The Critics Choice Awards were handed out last night.
The theme of this show is going to be ‘market correction’. That’s my guess. After what the Globes did, I’m expecting the expected winners to come through here in a big way. I don’t expect there to be anything that makes me reconfigure my expectations for the category. And in the case of most of the tech categories, I don’t even have expectations because a lot of the guilds are announcing nominees this week and BAFTA only nominates tomorrow. But for the high-end stuff like acting and what not, I expect this to be more in line with how I’ve been expecting these to play out all along.
I would also like to point out how happy I am that I no longer have to deal with six bullshit categories like “Best Sci-Fi/Fantasy/Comedy/All Other Genres We Don’t Take Seriously Enough to Let Into the Best Picture Race Plus One Best Picture Nominee You Know Is Gonna Dominate This Subsection of Awards Anyway Picture.”
Here’s what happened and BFCA: (more…)
The PGA nominations were announced today. And finally, we get clarity on the Best Picture race. Which we pretty much already had, but the PGA is the authority. They’ve gotten a minimum of seven nominees right every year since the sliding scale Best Picture system began, and most years they’re only one off at most. And usually you can tell what the one or two off are gonna be, because there’s always a populist nominee or two that gets on (previous examples: Quiet Place, Wonder Woman, Deadpool, Skyfall). But basically, your Best Picture race is about to get a whole lot more set than it already was, and then BAFTA should basically lock everything into place for us tomorrow.
So here’s what the PGA has for us this year: (more…)