Archive for September 13, 2011

The Oscar Quest: Best Director – 1929-1930

One of these things is not like the other…

Seriously, look at this category. It doesn’t even require anything more than a simple glance. One nominee is so superior to the rest that they shouldn’t have even had voting this year.

All Quiet on the Western Front is so far and away the best film on on this list, it’s like, if, in the mid-90s, you had a bunch of regular PC computers — the big ass towers, with the floppy disks and the dial up internet, and then put a 2011 Macbook in the middle of them. It’s not even close how much better this is than the rest of the nominees.

It of course wins Best Picture this year, in one of the best decisions of all time. Best Actor for this year was George Arliss in Disraeli, which is a pretty good decision, from what I’ve seen (it’s one of the few categories I haven’t finished yet). And Best Actress was Norma Shearer for The Divorcée, which, I also like based on what I’ve seen (or simply just because of her as an actress. I’ve also not finished the category). But, outside of the acting categories — which, before 1934 are mostly whatever, regardless of who won — they really, really got this year right. Because All Quiet on the Western Front is just ten years ahead of its time.

BEST DIRECTOR – 1929-1930

And the nominees were…

Clarence Brown, Anna Christie and Romance

Robert Z. Leonard, The Divorcée

Ernst Lubitsch, The Love Parade

Lewis Milestone, All Quiet on the Western Front

King Vidor, Hallelujah (more…)

Pic of the Day: “You might think I’m crazy. But I’m not. Bingo. I’m colorful. That’s what happens when you live ten years alone in Boliva — you get colorful.”