Going old school today. Haven’t done one of these in a while. I like when we do these. Because I know almost no one has seen these films and I can seem like an authority on them. And because, I know there are less people who will complain about my decision because of that. Life is better when the possibility for encountering stupid assholes is lower.
Anyway, 1932-1933 is the last year of the double years. After this is just 1934. This is also the last year I consider a “foundation” year for the Academy. That is, after this, you can start complaining about their decisions. Here, they’re still developing their identity. It’s like a kid. The 1927-1933 years are the pre-18 years. If the kid sucks, it’s bad parenting. After 18, though, if the kid’s an asshole, the kid’s an asshole.
Best Picture went to Cavalcade, which is historically considered one of the weakest Best Picture decisions. I personally don’t get it myself. Frank Lloyd also wins Best Director for the film (which I talked about here), which, by default, has to be a good decision. Then Best Actress was Katharine Hepburn for Morning Glory (which I talked about here), which is also one of those by-default good decisions, because there were only three nominees, and she was the only one that was gonna win. And, since there were no Supporting categories this year, that’s it. Isn’t that nice and simple? I should also state, before we get into it, I don’t like this category. The category itself and the decision. Let me explain:
BEST ACTOR – 1932-1933
And the nominees were…
Leslie Howard, Berkeley Square
Charles Laughton, The Private Life of Henry VIII
Paul Muni, I Am a Fugitive from a Chain Gang (more…)