Pic of the Day: “You do well in school?” “Yeah.” “That’s good. I did too. They call that a paradox.”
The Oscar Quest: Best Actor – 1995
1995, a good year, mostly because they made the best choice. Other than that, I’m not sure how great a year it was. Braveheart is a good film, but is it a Best Picture winner? In a year with better nominees, probably not. Or maybe even still. I don’t know. I only work with what I’m dealt. As it stands, the film was the best choice among the nominees. I love Apollo 13, but I don’t know if I’d give that Best Picture. And as much as I love Babe, it was never going to win.
Mel Gibson deserved to win Best Director. The reason for this is, Ron Howard, who won the DGA award for Apollo 13, wasn’t even nominated for the Oscar. Which made Mel a by default best decision there. And then Best Actress this year was Susan Sarandon for Dead Man Walking, a decision I do not like at all. Not even a little bit. I like that she has an Oscar, but, she beat better performances. Best Supporting Actor this year was Kevin Spacey for The Usual Suspects, which is such a good decision it doesn’t even matter whether he was lead or supporting. And Best Supporting Actress was Mira Sorvino for Mighty Aphrodite, which was a fucking fantastic decision. So, in all, it’s a good year for choices, but, I don’t know, I still can’t decide what I think about the year as a whole.
BEST ACTOR – 1995
And the nominees were…
Nicolas Cage, Leaving Las Vegas
Richard Dreyfuss, Mr. Holland’s Opus
Anthony Hopkins, Nixon
Sean Penn, Dead Man Walking
Massimo Troisi, Il Postino (more…)
The Oscar Quest: Best Supporting Actor – 1977
1977. A year I try to mentally skip over whenever I see it. It conjures up bad memories. Annie Hall wins Best Picture this year, beating out Star Wars. That’s why. Now, granted, The Turning Point was the “favorite” to win, and by all accounts, Star Wars never had a chance, but, either way — come on.
Woody Allen wins Best Director and Diane Keaton wins Best Actress for Annie Hall, both of which I’ve talked about. Best Actor was Richard Dreyfuss for The Goodbye Girl, a decision I like, and Best Supporting Actress went to Vanessa Redgrave for Julia. I’d have gone another way, but that’s probably just because the category contained a type of performance that I almost always go for. Still, that’s cool, I guess.
Overall, this isn’t a terrible year, especially considering what it could have been, but it’s still not a good year, because — really, how does Star Wars not win?
BEST ACTOR – 1977
And the nominees were…
Mikhail Baryshnikov, The Turning Point
Peter Firth, Equus
Alec Guinness, Star Wars
Jason Robards, Julia
Maximilian Schell, Julia (more…)
The Oscar Quest: Best Director – 1955
1955 is usually a “skip” year for most people. That is, when you’re reading through a list, looking at all the high and low points, like, “On the Waterfront, all right!”, or, “Around the World in 80 Days? Really?”, when you see 1955 and see Marty, most people, either not recognizing it or viewing it as a kind of blank, just mentally skip past it without a word. Usually they’ll be say the title, but mostly as a mental pause, as they skip ahead to the next film.
The reason for this is that Marty, while a fantastic film utterly deserving of Best Picture this year, isn’t a big film. In any other year, it probably wouldn’t come close to winning. But, it wasn’t in the strongest of categories. And since it doesn’t have too much of a lasting reputation like the films around it do, most people skip it. Which is a shame. It is a great film. Ernest Borgnine won Best Actor for it, and I’ve talked about how, while I wouldn’t have voted for him, it’s great that he won. Also this year, Anna Magnani won Best Actress for The Rose Tattoo, in what was mostly a weak year. I’m somewhat undecided on my feelings on that. Best Supporting Actor went to Jack Lemmon for Mister Roberts, and Best Supporting Actress went to Jo Van Fleet for East of Eden. See? Nothing here particularly stands out, which is why this year, understandably, yet somewhat unfairly, keeps getting skipped over and overlooked.
BEST DIRECTOR – 1955
And the nominees were…
Elia Kazan, East of Eden
David Lean, Summertime
Joshua Logan, Picnic
Delbert Mann, Marty
John Sturges, Bad Day at Black Rock (more…)
The Oscar Quest: Best Supporting Actress – 1970
Oh, 1970 — a year I don’t like, even though I know, there isn’t anything I can do about it.
Patton wins Best Picture, Best Director for Franklin J. Schaffner, and Best Actor for George C. Scott. Now, Best Actor I have no problem with. George C. Scott gives one of the best male acting performances of all time here. I completely understand that. And even Best Director I get. But Best Picture? I don’t know. I mean, it’s a perfect fitting Best Picture, but, the other film that was up this year was Love Story, and I’m extremely partial to that. That, to me, is a perfect film. Patton is kind of a long mess. Not really a mess, but, the only real reason I think it won is because it was “supposed to.” Looking at it you think, “There’s a film that’s a Best Picture,” but, really, is it? It’s kind of boring. It’s a good film, but — I don’t know. I don’t think it needed to win. (And just so we’re clear on this bias, I did see Patton before I saw Love Story, so I’m not just saying Patton should have lost because I really want a film I love to win at all costs. I don’t do that. I so stay as objective as I can. I respect Patton, but I’m not sure I can say I accept that it should have won. Plus, Love Story beat Patton in the Globes. I notice how, when one gets it wrong, the other usually gets it right. And I felt the Oscars got it wrong this year.)
1970 is also notorious for featuring the worst Best Actress decision of all time. Glenda Jackson won Best Actress for Women in Love, beating Ali MacGraw for Love Story. Now, everyone here says here that Glenda Jackson should not have won. This isn’t a sentimental thing. This is literally, she should not have won. The film is terrible, and she’s not even really a lead. Plus Ali MacGraw gave the performance of a lifetime. It’s a terrible decision all around, made worse by the fact that they gave her a second one three years later for A Touch of Class, which is a glorified romantic comedy (with some drama at the end), which would have been okay if they just gave her that one. I don’t know what the fuck the Academy was thinking there, and here. Don’t worry, I’ll have a lot to rail on when I get to that category. As for the rest of this year, though, Best Supporting Actor went to John Mills, for Ryan’s Daughter, because — well, I don’t fucking know. It’s decisions like that which are the reason I don’t like this year at all. (more…)
The Oscar Quest: Best Actress – 1959
This is the one category for 1959 where I can really say — what a fucking terrible decision.
Ben-Hur wins Best Picture, Best Director, Best Actor for Charlton Heston and Best Supporting Actor for Hugh Griffith. All of those are pretty okay. I talked about the Best Director and Best Actor already. The other category this year was Best Supporting Actress (which I’ve also talked about), which went to Shelley Winters for The Diary of Anne Frank. I’m less okay with that one, but I do understand that one. Which leaves this category. Seriously, what the fuck were they thinking here?
BEST ACTRESS – 1959
And the nominees were…
Doris Day, Pillow Talk
Audrey Hepburn, The Nun’s Story
Katharine Hepburn, Suddenly, Last Summer
Simone Signoret, Room at the Top
Elizabeth Taylor, Suddenly, Last Summer (more…)
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