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The Oscar Quest: Best Actress – 1958

1958 is a year — I think this is my first time talking about it since I’ve been writing these articles. I never really decided my feelings on the year as a whole. I agree with a lot of the decisions, but, for some reason this year just kind of feels like a blank to me.

Gigi won Best Picture, which is why it feels like a blank to most people. It wasn’t a terrible decision, mostly because the year itself didn’t really have a standout nominee. The Defiant Ones was also nominated, and that’s really the film that people can point to the best out of the other nominees and say it should have won, but both that and Gigi feel like films that, in most years, would be solid #2s. You know? I like them but, I just don’t see either of them as being winners. The other three nominees this year were Auntie Mame, which is a good film but kind of a bloated entry in the Best Picture nominees, Cat on a Hot Tin Roof, which is a great film but is very stagy and feels more like an “actors'” film more than a Best Picture winner, and Separate Tables, which is a solid film and a classy film, but not a Best Picture winner. So, this year is kind of a year of all fours without a solid five. That’s why I think it this year doesn’t really stand out among the really good ones.

As for the rest of the year, Best Actor went to David Niven for Separate Tables, which is more of a career achievement than anything. Tony Curtis and Sidney Poitier probably split the vote for The Defiant Ones, Paul Newman in Cat on a Hot Tin Roof — I don’t know, maybe he was too new to the industry to win over a veteran — and Spencer Tracy for The Old Man and the Sea, which is a Spencer Tracy nomination. So I guess that makes sense. Best Supporting Actor went to Burl Ives for The Big Country, which makes perfect sense, as he was great in that and great also in Cat on a Hot Tin Roof this year (kind of strange he didn’t win for that, but, hey, a win’s a win). Best Supporting Actress went to Wendy Hiller for Separate Tables, which was a great opportunity to give a veteran an Oscar in a relatively weak category. And Best Director was Vincente Minnelli for Gigi, which was a perfect decision, since Minnelli deserved an Oscar and didn’t get one the other time he was nominated in 1951. So, that’s 1958. A good year but not a great year. One that might be unfairly swept under the rug because of an unflashy Best Picture decision. Read the rest of this page »

The Oscar Quest: Best Supporting Actor – 1972

1972 was The Godfather. So I think we all know just how good a year this was. (Note: Totally a coincidence with the Pic of the Day today.) Best Actor went to Brando. Simple and easy choice. Best Director went to Bob Fosse, which, is strange, yet, acceptable. The reason being, Coppola won for Part II, and, since the Academy really fucked up and awarded neither in 1979 (for whatever reason), they ended up both having one. So, even though Coppola lost for directing what many consider one of the top five or ten greatest movies ever made, it’s kind of acceptable if you don’t think about it too much.

Best Actress this year was Liza Minnelli for Cabaret, which is awesome, because she’s awesome and did a great job in the film (plus she was the only good choice. The others were way less interesting. Which leaves us with two categories — this one, which, well, I’ll get to that in a second, and Best Supporting Actress, which went to Eileen Heckart for Butterflies are Free. Personally, I think that category sucked, and there wasn’t really a clear cut winner, so, I count that as a blank. But, this category is a strange one, because, there are clearly three better choices, yet, they were all from the same film, which lead to a vote split. So, even if it’s upsetting that someone from The Godfather didn’t win, I do kind of get it. Because, look who the three were.

BEST SUPPORTING ACTOR – 1972

And the nominees were…

Eddie Albert, The Heartbreak Kid

James Caan, The Godfather

Robert Duvall, The Godfather

Joel Grey, Cabaret

Al Pacino, The Godfather Read the rest of this page »

The Oscar Quest: Best Actor – 1996

1996 is one of the few dark spots of the 90s. After the terrible decision that was Dances With Wolves, we got a somewhat poor decision with Forrest Gump (based on the competition. I love the film, but, there were better choices), The English Patient here, and then the Shakespeare in Love choice (which is also kind of a competition choice). The two insanely glaring errors to me are Patient and Wolves, because, not only should they not have won, they aren’t even good films. Maybe it’s okay that Anthony Minghella won Best Director for The English Patient as well, but, it was still up against Fargo.

I guess what sort of saves 1996 from completely going under were the rest of the major categories. Or it might have made it worse, depending on where you fall. Frances McDormand as Best Actress is a good decision, since I’m glad they gave Fargo something, though there might have been (and probably were) better choices in the category. Juliette Binoche as Best Supporting Actress for The English Patient is a decision I haven’t fully made up my mind on, but I’m okay with it as far as, I like Juliette Binoche. Cuba Gooding Jr. as Best Supporting Actor for Jerry Maguire is a decision I like a lot, mostly because I liked the character, but William H. Macy was also nominated for Fargo, so, there is a bit of complication there.

Oh, and to get it out of the way, I consider this category one of the worst decisions the Academy has made in the Best Actor category, ever. The reason for this is not because of who won, it’s what he won for and whether or not that performance was worthy of winning. And just to tell you — dude’s only on screen for like, fifteen minutes, so, he totally didn’t deserve it. And what makes it worse is the caliber of performances he did beat. That’s why, no matter how much I like Geoffrey Rush, this was a terrible decision. Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1956

I love 1956. This is a great year for Oscar films disguised under a bad cloud of what actually won. Around the World in 80 Days is considered (somewhat unfairly) as one of the worst Best Picture choices of all time. It’s a bad choice, but not that terrible. Yul Brynner as Best Actor for The King and I is a really bad choice, mostly because he’s nothing more than a supporting actor in the film. Ingrid Bergman as Best Actress for Anastasia (as I’ve talked about here) was a terrible decision. Anthony Quinn as Best Actor for Lust for Life was a mostly poor decision, but I haven’t yet fully decided my feelings on that one. And George Stevens as Best Director for Giant was the lone good decision this year. That’s about it. I love 1956. Back up in that other article, I listed all the great films that came out that year. That list about covers it.

BEST SUPPORTING ACTRESS – 1956

And the nominees were…

Mildred Dunnock, Baby Doll

Eileen Heckart, The Bad Seed

Dorothy Malone, Written on the Wind

Mercedes McCambridge, Giant

Patty McCormack, The Bad Seed Read the rest of this page »

The Oscar Quest: Best Director – 1982

We’re back at 1982. A boring year, for my money. I mean, Gandhi is Gandhi, but, also nominated this year were The Verdict, Tootsie and E.T. (and Missing, which — whatever). Those would have been way more interesting choices. Ben Kingsley for Best Actor for Gandhi was also good, but — Paul Newman was up for The Verdict. He hadn’t won one yet. But, whatever. This isn’t Best Actor. Best Actress, however, was Meryl Streep for Sophie’s Choice, which is one of the best choices they’ve ever made. I mean, come on. (I talked about that one here.) And then Best Supporting Actor was Lou Gossett Jr., for An Officer and a Gentleman, a category I haven’t decided how I feel about yet, and Best Supporting Actress was Jessica Lange for Tootsie, which, I also haven’t full decided upon yet. But I’ll probably get to it soon.

And that’s 1982, really. Mostly good decisions punctuated by a boring choice for Best Picture. Which then makes me feel pretty “meh” about this year as a whole, since, a year is summed up by its Best Picture winner in Oscar Town.

BEST DIRECTOR – 1982

And the nominees were…

Richard Attenborough, Gandhi

Sidney Lumet, The Verdict

Wolfgang Petersen, Das Boot

Sydney Pollack, Tootsie

Steven Spielberg, E.T. The Extra Terrestrial Read the rest of this page »