Posts tagged “1948

Mike’s Top Ten of 1948

1948 might be my favorite year of the 40s. Just because the top ten list feels like a complete list of ten that I out and out love.

There’s also a lot of great stuff below the line, but the key to this one is the top ten. The top three are straight up “best films ever made” material. And the others are just straight classics and/or great films by great directors who are right in their prime.

Get ready for this one, guys. It’s a very good year. (more…)


A Pictorial History of the Movies: 1948 – Bicycle Thieves

Took a bit of a left turn with this one. 1948 is a very strong year with a lot of contenders. I could have just as easily chose The Treasure of the Sierra Madre, or The Red Shoes. But I didn’t. I’m going with Bicycle Thieves. Because we need some international flair. And because it’s one of the greatest films ever made or whatever.

The real important thing here is that it’s an example of Italian Neorealism. Which was a movement after World War II tat strove to add a degree of realism to films that wasn’t previously there. It started with Rome Open City, but this feels like the one that really broke through.

I like this as the choice for 1948 because 1948 feels like the turning point for society where it started to demand a little more realism in their movies, seeing them as capable of more than just escapism. That’s why, over the next five years, you start to see the method actors popping up. A degree of realism starts to seep into the movies, and it really began with movies like this one. (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1936-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actor (1927/1928-1949)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Picture (1927/1928-1949)

To run down the intro quickly — this is a series of articles about what I would nominate in every single Oscar Quest category if I had a ballot. I always felt I should do them, but didn’t want to pull that shit everyone pulls of, “Here’s what I’d nominate,” even though it’s all the same five films they add on and they haven’t even seen half the stuff that was nominated. I know my stuff’s legit, because I’ve seen all the films, but I refused to start this discussion unless I was going to do it with the ability to tell people how to do it the right way, since unless you keep them honest, it’s fucking chaos.

So I decided to, along with picking what I’d vote for, create what I’m calling a Compromise List. The Compromise List is — aside from my personal nominations (which on the whole are pretty close to what would fit the typical notion of “Oscar,” since I’ve seen everything and know what is and what isn’t an “Oscar” movie and actually respect the precedents in place even though I don’t always agree with them enough to not be like, “I vote for Star Trek!”), a list of films that are basically a mix of my nominees and their nominees that I think everyone could live with. The idea is to make a list that works for everyone that’s great, and to cut out all the shit that so clearly shouldn’t be there.

The things to keep in mind: 1) if a category has five nominees, I’m only nominating five films. 2) The lists are only based on what I’ve seen. 3) Don’t bother me with your opinion unless you’re gonna go the full nine and do every single year. 4) If you’re going to attempt something like this — be honest. Don’t get too subjective, and DO NOT take off a film you haven’t seen just to put on a film you have seen. And most importantly, 5) YOU CANNOT take off a Best Picture winner. You can not vote for it on your list, but on your compromise list, the Best Picture winner MUST BE THERE. If it won, you have to include it. No exceptions.

Okay, let’s get to the next set of Best Picture years: (more…)


Mike’s Top Tens of the Decade (1940-1949)

It’s that time again. I love doing these lists.

The thing about them, though, is that they’ve been progressively more work each time. The first few, the 2000s and the 1990s, I saw most of those by just being alive. And then the 1980s, all I really had to do was watch the big movies I’d never seen, so it wasn’t that bad. Then the 1970s, I had just finished the Oscar Quest and was looking for things to watch, so it was a smooth transition. Then the 1960s and 1950s (see how smoothly I worked in the links this time?) went up while I was in the middle of finishing the Quest articles, so I just powered through them. This time, though — I had stuff going on. I was watching Disney movies and writing a script. I barely got started on watching all the movies (and there were a lot) until the end of July.

To recap how these lists work: I list my ten favorite films for each year. Underneath that, I list an 11-20 of films just outside the top ten. Then, under that, is a “fun” list. To give you more stuff to watch. The 2000s had the “Terrible Ten,” of films I really disliked. The 90s had the “Films of My Childhood,” films I loved when I was growing up. The 80s had the “Awesomely 80s Movies,” films I feel perfectly capture that decade. The 70s had the “70s Recommendations,” a list of quintessentially “70s” films that I recommend highly (many of which are hidden gems). The 60s had “Out with the Old, In with the New,” films that represent the crumbling studio system and coming of New Hollywood. And the 50s had the “Gems of the Studio System,” which were (mostly) films from major directors that have flown under the radar among their filmographies (and history). This year, it’s going to be pretty simple — just “More Great 40s Movies.” I doubt most people are versed in the 40s, so I’m not gonna get complicated. Just 10 more great movies from each year on top of the other 20. Plain and simple. Also, since it bears repeating — I haven’t seen everything. I can only watch so much within three months. The lists are only based on what I’ve seen. I’ll update them as I watch more stuff and like it.

All right… list time: (more…)


Best Original Song: A Categorical History (1946-1950)

1946-1950 today. Let’s get started:

1946: “ON THE ATCHISON, TOPEKA AND SANTA FE,” FROM THE HARVEY GIRLS

(more…)


The Oscar Quest: Best Picture – 1948

I consider 1948 to be the single worst Best Picture decision in the history of the Academy Awards. With good reason, too. Take a look at those nominees. The fact that they went the way they did, while wholly unsurprising, is still just terrible. Maybe I make a bigger deal out of it than it is, but I feel strongly about it.

Outside of Best Picture, Hamlet also won Laurence Olivier a well-deserved Best Actor (talked about here), which was a good decision aided by a horribly weak category (the snub for Bogart in Treasure of the Sierra Madre is horrendous). Best Actress was Jane Wyman for Johnny Belinda (talked about here), which I consider to be a top five decision for all time. I love her performance so much. Best Supporting Actor was Walter Huston for The Treasure of the Sierra Madre (talked about here), which he’d had coming for a good twelve years by this point. John Huston also won Best Director for the film (talked about here), which he greatly deserved. And Best Supporting Actress was Claire Trevor for Key Largo (talked about here), which, as much as I love the film, I don’t like as a decision. Though seeing the film there is nice.

So, in all, 1948 is a really strong year. And when you look at these Best Picture nominees, you’d think you couldn’t lose. And then they went with HamletHamlet? Seriously? From this field?

BEST PICTURE – 1948

And the nominees were…

Hamlet (J. Arthur Rank-Two Cities Films, Universal International)

Johnny Belinda (Warner Bros.)

The Red Shoes (Rank Organisation, Powell & Pressburger, Eagle-Lion Films)

The Snake Pit (20th Century Fox)

The Treasure of the Sierra Madre (Warner Bros.) (more…)


The Oscar Quest: Best Supporting Actress – 1948

Outside of Best Picture, which I consider to be the single worst Best Picture choice of all time, 1948 is a great where with nary a bad decision to be fount. But since a year is judged by its Best Picture winner, 1948 seems worse than it is.

Hamlet wins Best Picture, which we all know I hate. The Treasure of the Sierra Madre, The Red Shoes, Johnny Belinda and The Snake Pit were better choices there. All of them. Laurence Olivier won Best Actor for the film, and, as I said here, he actually deserved it, and it was a great decision (because Bogart wasn’t nominated). Best Actress was Jane Wyman for Johnny Belinda (talked about here), which I consider a top five decision, all time. Then John Huston, and his father, Walter Huston, won Best Director (talked about here), and Best Supporting Actor (talked about here), respectively, for The Treasure of the Sierra Madre. Both were terrific decisions.

And then we have this category. The only non-Best Picture decision I don’t like this year. It’s not so much because I don’t like Claire Trevor, her performance, or even Key Largo as a film. I just think Agnes Moorehead really deserved an Oscar, and I thought she was strong enough to win (as she always is). So I don’t see why she isn’t the vote here.

BEST SUPPORTING ACTRESS – 1948

And the nominees were…

Barbara Bel Geddes, I Remember Mama

Ellen Corby, I Remember Mama

Agnes Moorehead, Johnny Belinda

Jean Simmons, Hamlet

Claire Trevor, Key Largo (more…)


The Oscar Quest: Best Actor – 1948

I consider 1948 to be the single worst Best Picture choice in the history of the Academy. Simply because the category was so stacked, and they went with the worst possible choice. Of a category that included The Red Shoes, Johnny Belinda, The Snake Pit and The Treasure of the Sierra Madre, Hollywood, an industry based in southern California in America, chose Hamlet, a British production, as their Best Picture. Fortunately, they did not make the same mistake with Best Director, which went to John Huston for The Treasure of the Sierra Madre (talked about here).

Best Actress this year was Jane Wyman for Johnny Belinda (talked about here), which I consider a top five Best Actress decision for all time. Best Supporting Actor was Walter Huston for The Treasure of the Sierra Madre (talked about here), which was about 12 years coming for the man, and is a decision I love very much. And Best Supporting Actress was Claire Trevor for Key Largo, which I don’t like very much at all.

And then there’s this category, which — I do actually like a lot. I mean, Bogie wasn’t nominated, but outside of that, they made the best choice within the category. Olivier is a legend.

BEST ACTOR – 1948

And the nominees were…

Lew Ayres, Johnny Belinda

Montgomery Clift, The Search

Dan Dailey, When My Baby Smiles at Me

Laurence Olivier, Hamlet

Clifton Webb, Sitting Pretty (more…)


The Oscar Quest: Best Supporting Actor – 1948

I am very on the record about despising 1948 and calling it the single worst Best Picture choice in the history of the Academy. I have, and will always, stand by that statement (even against Chariots of Fire). Out of a list that includes: The Snake PitJohnny Belinda, The Red Shoes and The Treasure of the Sierra Madre, the Academy chose, as its Best Picture of the year for 1948 — Hamlet. Fucking Hamlet!

Best Picture choice aside, the rest of 1948 isn’t bad at all. I might go so far as to say Best Picture is really the only mistake they made. Almost. Best Actor was Laurence Olivier for Hamlet, which makes perfect sense, since Olivier deserved a statue, was known as a Shakespearean actor, gave a terrific performance, and the category sucked (no Bogie. Don’t ask me why). So that worked out. Best Actress was Jane Wyman for Johnny Belinda (talked about here), which I feel is one of the top five Best Actress decisions of all time. Best Supporting Actress was Claire Trevor for Key Largo, which is the other decision I don’t like. While Trevor is an actress who should have an Oscar, Agnes Moorehead should have won one more so. And she was terrific in Johnny Belinda. Trevor’s performance was just okay. And Best Director this year was John Huston for The Treasure of the Sierra Madre, which (as I said here), of course I love, because I feel the film should have won Best Picture.

This category, though — this one was one of those where, finally a deserving actor got his recognition. Walter Huston, to me, was worth voting for every other time he was nominated for an Oscar. Every other time. Dodsworth — I voted for him. The Devil and Daniel Webster — I’d have voted for him over Gary Cooper, who won that year (even though Orson Welles ultimately was the vote there). Yankee Doodle Dandy — he was probably the best actor in the bunch to vote for. So, to me, finally, he gets his due here. And that makes me happy.

BEST SUPPORTING ACTOR – 1948

And the nominees were…

Charles Bickford, Johnny Belinda

José Ferrer, Joan of Arc

Oskar Homolka, I Remember Mama

Walter Huston, The Treasure of the Sierra Madre

Cecil Kellaway, The Luck of the Irish (more…)


The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)


The Oscar Quest: A Viewer’s Guide – Best Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)