The reason I do this every year is because it forces me to listen to film scores, which is something I don’t do enough of. I appreciate film music, but so rarely do I actually sit down and listen to a film score. Usually what I’m doing is complaining about certain scores not getting nominated and wondering why that is. Or complaining about the decay of good film music. Quick, name one memorable theme from any of the Marvel movies. (Right? Almost all movies are like that now.)
So I use this space as an opportunity to talk about what I liked, and because of that, I have to listen to enough scores to actually have something to say. It works out very nicely.
I’ll put a disclaimer on this: I know nothing about music nor do I claim to. I’m just picking which scores were most aurally appealing to me. I’m sure people who know about music will think much differently. That’s fair. Oh, and I also am only dealing with scores and not soundtracks. (Because if we’re talking soundtracks — Sing Street, man.)
I always have my top ten list of scores, but after that, there’s no cap. If I don’t have more than ten that I liked, I’ll only talk about those ten. If there’s 20, I’ll put 20. I really only want to mention the scores that made me go, “Oh, that was good.” I’m not putting ones on there just to fill out a list. This will go as high or as low as need be.
Here are my favorite film scores of 2016: (more…)