We’ll finish up today with this one, since I went over this list a few hours ago. I wanted to save it for the end, but the other stuff requires actual effort for me to speak intelligently about them, so we’ll finish with the last easy one. (Score is also kinda easy, but I also have to look at what wasn’t eligible and all that, so I’ll just save it for the morning when I’m fresh.)
There were 75 films eligible to get on this and they shortlisted 15 of them. It seems like a weak year, so I’m expecting at least ten of these to go to the ones I tossed on my list. Honestly, let’s just see what they did.
Here’s your shortlist for Best Original Song: (more…)
Okay, let’s take care of the other category we previewed two weeks ago — Best Visual Effects.
They released their longlist of 20, which was this:
Alita: Battle Angel
Ford v Ferrari
Hobbs & Shaw
Jumanji: The Next Level
The Lion King
Men in Black: International
Spider-Man: Far from Home
Star Wars: The Rise of Skywalker
Terminator: Dark Fate
10 of those have been shortlisted, and here they are: (more…)
Let’s do Makeup & Hairstyling next. Because I’m thinking I wanna end the night on some easy ones and save all the shorts for tomorrow when I can properly do my homework on all of them and be prepared.
The new development with this category is that there are not ten films on the shortlist instead of eight and the category will be five films instead of three. So that’s new. Guessing they announced that during the months I don’t really pay attention to Oscar stuff. But hey, this category is coming to play with the big boys.
Wonder what that means for guessing a category and the winner, since now it’s allowing for broader stuff to get on that might not necessarily be as good a fit but could get votes because of broader support. But whatever. That’s what we have.
Here’s your shortlist for Best Makeup & Hairstyling: (more…)
Let’s do Foreign Language Film next.
They changed it to International Feature, but I hate that distinction. It’s trying to be politically correct when it just sounds like a euphemism designed to make them sound more inclusive when we know they’re same ass people we get mad at every damn year.
Anyway, we went over the 91 eligible films two weeks ago. So this is really just cleaning up all of that and making my life easier. Let’s get into what they shortlisted and then we’ll figure out the rest as we go.
Here’s your shortlist for Best International Feature: (more…)
Let’s start with Best Documentary Feature. Since this is a category I decided to half-give a shit about this year. They announced their list of 159 films eligible for the category and I skimmed it to see which ones seemed important/would be interesting for me personally and pulled those and tried to watch as many as I could before now. I’m still working. I have two or three left from my original list and will likely add a few more from this.
But hey, I’m trying to care. And that’s new. Normally I can only be bothered about documentaries after they’re in contention. So look at that. Growth. Only took a decade. Doubt it’ll last, but hey, we got somewhere.
Anyway, they narrowed down the list to 15 contenders, of which 5 will eventually be nominates. So let’s see what mistakes the Documentary branch made this year. Here is your shortlist: (more…)
Okay, so the Academy just dumped nine shortlists on us today. But before we get into those, you’re all gonna have to listen to the Motion Picture Sound Editors Guild nominees for Sound Editing.
This might be the last time they get their own category, since the Academy is thinking of folding the Sound categories into a single entity. Which won’t diminish how important the guild is for guessing nominees and winners, but it will just take away half the category we’ve become used to.
Anyway, MPSE nominates a bunch of categories. FX+Foley is the big one, Dialogue + ADR is the second big one, and then there’s Music as a third, and then Musical and Animated are also kinda there. But it’s those big three in that order that matter.
As a reminder, the Sound Mixers guild, in their one category, nominated Ford V. Ferrari, The Irishman, Joker, Once Upon a Time in Hollywood and Rocketman.
Anyway, here are your nominees for Sound Editing from MPSE: (more…)
That’s right, people. It’s back!
Okay, so no, it’s not officially back. The Academy is pulling that same bullshit that they did last year and only releasing a shortlist instead of all the eligible songs and then the shortlist (cowards). In fact, that shortlist is due any time now, so I’m not even gonna look for it or any of the others until I finish this article.
All — and I mean all credit to The Wrap, who managed to get a hold of the eligibles list and released an article going over their opinions of each of the nominated songs, cannily putting the titles of all of them in the article, giving us a nice tidy list without officially releasing the list. Good on you, guys.
I don’t know what the Academy is thinking, not releasing the list anymore. It’s like what the NBA did that one time where they were like, “You know, we’re not gonna televise that All Star Game draft where the players pick each other for the teams.” And a lot of people were like, “What the hell are you talking about? We love that!” Because, if people like something, they can’t get enough of it. They want more. Though something tells me that was them trying to cover their asses so they don’t look bad when the branch does something stupid (as they usually do) and doesn’t nominate one of the big songs. But trust me, guys, Original Song is not the branch you need to worry about in terms of that happening. It’s Documentaries first and International Film second. Song is a distant third at this point, and potentially could even fall out of that spot, given how generally good they’ve been over the past couple of years since they updated that archaic voting system.
Anyway, let’s get into this article, because it damn well may be the last time we ever get this again, so let’s enjoy it while we can.
Here are all 75 eligible songs for Best Original Song this year: (more…)
You know what it is. It’s the last half of December, which means we’re wrapping up the year.
Like most things in my life, it’s built around a pun. What I do in January is preview everything I can possibly find that’s set to come out that year. And then what I do is watch as many of them as I can, dropping reviews each third of the year. And then in December, we recap how that all went, month by month and see how I did/what I liked.
Mainly I do this for me, just to see how accurate I can guess on stuff up to a year out (I used to hope for a solid 2/3 percentage, but at this point I generally hit above 70% and really wanna see if I can somehow get to 75%), but it also keeps me honest, since I don’t read anything I write after it goes up until I compile these articles and my reviews are done based on how I feel as I write them up. So really this is bringing the two together and considering my feelings as they stand at this moment in time. And then hopefully others can maybe find some cool stuff they didn’t know about or previously consider from it all.
We begin with January and the films from either last year that I only got to this year or (more likely) the films I tracked that didn’t come out in the U.S. this year and probably will next year. (more…)
Pic of the Day: “You are really Santa, right?” “No, I’m an accountant. I wear this fucking thing as a fashion statement, alright?”