1949. Good year, but not a great one. I like it, but don’t love it. All the King’s Men. A good film, but not really a great one. In another year, it probably wouldn’t win Best Picture. But this isn’t another year. Broderick Crawford wins Best Actor for the film, which I think is a great decision (as I’ve talked about here), and Mercedes McCambridge wins Best Supporting Actress for it as well. She was really the only choice. After that, Best Actress was Olivia de Havilland for The Heiress, which, even though it was her second one, was richly deserved. She was by far the best in the category. And Best Supporting Actor was Dean Jagger for Twelve O’Clock High, a decision I haven’t fully formulated an opinion on yet.
That’s it, really. Good decisions, but nothing outstanding. This category, however — introduces a real catch-22 in the history of the Best Director category. I’ll tell you what it is right now. Joseph L. Mankiewicz wins this. I don’t think he should have. I didn’t think his effort was that great. However, he also wins Best Director the year after this, for All About Eve. Which, is a good effort. Problem is, that year, he beat two films generally considered to be two of the the best directorial efforts of all time, Billy Wilder for Sunset Bouelvard and Carol Reed for The Third Man. And therein lies the catch-22. If Mankiewicz doesn’t win here, he definitely wins there, where he really shouldn’t have won. But he wins here, and he shouldn’t have. So what do you do? He should probably have a statue, but, I can’t (or won’t) vote for him in either of these years. So what do you do? See what I mean? How do you win? (You don’t. And that, ladies and gentleman, is the Academy Awards.)
BEST DIRECTOR – 1949
And the nominees were…
Joseph L. Mankiewicz, A Letter to Three Wives
Carol Reed, The Fallen Idol
Robert Rossen, All the King’s Men
William A. Wellman, Battleground
William Wyler, The Heiress (more…)
Last week, in Box Office…
Transformers: Dark of the Moon makes a fuck ton of money. Which, wasn’t at all unexpected. Here are the figures, because it’s so fucking complicated to even try to explain. It made, over the four-day weekend (that’s Friday through Monday), $115.9 million. Adding that to what it made between Tuesday night showings and Friday, it made it through six days (though, really, five days and like, two showings) with $180.7 million. That’s domestically only. Now, after ten days in theaters, it’s made $204 million. Worldwide, it’s about to hit $500 million this weekend. That’s after two weekends. I know. But it wasn’t all that unexpected, was it? The film was actually really entertaining in 3D. Bay shot the shit out of it.
Cars 2 finished second, with $31.6 million over the four days. That’s a 50% drop, and seems pretty standard for a lesser Pixar film. Then again, with that much money the first weekend, it’s probably standard. It’s made $122.6 million after two weekends, and it’s crossed its $200 million production budget worldwide. So that’s good. It should finish with a tidy profit when all is said and done. Not huge, but, they can’t all be huge winners. This movie’s gonna make its most money in merchandising anyway. Plus, it’s Pixar — you know they’re not hurting for money. (more…)