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The Oscar Quest: Best Actress – 1961

What happened here? Not that I’m totally against it, since I like Sophia Loren, but, come on now.

Otherwise, though, 1961 is a pretty good year. West Side Story wins Best Picture, Best Director for Robert Wise and Jerome Robbins (first double Best Director winner in history. One of two, including the Coen brothers), Best Supporting Actor for George Chakiris and Best Supporting Actress for Rita Moreno (which I talked about here). Big film. Great film. The other award was Best Actor, which went to Maximilian Schell for Judgment at Nuremberg, which I don’t even hide as one I consider one of the worst decisions of all time.

But back to this category. It’s tough to say, since Sophia Loren is a legend, but I really don’t think she should have won this one. And it’s not even because of Audrey Hepburn. I don’t think she should have won this one either. But, because of the love I have for Sophia Loren, it makes it cloud the fact that I consider this win a terrible decision. And that’s what’s so difficult about this year.

BEST ACTRESS – 1961

And the nominees were…

Audrey Hepburn, Breakfast at Tiffany’s

Piper Laurie, The Hustler

Sophia Loren, Two Women

Geraldine Page, Summer and Smoke

Natalie Wood, Splendor in the Grass Read the rest of this page »

The Oscar Quest: Best Director – 1991

What a stacked year for Best Director this is. Seriously. Just, wow.  There was not one bad choice to make here. I mean, there would have been a weak one compared to the category, but still, all these nominees were really fucking strong.

Just to recap, before we get into it, The Silence of the Lambs sweeps the Big Five, which means, along with Best Screenplay (Adapted), it wins Best Picture, Best Director for Jonathan Demme (talked about here. No link. I mean here, here, where we are now), Best Actor for Anthony Hopkins (talked about here) and Best Actress for Jodie Foster. All great decisions. Also this year, Jack Palance wins Best Supporting Actor for City Slickers (which I talked about here), and Mercedes Ruehl wins Best Supporting Actress for The Fisher King. So, in all, 1991 is a great fucking year, aside from that one category I don’t really agree with so much.

But still, how about these fucking directors, right? How great is this list?

BEST DIRECTOR – 1991

And the nominees were…

Jonathan Demme, The Silence of the Lambs

Barry Levinson, Bugsy

Ridley Scott, Thelma and Louise

John Singleton, Boyz n the Hood

Oliver Stone, JFK Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1976

Oh, 1976. What a stacked year. Rocky wins Best Picture, which, some people are upset over. I understand. All the President’s Men, Taxi Driver, Network, and, Bound for Glory were also nominated for Best Picture. I think we can all agree, there were four great decisions to be made there. Personally, I think they made the best one. John G. Avildsen didn’t necessarily need to win Best Director. I think Sidney Lumet or Alan Pakula would have been better choices (Martin Scorsese was not nominated. Your guess as to why), but you know, Rocky‘s awesome.

As for the rest of the year, Peter Finch wins Best Actor for Network. He beat Sly Stallone (who didn’t need the Oscar), Bill Holden (who had his Oscar already), Bob De Niro (who had an Oscar and would get one four years after this, which may or may not make up for the fact that it was fucking Taxi Driver), and Giancarlo Giannini for Seven Beauties (who went on to get tortured and killed in Casino Royale and Quantum of Solace. Bonus points for also being disembowled in Hannibal). I call that a fair decision. Best Actress went to Faye Dunaway (finally!), also for Network, ending her string of (acceptable) snubs. And Best Supporting Actor went to Jason Robards for All the President’s Men, which, is acceptable (kind of), but — I’d personally have gone for Burgess Meredith or Burt Young for Rocky. But, you know, Robards is awesome.

That’s really it. 1976 is one of the strongest years in Academy history. You know, it’s awesome. (Motif!)

BEST SUPPORTING ACTRESS – 1976

And the nominees were…

Jane Alexander, All the President’s Men

Jodie Foster, Taxi Driver

Lee Grant, Voyage of the Damned

Piper Laurie, Carrie

Beatrice Straight, Network Read the rest of this page »

The Oscar Quest: Best Actress – 1948

This is one of my personal favorite individual categories of all time. Not so much based on the nominees, based on the winner. This, to me, is a top five Best Actress decision of all time. I love it so much. Which is great, because, without this, 1948 would be practically intolerable.

1948 is the year Hamlet wins Best Picture. Easily the single worst Best Picture decision of all time. Hamlet itself is not a terrible picture. In fact, had it won in 1947, I’d probably say it’s a fine and even admirable decision. But, here’s what it beat: Johnny Belinda (which, if you know nothing about it, wait a second, I’ll tell you. Also, watch it. You’ll see), The Snake Pit (also, I’ll be talking about it in a second), The Red Shoes (I bet you’ve heard of this one. One of the most beautiful films ever made, and contains the most breathtaking dance sequence ever put to film), and some little film called The Treasure of the Sierra Madre. I think we can all agree — the choice was not okay.

Best Actor this year was Laurence Olivier, for Hamlet. This was a perfect decision. Especially since Humphrey Bogart wasn’t nominated. Best Supporting Actor was Walter Huston and Best Director was John Huston, both for The Treasure of the Sierra Madre, and Best Supporting Actress was Claire Trevor, for Key Largo (which, coincidentally, was also directed by John Huston. Nice bit of trivia. He directed both Supporting Oscar-winning performances this year). Still, that Hamlet decision is not cool.

BEST ACTRESS – 1948

And the nominees were…

Ingrid Bergman, Joan of Arc

Olivia de Havilland, The Snake Pit

Irene Dunne, I Remember Mama

Barbara Stanwyck, Sorry, Wrong Number

Jane Wyman, Johnny Belinda Read the rest of this page »

The Oscar Quest: Best Actor – 1949

1949. I’m excited for this one. I like being able to talk about years like this, because I know people aren’t necessarily well-versed in anything before 1950. Or, hell, 1970.

The year itself wasn’t particularly interesting. All the King’s Men, a good film, beat a pretty weak set of nominees. It was probably the best of the bunch, so it’s not like it was a bad decision. Mercedes McCambridge won Best Supporting Actress for the film as well. Best Actress this year went to Olivia de Havilland for The Heiress, and all I can say about that is — yes. The performance is astoundingly good, and she was by far the best choice in the category. Best Supporting Actor went to Dean Jagger for Twelve O’Clock High. I didn’t understand why he won when I watched the film, so I need to rewatch it before I decide whether or not it was a good decision. Though it was a pretty weak set of nominees. And also, Best Director was Joseph Mankiewicz for A Letter to Three Wives, which, I don’t understand. But Best Director is murky this year and the year after this, so I’ll save it until I talk about it. In all though, 1949 is a solid year. A few solid choices, a few bad ones. Above average.

BEST ACTOR – 1949

And the nominees were…

Broderick Crawford, All the King’s Men

Kirk Douglas, Champion

Gregory Peck, Twelve O’Clock High

Richard Todd, The Hasty Heart

John Wayne, Sands of Iwo Jima Read the rest of this page »