All right, it’s that time again…
I’ve decided to do something themed with the Pic of the Day.
It’s generally a half-year thing with me. I like to random it up for a while, and then I go, “Man, I should do theme months,” and then I do that for a while and then go back. Ebb and flow, baby.
(Somebody have a douchebag in a movie name his biceps that.)
So, back in February, when the Oscar Pics of the Day ended, I had a great idea that I wanted to do, which coincided with a series of articles I wanted to write as well. So I figured I’d set it for July since I knew this was when I’d be done with the Oscar Quest (which — very exciting. The final articles go up on Wednesday. Then Thursday, nothing will be posted on this blog aside from the Pic of the Day (nothing content-wise, anyway), which will be a first in the history of this blog. Then Friday it’s back to (mostly) business as usual).
The idea I had, back from the start of this blog (this goes back to January of 2011, that magical time when we thought we’d only be plagued with one Grown Ups movie) was to write an article that was called “Ranking Disney, 1-50.” I was going to rank all 50 of Disney’s films. That’s how long ago it was. Winnie the Pooh hadn’t even yet come out, and we all still assumed John Travolta was gay. The idea was to watch all 50 of the Disney films (since I haven’t — or, hadn’t — seen more than like, 20-25 of them), write up articles on all of them and then rank them in the order that I liked them. (more…)
We’re getting closer to streamlined. Now you’re seeing the Oscars start to discover their own identity. The winners are starting to make sense, and the precedents are about to be set, and pretty soon it’s gonna be the way we know it to be. But we’re not quite there yet. Though this is the first year where an “Academy” film won, rather than the “best” film. (All Quiet on the Western Front was just better than the competition. Grand Hotel was an “Academy”-type winner.)
1931-1932 is a noteworthy year in Oscar history because it’s the last time no film would win more than two Oscars at the ceremony. And it would also be the last time until 1989 and Driving Miss Daisy that the Best Picture winner wasn’t also nominated for Best Director. It would also be the only time in which the Best Picture winner wasn’t nominated for any other Oscars. (Though that does technically mean that the film swept.) And then, outside the Oscars, this is also a year that is littered with Pre-Code films, where Hollywood practically got away with murder with what they put on the screen. Watch this clip. Look at how suggestive it is. That’s basically all the context you need for it.
Other winners this year were a tie for Best Actor, with Frederic March for Dr. Jekyll and Mr. Hyde and Wallace Beery for The Champ, winning (talked about here). March got one more vote than Beery, but Academy rules dictated that anything within three votes become a tie. Best Actress was Helen Hayes for The Sin of Madelon Claudet (talked about here), which was the best choice in the category. And Best Director was Frank Borzage for Bad Girl (talked about here), which I love, even though he didn’t really need it (they could have given King Vidor or Josef von Sternberg an Oscar this year). I’m sure many people would go another way there.
Overall, though, another solid year. Out of context, of course, it looks weak like almost all the early years, but in context, most of them are actually pretty solid.
BEST PICTURE 1931-1932
And the nominees were…
Arrowsmith (Goldwyn, United Artists)
Bad Girl (Fox)
The Champ (Metro-Goldwyn-Mayer)
Five Star Final (First National)
Grand Hotel (Metro-Goldwyn-Mayer)
One Hour With You (Paramount)
Shanghai Express (Paramount)
The Smiling Lieutenant (Paramount) (more…)