1957 is one of those great years for the Academy. A great film wins Best Picture and is so unquestionably obvious a choice that no one can really speak ill of it (even though another nominated film, in this case, 12 Angry Men, is just as good and is also a classic). The Bridge on the River Kwai wins Best Picture, along with this category and Best Actor for Alec Guinness. Great decisions, the lot.
Best Actress this year was Joanne Woodward for The Three Faces of Eve (talked about here), which is a fantastic decision that I not only love, but see as one people can’t disagree with, given the category. I love that. There’s nothing more annoying than a great decision that people don’t like because of whatever stupid reason they have. Best Supporting Actor and Best Supporting Actress this year were Red Buttons and Miyoshi Umeki for Sayonara, which I count as two of the worst decisions of all time in their respective categories (Best Supporting Actor because of the competition (and weakness of the performance), Best Supporting Actress because of the weakness of the performance).
So that’s 1957. Love the year outside of the Supporting categories. Which basically means I love the year. Because who gives a shit about the Supporting categories? Am I right? Right? High five!
(Awkward pause as we realize there is no joke going into the break…)
BEST DIRECTOR – 1957
And the nominees are…
David Lean, Bridge on the River Kwai
Joshua Logan, Sayonara
Sidney Lumet, 12 Angry Men
Mark Robson, Peyton Place
Billy Wilder, Witness for the Prosecution (more…)