1995 feels like the year where the decade in film starts to shift gears and become something else. There’s a weird sort of half-decade thing going on with the 90s. The early 90s feels like it’s half-getting over the 80s and half-burgeoning independent cinema. Then the last half feels sort of like they took independent cinema and made it part of the mainstream so it sort of… it’s like how the 70s was a whole decade of auteur directors making all these great movies. And then Hollywood took them in and the 80s happened. (The 80s is much more than that, but you know what I mean.) It feels like that happened mid-decade and then the late 90s is just all just kind of a big mess of whatever the byproduct of that is.
But in terms of this particular year… it feels like one of the weaker ones of the decade. There’s stuff I really like here, but not a whole lot I love. Aside from the first handful of movies, everything else would be #8 or lower most other years this decade. Which happens. Not every year can have your favorite movies of all time. Even the lower tiers feel kind of ho hum as compared to what some of the other years have.
Though, just glancing at what’s to come, this year is responsible for a few of cinema’s most iconic and recognizable moments. So there’s that. (more…)
1994. This year almost contained the single greatest crop of Best Pictures in Oscar history. (For starters, my #1, #2 and #3 are in there. So that’ll tell you something.) Still, it’s an incredible year. There’s not a weak movie in the entire top ten. And I feel like, were you to give most people a top ten list from this year, I feel like at least 7 or 8 of my list would be on almost everyone’s list. It’s that strong a year at the top.
This year helped revolutionize cinema, in a way. Pulp Fiction really put independent cinema on the mainstream map. It’s kind of like how, in the 70s, the director/auteur movies became the norm, and the “Hollywood” stuff was secondary to those. Because of that film, independent-style movies really became A-level movies, alongside the big blockbuster stuff. And it stayed that way for a little while. Of course, until all (or most) of those filmmakers became homogenized into the system and we moved on to the next thing.
Still, I can’t get over how amazing this top ten is. Pound for pound, it may be the strongest set of ten this decade. (more…)
A lot of people would call 1993 the strongest year of the 90s, and it’s hard to argue that fact. There are a lot of amazing movies that came out this year, along with what is probably one of the consensus “best” and most important movies of the decade. And Schindler’s List came out too.
Groundhog Day, was what I was referring to.
Anyway, I don’t have a whole lot to add about this year. It’s the first year we start to run three tiers deep on a consistent basis, and a lot of that is gonna be stuff I grew up with, because I turned 5 this year and there’s a bunch of stuff that catered to me as a young child that I still hold very dearly.
And also Groundhog Day. (more…)
Look at the quality of content for this year. This top ten is one banger after another. Every one you get to, it’s like, “Oh man, that’s my movie!” But also, like much of the early 90s… not particularly amazing outside of the very top. Still, there are some cool hidden gems to be found in this year too.
I feel like the one overarching thing I see about the films on this list is that there are some great gems to be found. The top ten is flashy and will garner a lot of the attention but if you look at some of the stuff below it, you might find some good movies you may not know about.
Also, just looking at this top ten, this year gave us, without even thinking about it, four of the most iconic moments in the history of cinema. So there’s that too. (more…)