Archive for April, 2012

The Oscar Quest: Best Supporting Actress – 1975

1975 is a pretty basic Academy year. No need to get complicated with it.

One Flew over the Cuckoo’s Nest wins Best Picture, Best Actor for Jack Nicholson (talked about here), Best Actress for Louise Fletcher (talked about here), and Best Director for Milos Forman (talked about here). All are great in their own way, though I didn’t think Best Director was absolutely necessary, even though it makes sense. And Best Supporting Actor was George Burns for The Sunshine Boys (talked about here). Great veteran Oscar.

So that leaves this category. Whoa, is it weak. Really weak. Fortunately, they made the best decision, so it worked out.

BEST SUPPORTING ACTRESS – 1975

And the nominees were…

Ronee Blakley, Nashville

Lee Grant, Shampoo

Sylvia Miles, Farewell, My Lovely

Lily Tomlin, Nashville

Brenda Vaccaro, Jacqueline Susann’s Once Is Not Enough (more…)


Pic of the Day: “Go home Martins, like a sensible chap. You don’t know what you’re mixing in, get the next plane.” “As soon as I get to the bottom of this, I’ll get the next plane.” “Death’s at the bottom of everything, Martins. Leave death to the professionals.”


The Oscar Quest: Best Actor – 1998

I deliberately held back on this one. This is a major category that a lot of people have strong opinions on. So of course I was gonna hold back on it. Anticipation is key.

As for 1998 — Shakespeare in Love wins Best Picture, Best Actress for Gwyneth Paltrow (talked about here) and Best Supporting Actress for Judi Dench (talked about here). Steven Spielberg wins Best Director for Saving Private Ryan (talked about here), and James Coburn wins Best Supporting Actor for Affliction (talked about here). I think everyone knows these categories pretty well. No need to editorialize in this intro.

Now this one. Obviously a sore spot for many people. I think we all understand that Roberto Benigni was one of the worst choices ever in this category. That’s not really the part people argue over. The part people argue over is who should have won instead. Some people say Edward Norton, some say Ian McKellen. Which do I take? You’ll have to keep reading to find out…

Look at me, mysterious fucker.

BEST ACTOR – 1998

And the nominees were…

Roberto Benigni, Life is Beautiful

Tom Hanks, Saving Private Ryan

Ian McKellen, Gods and Monsters

Nick Nolte, Affliction

Edward Norton, American History X (more…)


Pic of the Day: “No, Mama. You can bet your sweet ass and half a titty whoever put that hit on you already got the cops in their back pocket. You be cool, Mama. Bee here will keep you tight and out of sight. I’m gonna shake the tree from the roots and rake up the fruits, rip it up out of the ground, find out what’s going down. Don’t worry about tomorrow, Mama, because tonight…” “Dynamite’s gonna make everything all right.” “Euphoria, shut the fuck up! I know that was you! I ain’t even gotta look! I should send your ass back to Crenshaw Pete, with his hot-ass coat hangers, bitch! Would you like that?!!”


The Oscar Quest: Best Director – 1986

1986. One of the lone brights spots in the black hole that is the 1980s. God, I fucking hate this decade.

Platoon wins Best Picture and this category. Paul Newman (finally!) wins Best Actor for The Color of Money (talked about here). Marlee Matlin wins Best Actress for Children of a Lesser God (talked about here). Michael Caine and Dianne Wiest win Best Supporting Actor (talked about here) and Best Supporting Actress (talked about here), respectively, for Hannah and Her Sisters. I like all the decisions except the Supporting ones. But even those I’m somewhat okay with.

As for this category — really obvious. Best decision in the category. I understand a David Lynch vote, but all things considered, the simple result in itself is very acceptable. And that’s what counts, really.

BEST DIRECTOR – 1986

And the nominees were…

Woody Allen, Hannah and Her Sisters

James Ivory, A Room with a View

Roland Joffé, The Mission

David Lynch, Blue Velvet

Oliver Stone, Platoon (more…)


Pic of the Day: “General Kenobi. Years ago you served my father in the Clone Wars. Now he begs you to help him in his struggle against the Empire. I regret that I am unable to convey my father’s request to you in person, but my ship has fallen under attack, and I’m afraid my mission to bring you to Alderaan has failed. I have placed information vital to the survival of the Rebellion into the memory systems of this R2 unit. My father will know how to retrieve it. You must see this droid safely delivered to him on Alderaan. This is our most desperate hour. Help me, Obi-Wan Kenobi. You’re my only hope.”


The Oscar Quest: Best Actor – 1967

I love 1967, but I don’t necessarily love all the choices they made, Oscar-wise. At least in the sense of what people see. And what do people see when they look at 1967? In the Heat of the Night wins Best Picture. Which I feel is a bad choice, among a field of nominees that includes Bonnie and Clyde, The Graduate and Guess Who’s Coming to Dinner.

Fortunately, though, the rest of the year is spread out pretty well. Katharine Hepburn wins Best Actress for Guess Who’s Coming to Dinner (talked about here), George Kennedy wins Best Supporting Actor for Cool Hand Luke (talked about here), Estelle Parsons wins Best Supporting Actress for Bonnie and Clyde (talked about here), and Mike Nichols wins Best Director for The Graduate (talked about here). Nice way of spreading the wealth. Still, though, I’m not sure it makes up for the fact that the figurehead decision for the year is weak.

And then this category — a lot of people might have problems with it. And I understand that. But actually this is a very solid decision, and one that’s backed up by history (a bit). It also helps to lessen (slightly) the blow of the film winning Best Picture. So I’m actually okay with it (which I didn’t think would be the case).

BEST ACTOR – 1967

And the nominees were…

Warren Beatty, Bonnie and Clyde

Dustin Hoffman, The Graduate

Paul Newman, Cool Hand Luke

Rod Steiger, In the Heat of the Night

Spencer Tracy, Guess Who’s Coming to Dinner (more…)


Pic of the Day: “Nobody goes to jail unless they want to. Unless they make themselves get caught.”


The Oscar Quest: Best Supporting Actress – 1941

Oh boy — 1941 again. Let’s just cover it like this. Citizen Kane lost. That covers all the editorializing that needs to be done.

How Green Was My Valley wins Best Picture, Best Director for John Ford (talked about here), and Best Supporting Actor for Donald Crisp (talked about here). Best Actor was Gary Cooper for Sergeant York (talked about here), and Best Actress was Joan Fontaine for Suspicion (talked about here). Those are what they are.

And we end with this one, which — while it’s not for the right film at all, is a really great decision.

BEST SUPPORTING ACTRESS – 1941

And the nominees were…

Sara Allgood, How Green Was My Valley

Mary Astor, The Great Lie

Patricia Collinge, The Little Foxes

Teresa Wright, The Little Foxes

Margaret Wychery, Sergeant York (more…)


Pic of the Day: “Remember, kid – there’s heroes and there’s legends. Heroes get remembered, but legends never die. Follow your heart, kid, and you’ll never go wrong.”


The Oscar Quest: Best Actress – 1971

Love 1971. Here’s a real 70s year. Best Picture was The French Connection, and William Friedkin won Best Director for it (talked about here), and Gene Hackman won Best Actor for it (talked about here). All perfect decisions.

Then Ben Johnson and Cloris Leachman won Best Supporting Actor (talked about here) and Best Supporting Actress (talked about here), respectively, for The Last Picture Show.

Whether I like the decisions or not (and I largely like them), this is a very 70s year. And that’s awesome.

And this category is no different. Great 70s decision, and a great award for a great actress.

BEST ACTRESS – 1971

And the nominees were…

Julie Christie, McCabe & Mrs. Miller

Jane Fonda, Klute

Glenda Jackson, Sunday Bloody Sunday

Vanessa Redgrave, Mary, Queen of Scots

Janet Suzman, Nicholas and Alexandra (more…)


Pic of the Day: “All right, everyone! This… is a stick-up. Don’t anybody move! Now empty that safe! … Ooh hoo hoo! Money, money, money!”