesn’t matter.

BEST SUPPORTING ACTRESS – 1943

And the nominees were…

Gladys Cooper, The Song of Bernadette

Paulette Goddard, So Proudly We Hail!

Katina Paxinou, For Whom the Bell Tolls

Anne Revere, The Song of Bernadette

Lucile Watson, Watch on the Rhine (more…)


The Oscar Quest: Best Actor – 1943

1943. Great year. Hard to argue when your Best Picture is Casablanca and Michael Curtiz also wins Best Director for it (talked about here). But you know what? Complaints can be made here. Complaints that Casablanca didn’t win more.

Best Actress this year was Jennifer Jones for The Song of Bernadette (talked about here). I’m sort of okay with this, because Ingrid Bergman was nominated for the wrong film. Best Supporting Actor was Charles Coburn for The More the Merrier (talked about here), which was a fine decision, and a great performance, but I personally think Claude Rains should have won for Casablanca. And Best Supporting Actress was Katina Paxinou for For Whom the Bell Tolls, which was in one of the weakest Best Supporting Actress categories of all time (and there was no Casablanca nomination there), so it was okay.

And then there’s this category. One of the top five worst Best Actor decisions of all time. One of the bottom three worst Best Actor-winning performances of all time. This is just a shitty decision all around. I actually went back to watch this film again to double check that it was so bad. It was.

BEST ACTOR – 1943

And the nominees were…

Humphrey Bogart, Casablanca

Gary Cooper, For Whom the Bell Tolls

Paul Lukas, Watch on the Rhine

Walter Pidgeon, Madame Curie

Mickey Rooney, The Human Comedy (more…)


The Oscar Quest: Best Actress – 1943

Love me some 1943. Casablanca is such a perfect choice for Best Picture, I’m amazed it won. I really am. It also won Best Director for Michael Curtiz (talked about here), which he had coming to him for a while before this, so it was nice that it worked out the way it did. Now, Best Actor this year is a decision I hate very much. In fact, I think it’s a decision most people hate very much. Because Paul Lukas, who won for Watch on the Rhine, didn’t give that great of a performance. And he beat Humphrey Bogart for Casablanca. What the fuck happened?

Best Supporting Actor this year was Charles Coburn for The More the Merrier (talked about here). And, as I said in the article, while I love the performance, Claude Rains really should have won there. But I’m okay with it (because Claude Rains should have won in 1946 if he didn’t win here. So either way, it’s the Academy’s fault). And Best Supporting Actress was Katina Paxinou for For Whom the Bell Tolls, which, is pretty much a blank, since the category is really weak. I’d have gone another way, but, it’s not that major a decision where it’s good or bad.

Which brings us to this category. The big problem here is that Ingrid Bergman wasn’t nominated for Casablanca. That’s the performance that probably should have won here. Even so, it’s possible that she still could have won based solely on the strength of her year. I don’t think so, since they gave her three Oscars after this, but it’s possible that if she won here, maybe Barbara Stanwyck could have won her well-deserved Oscar the year after this. The world may never know.

BEST ACTRESS – 1943

And the nominees were…

Jean Arthur, The More the Merrier

Ingrid Bergman, For Whom the Bell Tolls

Joan Fontaine, The Constant Nymph

Greer Garson, Madame Curie

Jennifer Jones, The Song of Bernadette (more…)


The Oscar Quest: Best Supporting Actor – 1943

You can’t help but love 1943. Casablanca is one of the greatest films ever made. Of course it should have won Best Picture, and Best Director for Michael Curtiz (talked about here), who desperately deserved one of these. It also should have won Best Actor, Best Actress and this award, but it didn’t. And all three are, to varying degrees, bad decisions. Only one of the three was atoned for. The other two — the worse decisions — were not.

Paul Lukas wins Best Actor for Watch on the Rhine, which is one of the worst five Best Actor winning performances of all time. It’s truly not good, and it’s shocking that Humphrey Bogart didn’t win. Then Best Actress was Jennifer Jones for The Song of Bernadette. This, I understand. Because — Ingrid Bergman, who should have won, wasn’t nominated for Casablanca. She was nominated for For Whom the Bell Tolls, which is a performance she shouldn’t have won for. So the Jennifer Jones vote makes perfect sense. Though it screwed up the year before this, when Ingrid Bergman did win and screwed Barbara Stanwyck out of an Oscar. Then Best Supporting Actress was Katina Paxinou for For Whom the Bell Tolls, which, I don’t really have an issue with, mostly because the category sucked. It’s a blank in history.

So, 1943 — they got the big decisions right, the medium decisions wrong (though both were atoned for later, in the sense that both Bogart and Bergman won Oscars), and the small decisions either wrong or indifferent. And this one — this hurts. There were two performances that should have won, but — after all is said and done, I consider this a bad decision. But it’s still a great performance. And that hurts more.

BEST SUPPORTING ACTOR – 1943

And the nominees were…

Charles Bickford, The Song of Bernadette

Charles Coburn, The More the Merrier

J. Carrol Naish, Sahara

Claude Rains, Casablanca

Akim Tamiroff, For Whom the Bell Tolls (more…)


The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)