The Oscar Quest: Best Actor – 1947
1947 is so boring. There’s nothing interesting about it. The nominees were just so weak. Sure, Gentleman’s Agreement was a solid Best Picture choice, but the field was so weak. Elia Kazan won Best Director for the film (talked about here) and Celeste Holm won Best Supporting Actress for it (talked about here), both of which were great decisions.
Best Actress this year was Loretta Young for The Farmer’s Daughter (talked about here), which is one of the worst Best Actress decisions of all time. Rosalind Russell was so horribly snubbed here it’s ridiculous. Awful, awful decision. And Best Supporting Actor was Edmund Gwenn for Miracle on 34th Street (talked about here), which — he played Santa Claus. End of story.
And then we have this category, which is career achievement Oscar, and one that actually works out, because the category wasn’t that strong, and the performance reads very well (as one that would win an Oscar) even though the actual performance is a bit overdone. So it’s actually not that bad.
BEST ACTOR – 1947
And the nominees were…
Ronald Colman, A Double Life
John Garfield, Body and Soul
Gregory Peck, Gentleman’s Agreement
William Powell, Life with Father
Michael Redgrave, Mourning Becomes Electra (more…)
The Oscar Quest: Best Supporting Actress – 1969
Love 1969. Because, as I always say, it’s the year 1967 took effect. Finally, we get a down and dirty film winning Best Picture. Midnight Cowboy is that film. And although I’d have gone with Butch Cassidy and the Sundance Kid for Best Picture (it’s a favorite), Midnight Cowboy was a great choice. John Schlesinger also won a well-deserved Best Director statue for the film (talked about here).
Best Actor this year was John Wayne for True Grit (talked about here). I can sum this up by saying: It’s John Wayne. Best Actress was Maggie Smith for The Prime of Miss Jean Brodie. This is complicated for me, so you can just read my thoughts on it here. And Best Supporting Actor was Gig Young for They Shoot Horses, Don’t They? (talked about here), which was a good decision.
So, strong year, and we get this category, which — have I got a performance here I can’t wait for you to see.
BEST SUPPORTING ACTRESS – 1969
And the nominees were…
Catherine Burns, Last Summer
Dyan Cannon, Bob & Carol & Ted & Alice
Goldie Hawn, Cactus Flower
Sylvia Miles, Midnight Cowboy
Susannah York, They Shoot Horses, Don’t They? (more…)
The Oscar Quest: Best Supporting Actor – 1995
I like 1995. Because it’s overall solid. It’s one where I don’t disagree with the choices. I’d just simply, have gone another way. You know. It’s like passing away as opposed to dying. One just feels better. Then again, one also doesn’t involve going down in a hail of gunfire at the Vatican. So there are pros and cons.
Braveheart wins Best Picture. I like Braveheart. I just like Apollo 13 more. Mel Gibson wins Best Director for the film (talked about here), which works, since Ron Howard wasn’t nominated. So Mel dominated that category. Best Actor was Nicolas Cage for Leaving Las Vegas (talked about here). Perfect choice, despite the stacked category. Best Actress was Susan Sarandon for Dead Man Walking (talked about here), which had been coming to her for a long time. I personally would have gone with Elisabeth Shue, but the decision was still good. And Best Supporting Actress was Mira Sorvino for Mighty Aprhodite (talked about here), which I love very much.
So there’s no real decision this year where I’m vehemently against it. I like that. And then there’s this category, and, aside from some questions about legitimacy (it’s kind of a lead performance), no one can really argue with this one. It’s pretty awesome, in fact.
BEST SUPPORTING ACTOR – 1995
And the nominees were…
James Cromwell, Babe
Ed Harris, Apollo 13
Brad Pitt, Twelve Monkeys
Tim Roth, Rob Roy
Kevin Spacey, The Usual Suspects (more…)
The Oscar Quest: Best Actor – 1988
Love me some 1988. Love Rain Man. Not the best Best Picture choice in the world, but based on the nominees, it would have been my choice too. Barry Levinson also won Best Director for the film (talked about here), which makes sense.
Best Actress this year was Jodie Foster for The Accused (talked about here), which is a terrific decision. Possibly a top ten decision of all time. Best Supporting Actor was Kevin Kline for A Fish Called Wanda (talked about here), a decision so good it masks how shitty that category is. And Best Supporting Actress was Geena Davis for The Accidental Tourist (talked about here), which, while I wouldn’t have voted for it, is okay.
And then here — pretty self-explanatory. You can’t really argue with it. Dustin Hoffman. Rain Man. “Oh, yeah, right.” Of course he won.
BEST ACTOR – 1988
And the nominees were…
Gene Hackman, Mississippi Burning
Tom Hanks, Big
Dustin Hoffman, Rain Man
Edward James Olmos, Stand and Deliver
Max von Sydow, Pelle the Conqueror (more…)
The Oscar Quest: Best Actress – 1991
1991 is actually one of the strongest Best Picture years of all time. Not everyone would think of that off the top of their head. But between The Silence of the Lambs, JFK, Beauty and the Beast and Bugsy (not The Prince of Tides), this is a top five Best Picture category of all time.
The Silence of the Lambs wins Best Picture, Best Director for Jonathan Demme (talked about here), Best Actor for Anthony Hopkins (talked about here), this category, and also Best Screenplay. Always need to mention when a film wins the Big Five. Best Supporting Actress for this year was Jack Palance for City Slickers. My thoughts on that can be found here. And Best Supporting Actress was Mercedes Ruehl for The Fisher King (talked about here), which was a good decision in what was one of the weakest Best Supporting Actress categories of all time.
And then there’s this — Clarice Starling. Boom. Done.
BEST ACTRESS – 1991
And the nominees were…
Geena Davis, Thelma and Louise
Laura Dern, Rambling Rose
Jodie Foster, The Silence of the Lambs
Bette Midler, For the Boys
Susan Sarandon, Thelma and Louise (more…)
The Oscar Quest: Best Supporting Actress – 1948
Outside of Best Picture, which I consider to be the single worst Best Picture choice of all time, 1948 is a great where with nary a bad decision to be fount. But since a year is judged by its Best Picture winner, 1948 seems worse than it is.
Hamlet wins Best Picture, which we all know I hate. The Treasure of the Sierra Madre, The Red Shoes, Johnny Belinda and The Snake Pit were better choices there. All of them. Laurence Olivier won Best Actor for the film, and, as I said here, he actually deserved it, and it was a great decision (because Bogart wasn’t nominated). Best Actress was Jane Wyman for Johnny Belinda (talked about here), which I consider a top five decision, all time. Then John Huston, and his father, Walter Huston, won Best Director (talked about here), and Best Supporting Actor (talked about here), respectively, for The Treasure of the Sierra Madre. Both were terrific decisions.
And then we have this category. The only non-Best Picture decision I don’t like this year. It’s not so much because I don’t like Claire Trevor, her performance, or even Key Largo as a film. I just think Agnes Moorehead really deserved an Oscar, and I thought she was strong enough to win (as she always is). So I don’t see why she isn’t the vote here.
BEST SUPPORTING ACTRESS – 1948
And the nominees were…
Barbara Bel Geddes, I Remember Mama
Ellen Corby, I Remember Mama
Agnes Moorehead, Johnny Belinda
Jean Simmons, Hamlet
Claire Trevor, Key Largo (more…)
The Oscar Quest: Best Actor – 1942
1942 is a year that — kind of like a lesser 1946, no one could really do anything about. World War II was in full swing, and the Academy was obviously gonna go with a film that pushed forward the war effort. That, mixed with the fact that it was a relatively weak set of Best Picture nominees — it makes sense.
Mrs. Miniver wins Best Picture, Best Actress for Greer Garson, Best Supporting Actress for Teresa Wright (talked about here), and Best Director for William Wyler (talked about here). All were actually great decisions.
The non-Miniver decisions for the year were Van Heflin as Best Supporting Actor for Johnny Eager, which might have been the weakest Best Supporting Actor category of all time, and this category.
This category is actually a great one, because it was a perfect opportunity to award James Cagney. If Gary Cooper didn’t win this category the year before this, chances are Cagney wouldn’t have won here. But Cooper did win, so Cagney was able to get his well-deserved Oscar. And that’s good.
BEST ACTOR – 1942
And the nominees were…
James Cagney, Yankee Doodle Dandy
Gary Cooper, The Pride of the Yankees
Ronald Colman, Random Harvest
Walter Pidgeon, Mrs. Miniver
Monty Woolley, The Pied Piper (more…)
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