Fun with Franchises: Star Wars Episode IV – A New Hope (1977), Part IV — “This Place Is the Towering Inferno of Space Stations”
Today we continue with another entry in our Fun with Franchises series, Star Wars Episode IV: A New Hope, Part IV.
In case you don’t know how this works — a while back, I decided to rank my favorite Disney movies and rank my favorite James Bond movies. And the Disney ones were mostly straight synopses and not too much fun, but when I got to Bond, I enlisted the help of my friend Colin (whose blog is TokyoRemix.com. Fuck yeah, promotion!), who knows everything about the Bond franchise that I do not, for those articles, and along the way, learned how to have fun with it. And, by the end of the Bond articles, we were having so much fun that I said, “Man, we have to do this again with other stuff.” Because I spent about a straight month and a half putting together those articles. That’s how much time and effort actually goes into something like that. And not once did it feel like work. It was so much fun that I knew, as long as we were doing it for comedy purposes and able to riff off of each other — we could do pretty much any film and it would work.
And very quickly, the first ones you come up with are the major franchises, because those are not only the most fun, but also the most universally known. Everyone’s gonna understand all the jokes we make (well… most of them. Some of them might be limited to three people) about them. So that’s what we’re doing. And if you’re gonna have fun with franchises, it wouldn’t be right if you didn’t franchise it. Also, just so we’re clear, this is all for parody. We’re just messing with them because we love them.
And that’s Fun with Franchises. Right now, we’re doing the Star Wars franchise, and today is the fourth part of Star Wars Episode IV: A New Hope:
Pic of the Day: “When King Lear dies in Act V, do you know what Shakespeare has written? He’s written, ‘He dies.’ That’s all. Nothing more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential work of dramatic literature is ‘He dies.’ It takes Shakespeare, a genius, to come up with ‘He dies.’ And yet every time I read those two words, I find myself overwhelmed with dysphoria. And I know it’s only natural to be sad, but not because of the words ‘He dies,’ but because of the life we saw prior to the words. I’ve lived all five of my acts, Mahoney, and I am not asking you to be happy that I must go. I’m only asking that you turn the page, continue reading, and let the next story begin. And if anyone asks what became of me, you relate my life in all its wonder, and end it with a simple and modest ‘He died.’”
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