Posts tagged “1996

Mike’s Top Ten of 1996

1996 feels like the peak year of “these are the movies of my childhood.” And that’s not just because of Space Jam. But a lot of it is because of Space Jam.

This year… maybe it’s because I was 7, going on 8 and this is the year stuff tends to stick with you more, maybe it’s because we moved this year to a place that was much closer to a movie theater and started going more (mainly because my sister was now old enough to go consistently and we could all go to basically the same movies and enjoy ourselves), or maybe it’s because this is the year we first got our illegal cable hookup and got all the PPV movie channels for free. More than likely it’s a combination of all of those things.

But on top of all of that, there’s a lot of really awesome stuff this year. It feels like the year that’s more “stuff I like” more than “a lot of this stuff is some of the best ever made.” This is the year I’m most willing to say is closer to my sensibility than objectively what most people would say are the best movies. That said, a lot of this stuff is really great and we all probably really like it.

And there’s Space Jam too. Never count out Space Jam. (more…)


A Pictorial History of the Movies: 1996 – Space Jam

Was this not the most representative film of 1996?

http://bplusmovieblog.com


The Hidden Gems List (1996)

My Hidden Gems list is an in-depth look at all the films I feel are in some way, underseen, underappreciated, or just plain unknown, and they really shouldn’t be that way.

I have a lot of lists of films I really like on this blog. But there are a lot of films out there that I like, so it can be overwhelming for someone who just wants to find a few movies to watch. Plus, I assume that people reading this know enough about movies and have seen enough to where they know what big shit (Casablanca, Gone With the Wind, etc) they need to see. I don’t need to tell you that. Plus, everyone loves when you can find a movie that not a lot of people know about that’s really good that you can now show other people who don’t know about it.

So the idea was to write, in depth, about some movies that I love that I think people need to see. From each year. And what I’m gonna do is go very slowly go through all of them, and give them their time in the spotlight. And then you can read them and maybe find some to go, “All right, I should check that out,” and maybe add them to your Netflix queue.

The idea is to give you things to see (specifically ones I feel most people would ignore, have ignored, or would assume it wasn’t something they need to see, that I think are really good and worthwhile that not enough people know about), and to show some love to more stuff than the big things from each year. We get enough of that. The big stuff is always there, but it’s these ones that fill out a collection.

You can always buy a diamond, but isn’t it more fun to pan a gem from the rest of the dirt? Here are 1996′s gems. (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actor (1990-2011)

These performance articles are going to be tougher than the Best Picture ones. But before we get into that, let me explain:

I’m doing a series of articles where I sort of mediate my opinions about what should have been nominated in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress), all time (1927-1928 to present), next to what the actual nominees were. I’ve never actually gone on record about what I think should have been nominated, mostly because I treat the Oscars as something that’s just a thing. I have opinions each year about what should or shouldn’t be nominated, but once a category is in place I (unlike many other people), have respect for the category as an entity. I don’t fuck with them, and treat everything as, “Okay, it’s there. Now how do I vote?”

But I figured I could accomplish two things by actually telling people what I’d nominate. First, I figured I could use my opinions to create what I’m calling a Compromise List, which is basically a mixture of what actually happened and what I think should have happened, which, to most rational people who like movies (and respect the Oscars), actually ends up being something that perfectly mediates the two. I feel like these Compromise Lists give everyone the best of both worlds — we get to nominate shit that was ignored, and the films that the Academy clearly liked get to stay. And (hopefully) everyone’s happy. (more…)


The Oscar Quest: My Oscar Nominations — Best Picture (1990-2011)

This seemed like an obvious next step after I did the Oscar Quest. I try not to deal in ‘what-ifs,’ so pulling that bullshit of simply saying, “Oh, this is what I would have nominated,” felt like a dick move to me. Because people do that all the time, and they’re always too subjective to take seriously. It’s like, “I would totally have voted for Blade Runner over Missing,” meanwhile they haven’t seen Missing and there’s no fucking way in any world that Blade Runner would have been nominated for Best Picture. And I refused to get involved with that without being able to tell people — “Look, don’t be stupid.”

But I found a way around that. I decided, that if I was going to say, “Here’s what I would have voted for if I had a ballot,” I would also point out that some of the shit I’d vote for would never happen.  And that gave me the idea for the “Compromise List.” The Compromise List is basically — I have films I think shouldn’t have been nominated. I have films I’d nominate that other people (more importantly, the Academy) don’t think should be nominated. So, the idea of the Compromise List is — we swap out shit I don’t like with shit we all can get behind (since most of it has been established as stuff that’s great).

I, personally, found myself unable to be totally subjective here. Because I, unlike most people, have respect for the Academy as an institution, and the history they have. Sure, I think they make asinine decisions all the time, but I refuse to pull that bullshit of “Star Trek on Best Picture list!” No. I don’t care if it was a better movie than The Blind Side — I won’t do it. And to even think it would have happened is to belittle what the Oscars are. I know a good movie is a good movie, but we have 85 years of precedent before us. You can’t tell me certain movies should be nominated. Hence the compromise list. (more…)


Best Original Song: A Categorical History (1996-2000)

Not as strong as the first half of the 90s, but… it’ll do, pig.

1996: “YOU MUST LOVE ME,” FROM EVITA

(more…)


The Oscar Quest: Best Picture – 1996

1996 is one of the years I hate most in Academy history. To me, almost every major decision they made was a bad one. It’s one of those years where you can’t really do anything, because the Academy is always going to be the Academy, so we have to live with it. But at least here, we can all agree that they made a terrible decision, even if it was the one they were always going to make.

Outside of this category, The English Patient wins Best Director for Anthony Minghella (talked about here), a foregone conclusion and Best Supporting Actress for Juliette Binoche (talked about here), a decision I actually really like. I think that even though Lauren Bacall was a very deserving veteran, her performance was decent at best and her film was beyond terrible (and Barbara Hershey’s film/performance was way too on-the-nose). Best Actor this year was Geoffrey Rush for Shine (talked about here), which I hate as a decision. I love Geoffrey Rush, I think he deserves an Oscar (Supporting would be better), but I felt his performance was clearly a supporting one in the film, and that Billy Bob Thornton was so good in Sling Blade (and even Ralph Fiennes in The English Patient) that Rush is one of the most inexplicable winners I’ve ever seen. Best Actress was Frances McDormand for Fargo (talked about here), which I love, because the film’s great and she’s great in it, but she’s really a supporting character, and Emily Watson’s performance in Breaking the Waves is so good that I’m shocked she didn’t win (Brenda Blethyn was also amazing in Secrets & Lies). And then Best Supporting Actor was Cuba Gooding, Jr. for Jerry Maguire (talked about here), which, while I love the performance — William H. Macy really should have won. He really should have.

So that’s 1996. I like two categories. And one of them — ehh, maybe it’s not the best decision. So overall, I think this is a pretty terrible year. One of my least favorites. And, like most bad years, it all starts at Best Picture.

BEST PICTURE – 1996

And the nominees were…

The English Patient (Miramax)

Fargo (Gramercy Pictures)

Jerry Maguire (TriStar)

Shine (October Films)

Secrets & Lies (Fine Line Features) (more…)


The Oscar Quest: Best Supporting Actress – 1996

I cringe when I see 1996. The English Patient is such a terrible movie to have won Best Picture. Fargo was so much better. Anthony Minghella winning Best Director for it, though, (talked about here) is understandable. Usually with one comes the other. But it still doesn’t make it a good decision.

Best Actor was Geoffrey Rush for Shine, which, as I said here, is a decision I consider one of the worst of all time. Not because of the actor, because of the performance. Read the article if you want to find out why. Then Best Actress was Frances McDormand for Fargo, which I love as a decision (as I said here), even though it wasn’t the best performance in the category (it was my favorite, though). And Best Supporting Actor was Cuba Gooding Jr. for Jerry Maguire, which is just troublesome. I talked about it  here, but basically, William H. Macy should have won for Fargo, yet Cuba Gooding is so likable in the movie, it swayed a lot of people to vote for him (even I did in when I wrote up the article!), and then after the fact we all realized, “Yeah…we should have given it to Bill Macy. That was dumb.”

So that’s 1996. Bad Best Picture and Best Director choice, terrible Best Actor choice, great Best Actress choice, but one that’s shaky because there was a better (or two) performance in the category, and a Best Supporting Actor choice that feels okay, but then you realize it probably shouldn’t have won. Then, there’s this category. It’s by far the weakest of the bunch (though that’s always been the case, historically), but they did made the right decision. Most people assumed Lauren Bacall was the odds-on favorite here (because she’s Lauren Bacall), but no one takes into account just how much an Oscar-winning performance actually requires a halfway decent film in order to be taken seriously.

BEST SUPPORTING ACTRESS – 1996

And the nominees were…

Joan Allen, The Crucible

Lauren Bacall, The Mirror Has Two Faces

Juliette Binoche, The English Patient

Barbara Hershey, The Portrait of a Lady

Marianne Jean-Baptiste, Secrets & Lies (more…)


The Oscar Quest: Best Actress – 1996

I’m well on the record about how much I hate 1996. I mean, The English Patient beats Fargo for Best Picture. And it’s not even a good movie. Anthony Minghella wins Best Director for it (talked about here), and Juliette Binoche wins Best Supporting Actress for it. That’s really the only one of its awards I agree with. Otherwise — seriously, what the fuck, Academy?

Then, Geoffrey Rush wins Best Actor for Shine, in what I consider one of the worst Best Actor decisions of all time (explained here) and Cuba Gooding Jr. wins Best Supporting Actor for Jerry Maguire. Which, funny thing about that (and that article, which is here) — I’m currently in the situation that a lot of Academy voters are probably in now. When I wrote the article, I was like, “I know Bill Macy should really win this, I know he was the better choice, he’s had the better career, he should have the Oscar — gaah, I’m going with Cuba Gooding. He’s just so charming in the role!” And now, I’m like, “Fuck, I totally should have taken Bill Macy.” It’s kind of fitting, actually.

And then, we have this category, which, for me, is one of the toughest things in the world. Because, you have three amazing performances. All for different reasons. And the one that won, while it was great, and it was my favorite, isn’t really the best performance of the bunch. And yet — it’s Marge. It’s, “dont’cha know” and “oh yah, you betcha.” It’s so difficult, because, I love the performance and I know that there were better choices. This category is tearing me apart! (Note: That counts as both a Room reference and a Rebel Without a Cause reference.)

BEST ACTRESS – 1996

And the nominees were…

Brenda Blethyn, Secrets & Lies

Diane Keaton, Marvin’s Room

Frances McDormand, Fargo

Kristin Scott Thomas, The English Patient

Emily Watson, Breaking the Waves (more…)


The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)


The Oscar Quest: A Viewer’s Guide – Best Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Picture

Here is my subset of The Oscar Quest Rankings, specifically for Best Picture.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Picture

2013 – 1. Gravity (Warner Bros.) *

2. Her (Warner Bros., Annapurna)

3. The Wolf of Wall Street (Paramount, Universal)

4. 12 Years a Slave (Fox Searchlight)

5. Captain Phillips (Columbia)

6. American Hustle (Columbia, Annapurna)

7. Philomena (The Weinstein Co.)

8. Dallas Buyers Club (Focus Features)

9. Nebraska (Paramount Vantage)

2012  1. Django Unchained (The Weinstein Co., Columbia) *

2. Les Misérables (Universal, Working Title Films)

3. Silver Linings Playbook (The Weinstein Co.)

4. Argo (Warner Bros.)

5. Lincoln (Touchstone, DreamWorks, 20th Century Fox)

6. Life of Pi (20th Century Fox)

7. Beasts of the Southern Wild (Fox Searchlight)

8. Zero Dark Thirty (Columbia)

9. Amour (Les Films du Losange, X Filme Creative Pool, Wega Film Production)

2011  1. The Artist (The Weinstein Company) *

2. Hugo (Paramount)

3. Moneyball (Columbia)

4. War Horse (Touchstone, DreamWorks)

5. The Tree of Life (Fox Searchlight)

6. The Descendants (Fox Searchlight)

7. Midnight in Paris (Sony Pictures Classics)

8. The Help (Touchstone, DreamWorks)

9. Extremely Loud and Incredibly Close (Warner Bros.) (more…)