Back in April, I posted mini-reviews of all the 2011 films I’d seen up to that point. You can read that here. In August, I posted the second part. You can read that here. This is the third part. For reminder purposes…
I try to see everything that comes out. I believe that if you love movies, you should be open to seeing anything and believe you can get something out of any movie. You never know when a terrible movie will have something to teach you (however minor), even if it’s what not to do. Also, since I have this wonderful narcissism enabler, why wouldn’t I post what I thought of all the films I saw for people to read?
Not to mention, in like a week, I’m going to post the official Year in Review articles, where I go over everything. Back in January, I previewed what I thought I’d think about all the movies, as they were scheduled at that time. I’ll compare what I thought I’d think with what I actually thought, as well as what films changed dates, weren’t released at all, and what have you. These reviews are easy reference for that. I just posted them throughout the year because it was more topical to post them around when the films were released. (more…)
You know why I love 1962? Because you can say either Lawrence of Arabia or To Kill a Mockingbird should have won Best Picture — and you’d be right either way. They’re both perfect films. Lawrence of Arabia wins Best Picture, but that was always gonna happen. It also won Best Director for David Lean (talked about here), which was gonna happen no matter what and was the better decision there.
Best Actress and Best Supporting Actress this year were Anne Bancroft and Patty Duke for The Miracle Worker. If you’ve seen the film, you know how perfect those decisions were.
The lone poor decision made this year was Best Supporting Actor, which went to Ed Begley for Sweet Bird of Youth (talked about here). There’s a category where you have Omar Sharif, Telly Savalas and Terence Stamp, any of whom would have been much better decisions. But for a year with five out of six really strong categories (like, Top Ten or Top Five of all time strong), that’s still really good.
As for this category, you can pretty much take care of it with two words: Atticus Finch.
No one will ever be able to argue against this decision, ever. Not ever.
BEST ACTOR – 1962
And the nominees were…
Burt Lancaster, Birdman of Alcatraz
Jack Lemmon, Days of Wine and Roses
Marcello Mastroianni, Divorce, Italian Style
Peter O’Toole, Lawrence of Arabia
Gregory Peck, To Kill a Mockingbird (more…)