Archive for August 11, 2011

The Oscar Quest: Rankings — Best Director

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Director

2013 – 1. Alfonso Cuaron, Gravity *

2. Steve McQueen, 12 Years a Slave

3. Martin Scorsese, The Wolf of Wall Street

4. David O. Russell, American Hustle

5. Alexander Payne, Nebraska

2012 – 1. Ang Lee, Life of Pi *

2. Steven Spielberg, Lincoln

3. David O. Russell, Silver Linings Playbook

4. Benh Zeitlin, Beasts of the Southern Wild

5. Michael Haneke, Amour

2011  1. Martin Scorsese, Hugo *

2. Michel Hazanavicius, The Artist

3. Terrence Malick, The Tree of Life

4. Woody Allen, Midnight in Paris

5. Alexander Payne, The Descendants (more…)


The Oscar Quest: A Viewer’s Guide — Best Director

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Director.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings — Best Supporting Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actress. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for.)


Best Supporting Actress

2013 – 1. Julia Roberts, August: Osage County

2. Lupita Nyong’o, 12 Years a Slave *

3. June Squibb, Nebraska

4. Sally Hawkins, Blue Jasmine

5. Jennifer Lawrence, American Hustle

2012 – 1. Anne Hathaway, Les Misérables *

2. Sally Field, Lincoln

3. Helen Hunt, The Sessions

4. Jacki Weaver, Silver Linings Playbook

5. Amy Adams, The Master

2011 – 1. Bérénice Bejo, The Artist

2. Jessica Chastain, The Help *

3. Octavia Spencer, The Help

4. Janet McTeer, Albert Nobbs

5. Melissa McCarthy, Bridesmaids (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Supporting Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Supporting Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Supporting Actor

2013 – 1. Jonah Hill, The Wolf of Wall Street *

2. Jared Leto, Dallas Buyers Club

3. Michael Fassbender, 12 Years a Slave

4. Bradley Cooper, American Hustle

5. Barkhad Abdi, Captain Phillips

2012 – 1. Robert De Niro, Silver Linings Playbook *

2. Christoph Waltz, Django Unchained

3. Tommy Lee Jones, Lincoln

4. Philip Seymour Hoffman, The Master

5. Alan Arkin, Argo

2011  1. Max von Sydow, Extremely Loud and Incredibly Close *

2. Christopher Plummer, Beginners

3. Kenneth Branagh, My Week with Marilyn

4. Nick Nolte, Warrior

5. Jonah Hill, Moneyball (more…)


The Oscar Quest: A Viewer’s Guide — Best Supporting Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Supporting Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actress

Here is my subset of The Oscar Quest Rankings, specifically for Best Actress.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Actress

2013 – 1. Judi Dench, Philomena *

2. Sandra Bullock, Gravity

3. Meryl Streep, August: Osage County

4. Cate Blanchett, Blue Jasmine

5. Amy Adams, American Hustle

2012 – 1. Jennifer Lawrence, Silver Linings Playbook *

2. Naomi Watts, The Impossible

3. Jessica Chastain, Zero Dark Thirty

4. Emmanuelle Riva, Amour

5. Quvenzhané Wallis, Beasts of the Southern Wild

2011  1. Rooney Mara, The Girl with the Dragon Tattoo *

2. Michelle Williams, My Week with Marilyn

3. Viola Davis, The Help

4. Meryl Streep, The Iron Lady

5. Glenn Close, Albert Nobbs (more…)


The Oscar Quest: A Viewer’s Guide – Best Actress

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actress.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Actor

Here is my subset of The Oscar Quest Rankings, specifically for Best Actor. Just in case the one big article is too much for you and you just want one specific category.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)

Best Actor

2013 – 1. Matthew McConaughey, Dallas Buyers Club *

2. Leonardo DiCaprio, The Wolf of Wall Street

3. Bruce Dern, Nebraska

4. Chiwetel Ejiofor, 12 Years a Slave

5. Christian Bale, American Hustle

2012 – 1. Daniel Day-Lewis, Lincoln *

2. Joaquin Phoenix, The Master

3. Hugh Jackman, Les Misérables

4. Bradley Cooper, Silver Linings Playbook

5. Denzel Washington, Flight

2011  1. Gary Oldman, Tinker Tailor Soldier Spy *

2. Jean Dujardin, The Artist

3. George Clooney, The Descendants

4. Brad Pitt, Moneyball

5. Demián Bichir, A Better Life (more…)


The Oscar Quest: A Viewer’s Guide – Best Actor

Here is my subset of The Oscar Quest: A Viewer’s Guide, specifically for Best Actor.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings – Best Picture

Here is my subset of The Oscar Quest Rankings, specifically for Best Picture.

(Underlined means that’s what won. An asterisk (*) means that’s what I’d have voted for. Anything in RED means I haven’t seen the film yet.)


Best Picture

2013 – 1. Gravity (Warner Bros.) *

2. Her (Warner Bros., Annapurna)

3. The Wolf of Wall Street (Paramount, Universal)

4. 12 Years a Slave (Fox Searchlight)

5. Captain Phillips (Columbia)

6. American Hustle (Columbia, Annapurna)

7. Philomena (The Weinstein Co.)

8. Dallas Buyers Club (Focus Features)

9. Nebraska (Paramount Vantage)

2012  1. Django Unchained (The Weinstein Co., Columbia) *

2. Les Misérables (Universal, Working Title Films)

3. Silver Linings Playbook (The Weinstein Co.)

4. Argo (Warner Bros.)

5. Lincoln (Touchstone, DreamWorks, 20th Century Fox)

6. Life of Pi (20th Century Fox)

7. Beasts of the Southern Wild (Fox Searchlight)

8. Zero Dark Thirty (Columbia)

9. Amour (Les Films du Losange, X Filme Creative Pool, Wega Film Production)

2011  1. The Artist (The Weinstein Company) *

2. Hugo (Paramount)

3. Moneyball (Columbia)

4. War Horse (Touchstone, DreamWorks)

5. The Tree of Life (Fox Searchlight)

6. The Descendants (Fox Searchlight)

7. Midnight in Paris (Sony Pictures Classics)

8. The Help (Touchstone, DreamWorks)

9. Extremely Loud and Incredibly Close (Warner Bros.) (more…)


The Oscar Quest: A Viewer’s Guide – Best Picture

Here is my subset of The Oscar Quest Rankings, specifically for Best Picture.

A reminder about the color code:

Films in RED are films that are essential. These are films you need to see, whether you like them or not. Though you’ll probably like most of them. A few of these may be part of a personal bias, but this is my list. Just think of the films in red as films you need to see if you want to be film literate (in the most basic sense). At least 70% of these are films that, if you haven’t seen them, you should be ashamed of yourself. These are the prerequisites you need to get into the class. (5-star films.)

Films in ORANGE are films that are my personal favorites (that aren’t already marked red). While not “essential” per say, these are films that I love dearly. They’re essential to me. They’re films that I will tell you that you need to see. I’d say that 80% of the time, these are going to be films that most people would enjoy. A few of them might be subjective to me, but on the whole, these are all very good films. I tried to limit the orange ones to only the best of the best, my absolute favorites. But either way, I love them, and you should definitely see at least 80% of them. (My 5-star films. At worst, most people’s 3-star films. Generally 4’s for everybody.) (more…)


The Oscar Quest: Rankings

At the bottom of all my Oscar Quest articles, after talking about the films and performances and how I ranked them in that specific category, I ranked all the nominees. This article is a collection of those rankings. (Any changes from what I originally wrote we’ll mediate as they pop up.)

There’s no real set criteria to explain how I ranked everything. I’m sure there’s some overly complicated formula I have in my head, but let’s not try to explain what goes on in my head. The general rules for the rankings are: almost always do my favorite films and performances take precedent. They’ll usually go first. Sometimes the order will be solely how I like the films, and sometimes they’ll be solely how I rate the performances. Most times, it’s a bit of both. Usually there’s a clear #1 (or lack thereof) that dictates how the rest of the list proceeds. There’s really no definitive explanation, so I’ll leave it at: I’ve Santa Claus’d this list multiple times, and I stand by every one of these rankings.

The goal of all of this was always to recommend films for you to see (being able to put forth my opinion on it was a bonus). Use this alongside The Oscar Quest: A Viewer’s Guide article as a way of finding films to see. With these, you can very quickly find out which films I love and think you should see, no reading required. And any reading you care to do is just a click away. Plus, by reading the articles and seeing the films (even if it’s just simply the small handful of ones I say you need to see), you’ll have more knowledge of the Oscars and their history than the av-er-age person, making you that much more qualified to say, “What? That? Fuck no, that shouldn’t have won!” Who doesn’t want that? (more…)


The Oscar Quest: A Viewer’s Guide

This is it, folks. This is what it’s all been building towards. One article encompassing everything. Here is a list of every film ever nominated for Best Picture, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress and Best Director. A cheat sheet, of sorts. If you’re looking for Oscar films to watch, and don’t want to read all the articles (or say you’ve read the articles, but now want a list of films to see, and don’t want to reread them all), you can just go to this article and everything is right at your fingertips. Let me explain how it works:

The list descends by category (Picture, Actor, Actress, Supporting Actor, Supporting Actress, Director) and by year, starting with the most recent. Each film on the list will be color-coded based on how much I like it/how essential it is. I’ll explain the color code in a second. Using the colors, you can instantly know whether or not I think you should see a film as well as (generally) how I feel about it. You can also use The Oscar Quest: Rankings article to see how I ranked the films/performances in their specific categories. Between the two, you’ll have as much information as you can possibly get about my opinion of a film on its own and in the context of a category without reading anything.

And if that’s not enough, next to each category, when I list what year it is, I’ll link to the article I wrote about it, which contains in depth (or not) thoughts about the films, synopses, and just more specific information on how I rank it, how I figured out my vote, things like that. So, with this one article, you have as much or as little information you could want about every movie from this Oscar Quest. Aren’t I great? (more…)


Major Update to the Blog/Oscar Quest Update

This is the huge news I’ve been hinting at. Or rather, hinted at once, to like, the three people that read that article. But still, news is news.

Yesterday I got in the mail those 12 DVDs I ordered from the wonderful Scooter Movies Shop. Which means, there are only 21 films left for me to watch before The Oscar Quest is 100% complete. (This reminds me of after I turned my thesis in and decided I was going to go back and play Final Fantasy VII again after ten years. And I spent like ten straight days doing nothing but playing that game and drinking. And my friend Shiho saw me doing this and was like, “You’ve beat that game in ways I’ve never even attempted to.” He watched me get 100% completion on that. Like, legit 100% completion. Everything I could possibly do. That’s what this is like. It feels good.)

But, in the meanwhile, since we still have like seven months of articles left (and I’m not holding onto this for another seven months — I’ve done all I could to hold it off until now), I’m going to unveil what is perhaps my greatest achievement during this Oscar Quest (and then another thing that’s also pretty awesome).

I can’t believe I actually get to do this for real now. It’s been done to me on so many other blogs, but now I get to do it on mine. (This is my rifle!) If you want to find out what my greatest achievement is that I’m soon going to unveil, click to find out after the jump: (more…)


The Oscar Quest: Best Actress – 1994

Well, this is definitely one of the more contentious years in recent memory. I guess that’s standard when three of your Best Picture nominees are Forrest Gump, Pulp Fiction and The Shawshank Redemption. Everyone’s gonna have an opinion on that. I won’t get into it here, past, Forrest Gump wins Best Picture and Best Director for Robert Zemeckis. Tom Hanks also wins Best Actor for the film. Whatever your opinions are about the film and Zemeckis winning, you can’t really deny that Hanks did a great job with the role.

Then, Best Supporting Actor was Martin Landau for Ed Wood, which was a good decision, but also a tough one, since his category was so tough (it also included Gary Sinise as Lieutenant Dan and Samuel L. Jackson as Jules Winnfield). Best Supporting Actress was Diane Wiest for Bullets over Broadway, which I don’t like (as I said here). That’s pretty much 1994. My attempts to not discuss my opinions on the major awards outside of the article I write for it is keeping this intro bit really short.

As for this category — it’s pretty weak. That’s not to say there aren’t good films or good performances on it. It’s just — the person who really should have won the category had just won two Oscars within six years of this. Were they really gonna give her a third? Plus, this was a good chance to award Jessica Lange, who was kind of overdue by this point. So that’s kind of where we are with this one. What were they gonna do?

BEST ACTRESS – 1994

And the nominees were…

Jodie Foster, Nell

Jessica Lange, Blue Sky

Miranda Richardson, Tom & iVv

Winona Ryder, Little Women

Susan Sarandon, The Client (more…)


Pic of the Day: “Doctor…” “C’mon, what. What?” “Always do the right thing.” “That’s it?” “That’s it.” “I got it. I’m gone.”

Do the Right Thing - 14