This is something I do every third of the year to keep track of how I felt about the films I saw. I use these reviews at the end of the year as comparisons to what I thought I’d think about the films (which I’ve not looked at since I wrote them). It’s fun seeing what I thought I’d think and then what I thought (since I won’t look at these until December as well).
Two things to note about 2012 before I get into the reviews: first — I changed the name. The Movie Year in Reviews is the pun I wish I thought up last year. Alas, I came up with it too late. So, I use it now. I’m very proud of this. The other thing is — I don’t remember what 2011 was like, but this year I didn’t watch anything. I mean, I did, but, I didn’t watch anything until April. I got through January all right, but after Ghost Rider I barely watched anything until April. I just did not give a shit about anything at all this year. The first four months are not like the summer, where you pretty much have to see everything within a week of release otherwise you need to avoid the internet entirely because you’re the only person in America who hasn’t seen it yet. So that was weird for me. Just not caring enough to watch the movies until they piled up so high I needed to get to it.
So that’s the preface. Let’s put the break here and get into specifics afterward? Mmkay? Mmkay. (more…)
1993 is a real easy one to recap, since one of the consensus best films of the Oscars was up this year — Schindler’s List. I doubt there are many people who would argue with this choice.
Steven Spielberg also (finally) wins Best Director for the film (talked about here). Unfortunately, the film does not also win Best Actor for Liam Neeson, because they decided to give the award to Tom Hanks for Philadelphia (talked about here), which I think is a terrible decision. Not only should Liam Neeson have won here, but Daniel Day-Lewis, Anthony Hopkins (and even Laurence Fishburne) gave better performances than Hanks did. I rank this as one of the worst Best Actor decisions of all time. Then, Holly Hunter won Best Actress for The Piano (talked about here). This is because the Academy was stupid and gave Cher an Oscar over her in 1987 and because the Academy couldn’t contain themselves the year before this and gave Emma Thompson an Oscar for a lesser performance than this one. But, Holly got an Oscar, so it works out, even if I don’t like the film all that much. Anna Paquin also won Best Supporting Actress for the film (talked about here), which I consider one of the worst decisions of all time in the category. Nearly everyone else in the category gave a better performance than she did. Speaking of everyone else giving a better performance than the winner, Tommy Lee Jones won Best Supporting Actor for The Fugitive (talked about here). It’s pretty clear they were voting for the man and not the performance, because Ralph Fiennes, Pete Postlethwaite and Leonardo DiCaprio were all better than Jones was. But I grudgingly accept this because I love Tommy Lee Jones. Still, he shouldn’t have won.
But these questionable middle decisions are all pushed aside because of a strong Best Picture choice. That’s how these work. A great Best Picture choice hides all other terrible ones. But at least we got a strong Best Picture choice. That’s nice. That’s not always a guaranteed.
BEST PICTURE – 1993
And the nominees were…
The Fugitive (Warner Bros.)
In the Name of the Father (Universal)
The Piano (Miramax)
The Remains of the Day (Columbia)
Schindler’s List (Universal) (more…)