1955 is a year that seems to get lost in the shuffle among Oscar years. It’s wedged between the behemoth that is On the Waterfront, and the disaster (sort of) that is Around the World in 80 Days. Not to mentionFrom Here to Eternity and The Bridge on the River Kwai being on either side of those movies. So it makes sense that a small film about a lonely butcher finding love would get overlooked.
Marty wins Best Picture, Best Director for Delbert Mann (talked about here), and Best Actor for Ernest Borgnine (talked about here). I love the film. I think it’s perfect, and I think it was the best choice among the nominees. Sure, the set of nominees was weak, but best choice is the best choice. Anna Magnani wins Best Actress for The Rose Tattoo (talked about here). I don’t like it. I think Susan Hayward should have won for I’ll Cry Tomorrow, leaving the Hayward 1958 win open for one of several actresses who could have won (some of whom never won an Oscar). And Best Supporting Actor was Jack Lemmon for Mister Roberts, which I like very much, because Jack Lemmon is awesome (and the category really sucked).
And that brings us to this category, which is tough for me. Well, not really. It’s tough because I know I’m not gonna do the logical thing.
BEST SUPPORTING ACTRESS – 1955
And the nominees were…
Betsy Blair, Marty
Peggy Lee, Pete Kelly’s Blues
Marisa Pavan, The Rose Tattoo
Jo Van Fleet, East of Eden
Natalie Wood, Rebel Without a Cause (more…)