Posts tagged “1997

Mike’s Top Ten of 1997

Love me some 1997. This is a year where I was old enough to start seeing some of these films on my own for the first time, rather than seeing them as I got older. For some reason I don’t consider this that strong a year, but look at the movies that are here… it’s really strong. The late 90s was a pretty great time to be making movies. Good stuff happened here.

This year has some of my all-time favorite movies, and some others that are embedded into my personality forever. I have so many reference points from this list.

This year also has the added notoriety of having had, for a time, the biggest movie ever made, which kind of dwarfs everything else. I guess some of that is really 1998, since the movie came out in late December and was huge all through the first part of 1998. But man, does anyone else miss walking into literally any public place and hearing “My Heart Will Go On” playing on the speakers? I mean, I don’t, but someone might. (more…)


A Pictorial History of the Movies: 1997 – Titanic

Yes, I’m seriously going to leave that song as the only thing I say about this movie.

Because do you people remember the six months after this movie came out? Do you remember any other song playing everywhere you went?

I rest my case.

Embrace the piccolo, people. You know this was 1997 for all of us.

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The Hidden Gems List (1997)

My Hidden Gems list is an in-depth look at all the films I feel are in some way, underseen, underappreciated, or just plain unknown, and they really shouldn’t be that way.

I have a lot of lists of films I really like on this blog. But there are a lot of films out there that I like, so it can be overwhelming for someone who just wants to find a few movies to watch. Plus, I assume that people reading this know enough about movies and have seen enough to where they know what big shit (Casablanca, Gone With the Wind, etc) they need to see. I don’t need to tell you that. Plus, everyone loves when you can find a movie that not a lot of people know about that’s really good that you can now show other people who don’t know about it.

So the idea was to write, in depth, about some movies that I love that I think people need to see. From each year. And what I’m gonna do is go very slowly go through all of them, and give them their time in the spotlight. And then you can read them and maybe find some to go, “All right, I should check that out,” and maybe add them to your Netflix queue.

The idea is to give you things to see (specifically ones I feel most people would ignore, have ignored, or would assume it wasn’t something they need to see, that I think are really good and worthwhile that not enough people know about), and to show some love to more stuff than the big things from each year. We get enough of that. The big stuff is always there, but it’s these ones that fill out a collection.

You can always buy a diamond, but isn’t it more fun to pan a gem from the rest of the dirt? Here are 1997′s gems. (more…)


The Oscar Quest: My Oscar Nominations — Best Director (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actress (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Supporting Actor (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actress (1990-2011)

This is part of a series of articles where I’m putting forth my opinions about what I’d nominate in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress). Normally I take the categories as they are, but I thought it would be fun to figure out what I’d vote for if I had a ballot each year. Keep in mind, this is only for NOMINATIONS and nothing else.

My only problem with this is that I knew if I did it, too many people, were they doing the same thing, would put on movies that just didn’t belong on an Oscar ballot. (I would too, in some cases. We just like what we like.) My problem was that people would take this exercise as an opportunity to really just go off the rails with stuff (which, if you read through all these articles, you’ll see me call people out for it, since I know exactly which films and which performances people would put on). So my way around this was by creating what I call a “Compromise List” — after I tell you what was actually nominated and what I’d put on my ballot, I’m making a list whereby I try to make everyone happy and keep it mostly close to what would be there, Academy-wise. You’ll see. My lists usually end up being better and not crazy.

The things to take into account with the performance categories — I can only nominate what I’ve seen. So me not seeing something will be a big reason why some stuff doesn’t appear. And, as always, I tell people not to bother me with one random person in one random category, since I have everything to think about. If you want to say something, wait until you’ve seen all the films/tried this yourself before you do it. And I don’t care about foreign performances, for the most part. There’s a long and complicated answer there, but — I don’t. And the big rule for anyone doing this — if someone won a category, YOU CAN’T LEAVE THEM OFF THE COMPROMISE LIST. Can’t do it.

Otherwise — here’s the next set of categories. (more…)


The Oscar Quest: My Oscar Nominations — Best Actor (1990-2011)

These performance articles are going to be tougher than the Best Picture ones. But before we get into that, let me explain:

I’m doing a series of articles where I sort of mediate my opinions about what should have been nominated in all of the Oscar Quest categories (Picture, Director, Actor, Actress, Supporting Actor and Supporting Actress), all time (1927-1928 to present), next to what the actual nominees were. I’ve never actually gone on record about what I think should have been nominated, mostly because I treat the Oscars as something that’s just a thing. I have opinions each year about what should or shouldn’t be nominated, but once a category is in place I (unlike many other people), have respect for the category as an entity. I don’t fuck with them, and treat everything as, “Okay, it’s there. Now how do I vote?”

But I figured I could accomplish two things by actually telling people what I’d nominate. First, I figured I could use my opinions to create what I’m calling a Compromise List, which is basically a mixture of what actually happened and what I think should have happened, which, to most rational people who like movies (and respect the Oscars), actually ends up being something that perfectly mediates the two. I feel like these Compromise Lists give everyone the best of both worlds — we get to nominate shit that was ignored, and the films that the Academy clearly liked get to stay. And (hopefully) everyone’s happy. (more…)


The Oscar Quest: My Oscar Nominations — Best Picture (1990-2011)

This seemed like an obvious next step after I did the Oscar Quest. I try not to deal in ‘what-ifs,’ so pulling that bullshit of simply saying, “Oh, this is what I would have nominated,” felt like a dick move to me. Because people do that all the time, and they’re always too subjective to take seriously. It’s like, “I would totally have voted for Blade Runner over Missing,” meanwhile they haven’t seen Missing and there’s no fucking way in any world that Blade Runner would have been nominated for Best Picture. And I refused to get involved with that without being able to tell people — “Look, don’t be stupid.”

But I found a way around that. I decided, that if I was going to say, “Here’s what I would have voted for if I had a ballot,” I would also point out that some of the shit I’d vote for would never happen.  And that gave me the idea for the “Compromise List.” The Compromise List is basically — I have films I think shouldn’t have been nominated. I have films I’d nominate that other people (more importantly, the Academy) don’t think should be nominated. So, the idea of the Compromise List is — we swap out shit I don’t like with shit we all can get behind (since most of it has been established as stuff that’s great).

I, personally, found myself unable to be totally subjective here. Because I, unlike most people, have respect for the Academy as an institution, and the history they have. Sure, I think they make asinine decisions all the time, but I refuse to pull that bullshit of “Star Trek on Best Picture list!” No. I don’t care if it was a better movie than The Blind Side — I won’t do it. And to even think it would have happened is to belittle what the Oscars are. I know a good movie is a good movie, but we have 85 years of precedent before us. You can’t tell me certain movies should be nominated. Hence the compromise list. (more…)


Best Original Song: A Categorical History (1996-2000)

Not as strong as the first half of the 90s, but… it’ll do, pig.

1996: “YOU MUST LOVE ME,” FROM EVITA

(more…)


The Oscar Quest: Best Picture – 1997

Sometimes the Academy is the Academy, and there’s really no other way things can turn out. This is one of those times. When a film like Titanic comes along — no other film has a chance. Big, epic, romantic, makes the cry — it has it all. The quintessential Oscar film. It also having broken every box office record also helps.

Outside of the relative sweep for the film (it won 11/14 Oscars, losing Actress, Supporting Actress and Makeup), which included Best Director for James Cameron (talked about here), Best Actor and Best Actress went to Jack Nicholson (talked about here) and Helen Hunt (talked about here) for As Good as It Gets. These are both generally regarded as weak decisions, given the nature of the film, but I’m okay with them. Titanic was gonna overshadow everything else anyway, and seeing as how Nicholson’s main competition was Robert Duvall (I don’t buy the Fonda thing at all), and Nicholson was gonna win one anyway, I think this was acceptable (unless of course we don’t want Adrien Brody winning in 2002). And Helen Hunt — the category was terrible. I know Judi Dench, but I hate voting for on-the-nose performances (meaning: costume dramas) in this era. Then Best Supporting Actor went to Robin Williams for Good Will Hunting (talked about here), which he was overdue for and makes sense, and Best Supporting Actress went to Kim Basinger for L.A. Confidential (talked about here), which really wasn’t a great performance, but at least the film got recognized. The performance that should have won (Joan Cusack), at least, to me, anyway, was never going to win. So that’s an acceptable substitute, I guess.

I guess I’ll use this space to say, even though Titanic was always going to win, L.A. Confidential is such a great film. Even though we’d all have preferred for it to have won, it’s better that it worked out this way. Sometimes it’s better to think positively about the “what if” than live with the reality of it happening.

BEST PICTURE – 1997

And the nominees were…

As Good As It Gets (TriStar)

The Full Monty (Fox Searchlight)

Good Will Hunting (Miramax)

L.A. Confidential (Warner Bros.)

Titanic (Paramount, 20th Century Fox) (more…)


The Oscar Quest: Best Actor – 1997

1997 is like having a stupid relative. You can’t do anything about it no matter how much you want to. Because there’s no way Titanic wasn’t winning Best Picture this year. Or Best Director for James Cameron (talked about here). It was inevitable. No matter how much we all think L.A. Confidential should have won instead.

Then Robin Williams won Best Supporting Actor for Good Will Hunting, talked about here, and Kim Basinger won Best Supporting Actress for L.A. Confidential, talked about here. I didn’t vote for either decision, but I am okay with both of them. Read the articles to find out why.

Then Best Actress was Helen Hunt for As Good as It Gets (talked about here). I mention her last because there’s an interesting piece of trivia in regards to that. Every time Jack Nicholson has won an Oscar — three times. First for One Flew over the Cuckoo’s Nest in 1975, second for Terms of Endearment in 1983 (Supporting), and then here — his leading lady in the film won Best Actress for the film. Not Supporting — Best Actress. That’s crazy, right? Here’s a dude that not only delivers the goods, but helps you deliver the goods.

BEST ACTOR – 1997

And the nominees were…

Matt Damon, Good Will Hunting

Robert Duvall, The Apostle

Peter Fonda, Ulee’s Gold

Dustin Hoffman, Wag the Dog

Jack Nicholson, As Good As It Gets (more…)


The Oscar Quest: Best Actress – 1997

1997 is so simple to recap. Titanic. ‘Nuff said. Whether you agree with the decision or not, you can understand why it won. And why James Cameron won Best Director for it (talked about here). Then Jack Nicholson winning Best Actor for As Good as It Gets, makes sense based on his category. Plus, he was so goddamn enjoyable in the role. Then Best Supporting Actor (talked about here) was Robin Williams for Good Will Hunting, and Best Supporting Actress (talked about here) was Kim Basinger for L.A. Confidential. In all, a solid (and diverse) set of choices.

As for this category, it’s one of those ones that is looked at negatively, after the fact. Not that Helen Hunt wasn’t charming and all, it’s just — she beat Judi Dench. Other people would say Helena Bonham Carter, but most people say Judi. It’s a tough call, the category’s not that strong, and there isn’t really a #1 performance. Although, the current result does help perpetuate a nice bit of trivia, which is — all three times Jack Nicholson has won an Oscar (1975, 1983 and here), his female co-star in the film also won Best Actress for the film. And that coincidence might be worth the result. Maybe. I don’t know. I consider this mostly a blank. Does it really matter so much what happened here?

BEST ACTRESS – 1997

And the nominees were…

Helena Bonham Carter, The Wings of the Dove

Julie Christie, Afterglow

Judi Dench, Mrs. Brown

Helen Hunt, As Good As It Gets

Kate Winslet, Titanic (more…)


The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)


The Oscar Quest: A Viewer’s Guide – Best Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Picture

Here is my subset of The Oscar Quest Rankings, specifically for Best Picture.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Picture

2013 – 1. Gravity (Warner Bros.) *

2. Her (Warner Bros., Annapurna)

3. The Wolf of Wall Street (Paramount, Universal)

4. 12 Years a Slave (Fox Searchlight)

5. Captain Phillips (Columbia)

6. American Hustle (Columbia, Annapurna)

7. Philomena (The Weinstein Co.)

8. Dallas Buyers Club (Focus Features)

9. Nebraska (Paramount Vantage)

2012  1. Django Unchained (The Weinstein Co., Columbia) *

2. Les Misérables (Universal, Working Title Films)

3. Silver Linings Playbook (The Weinstein Co.)

4. Argo (Warner Bros.)

5. Lincoln (Touchstone, DreamWorks, 20th Century Fox)

6. Life of Pi (20th Century Fox)

7. Beasts of the Southern Wild (Fox Searchlight)

8. Zero Dark Thirty (Columbia)

9. Amour (Les Films du Losange, X Filme Creative Pool, Wega Film Production)

2011  1. The Artist (The Weinstein Company) *

2. Hugo (Paramount)

3. Moneyball (Columbia)

4. War Horse (Touchstone, DreamWorks)

5. The Tree of Life (Fox Searchlight)

6. The Descendants (Fox Searchlight)

7. Midnight in Paris (Sony Pictures Classics)

8. The Help (Touchstone, DreamWorks)

9. Extremely Loud and Incredibly Close (Warner Bros.) (more…)