It’s January, which means it’s preview time up here at B+ Movie Blog.
I don’t really peruse other places, but if I were to guess, I would say I’m the only person that goes this deep on their preview coverage for a year. I go month to month based on what’s scheduled to come out, preview like 200 extra movies that you probably have never even heard about as of now, and then bring back all the stuff from last year and previous years that I’ve been tracking that hasn’t come out yet. I’m not the kind of person who just goes, “Oh my god, Avengers! Wrinkle in Time! (Insert other movies the studios are paying us to talk up to fit the narrative to get us more clicks)!” If you ever see a slideshow from me, then you know I’ve given up.
The reason I do this is purely for me, though I imagine anyone stumbling on this will get something out of it to. What I try to do is preview everything so I’m aware of it when it comes out, and, to make it interesting for myself, try to guess what I’m gonna think of it when I do see it. That way, I can see what films surprised me or disappointed me from every angle (before, during and after).
Today we’re going over the films that don’t yet have release dates. (more…)
They announced the Art Directors Guild awards last night. So we’ll have a little bit of insight into Best Production Design.
As a reminder, the BFCA Award went to The Shape of Water. The Oscar category is Beauty and the Beast, Blade Runner 2049, Darkest Hour Dunkirk and The Shape of Water and BAFTA has the same exact category So this should really be enlightening for how Production Design is likely to go. All of them were nominated at ADG.
The Period winner was The Shape of Water.
The Fantasy winner was Blade Runner 2049.
The Contemporary winner was Logan.
They also included an Animated category, which Coco of course won.
With two wins already and a likely BAFTA win coming, this seems to be The Shape of Water’s category to lose. War movies never get nominated at the Oscars, let alone win, so I doubt Dunkirk can jump up and win. Darkest Hour needs a BAFTA win to feel like its got any chance. Beauty and the Beast, I guess, could possibly win, but that feels like a longshot without any sort of real support. Blade Runner could win the BAFTA and also make a play for it, but with 13 nominations, Shape of Water certainly seems like a favorite. So we’ll see if anything changes between now and BAFTA.
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