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The Oscar Quest: Best Supporting Actor – 1974

1974’s a fun year. The Godfather Part II, Chinatown, The Conversation, Lenny, The Towering Inferno — and those are just the Best Picture nominees.

The Godfather Part II wins Best Picture in a decision nobody can contest, no matter how much we all love Chinatown. It also wins Best Director for Francis Ford Coppola — finally — after he was snubbed for The Godfather in favor of Bob Fosse for Cabaret a decision that works in the historical sense (both directors have Oscars, which is great), but not in the specific category. Best Actor this year was Art Carney for Harry and Tonto, a veteran/career Oscar, and one of the worst decisions of all time. I love Art Carney, but, come on, when you see who else was nominated in that category (hint, three of the four come from the Best Picture nominees), it was a terrible decision. Best Actress was Ellen Burstyn for Alice Doesn’t Live Here Anymore (most likely a makeup Oscar from 1973, but we’ll get to that another time), and Best Supporting Actress was Ingrid Bergman for Murder on the Orient Express, which I talked about already. So this year is almost like the opposite of — whatever other year I talked about recently, which had a bunch of good acting decisions but a bad Best Picture decision.

BEST SUPPORTING ACTOR – 1974

And the nominees were…

Fred Astaire, The Towering Inferno

Jeff Bridges, Thunderbolt and Lightfoot

Robert De Niro, The Godfather Part II

Michael V. Gazzo, The Godfather Part II

Lee Strasberg, The Godfather Part II Read the rest of this page »

The Oscar Quest: Best Director – 1944

1944. I consider this year a missed opportunity. The Academy could have really went out on a limb and gave a great film Best Picture. But instead they went with the safe choice. Going My Way, which is a very good film, but really didn’t need to win Best Picture, Best Director Best Actor and Best Supporting Actor. Best Actor is cool, because who dosen’t like Bing Crosby? I can’t remember who he was up against offhand, but let’s assume it’s okay. (Note: Looked it up. Totally cool with it.) Oh, also, Barry Fitzgerald, who won Best Supporting Actor, was also nominated for Best Actor for the exact same role. Only time that’s happened in Academy history. After this they just settled into the standard category fraud that we’re used to.

Anywho, the other two awards we haven’t covered yet were Ingrid Bergman for Gaslight, a makeup Oscar if I’ve ever seen one — she was nominated for For Whom the Bell Tolls and not for Casablanca the year before this, plus she did a great job here, so there was really no way she wasn’t winning — and Ethel Barrymore for None But the Lonely Heart. I’m really not all that upset with most of the decisions this year — or at least, I don’t object too much, past Best Picture and this category, because those just weren’t necessary at all.

BEST DIRECTOR – 1944

And the nominees were…

Alfred Hitchcock, Lifeboat

Henry King, Wilson

Leo McCarey, Going My Way

Otto Preminger, Laura

Billy Wilder, Double Indemnity Read the rest of this page »

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The Oscar Quest: Best Actor – 1959

1959 was Ben-Hur. Game over, man. But that’s just Best Picture and Best Director. The acting categories are fair game. Just because it won two acting awards does not necessarily mean it should have. That’s this category’s major issue. It’s like with Lawrence of Arabia. How much does just simply carrying a film of this scale count toward voting?

I like this. We have a theme. It only really counts for one performance, but fuck it, let’s run with it. As for the rest of the year, as I said, Ben-Hur swept Picture, Director and also Supporting Actor, which went to Hugh Griffith. Best Actress was Simone Signoret for Room at the Top, which I am so not happy about and will get to at some point. And Best Supporting Actress was Shelley Winters for The Diary of Anne Frank. This is a deceptively okay year. It seems like the decisions were fine because of the obvious choice in Ben-Hur, but, in actuality, I really don’t agree with any of the acting choices. I’m okay with one, maybe two of them, but, really, I think they could have picked better.

BEST ACTOR – 1959

And the nominees were…

Laurence Harvey, Room at the Top

Charlton Heston, Ben-Hur

Jack Lemmon, Some Like It Hot

Paul Muni, The Last Angry Man

Jimmy Stewart, Anatomy of a Murder Read the rest of this page »

The Oscar Quest: Best Supporting Actress – 1990

Ah, 1990 again. The year Goodfellas lost to Dances with Wolves. I think that about covers how well this year went.

Best Actor was Jeremy Irons for Reversal of Fortune, Best Actress was Kathy Bates for Misery, Best Supporting Actor was Joe Pesci for Goodfellas, and Best Director was Kevin Costner, for Wolves.

I like this category though. It’s filled with a lot of interesting performances that I liked a lot. It’ll be a fun one to go through, since, either Best Supporting Actress is a great category, or it’s fucking insufferable. They’re all veteran nominations, or they got in based on support for the film. It’s terrible. But here — oh man, this is gonna be fun.

BEST SUPPORTING ACTRESS – 1990

And the nominees were…

Annette Bening, The Grifters

Lorraine Bracco, Goodfellas

Whoopi Goldberg, Ghost

Diane Ladd, Wild at Heart

Mary McDonnell, Dances with Wolves Read the rest of this page »

The Oscar Quest: Best Actress – 1977

Ah, 1977. Star Wars loses to Annie Hall. Or rather, Star Wars had no shot at winning Best Picture and Annie Hall upsets the presumed favorite, The Turning Point, a melodrama about aging ballerinas. Yeah, everybody makes mistakes.

What’s most interesting about this category in particular, is that the winner won for the wrong film. It’s not that Annie Hall was a bad film, it’s just, Diane Keaton wasn’t really acting in it. The other film she did this year, Looking for Mr. Goodbar, is, however, a fucking phenomenal performance and one that would have won this category hands down. But, in typical Academy fashion, they went with the “lighter” of the two performances because, well, I guess they can’t take depressing films.

The other winners this year were Richard Dreyfuss as Best Actor for The Goodbye Girl, Jason Robards and Vanessa Redgrave as Best Supporting Actress and Best Supporting Actor for Julia (Robards won this category two years running on this one), and Woody Allen winning Best Director for Annie Hall. I know. But we’ll try not to talk about it.

BEST ACTRESS – 1977

And the nominees are…

Anne Bancroft, The Turning Point

Jane Fonda, Julia

Diane Keaton, Annie Hall

Shirley MacLaine, The Turning Point

Marsha Mason, The Goodbye Girl Read the rest of this page »

The Oscar Quest: Best Actor – 1934

Everybody has one year they’re the most biased about. 1934 is mine.

Most years, you can at least have some sort of objectivity when you go, “Yeah, I guess it’s okay.” But, here, my favorite film of all time is contained amongst the nominees, and no matter what it’s up against, I’m always going to feel as if it should have won. So this one’s gonna be brief on the voting and everything. I will talk about how great all three of these movies and performances are, though. So you do get that. Because this category is fucking amazing. All three are great. It’s just — my favorite is my favorite.

Oh, yeah, basically what you need to know is — It Happened One Night swept everything. Beat the hell out of everything. Except my spirit.

BEST ACTOR – 1934

And the nominees are…

Clark Gable, It Happened One Night

Frank Morgan, The Affairs of Cellini

William Powell, The Thin Man Read the rest of this page »