Archive for January 17, 2012

The Oscar Quest: Best Supporting Actress – 1948

Outside of Best Picture, which I consider to be the single worst Best Picture choice of all time, 1948 is a great where with nary a bad decision to be fount. But since a year is judged by its Best Picture winner, 1948 seems worse than it is.

Hamlet wins Best Picture, which we all know I hate. The Treasure of the Sierra Madre, The Red Shoes, Johnny Belinda and The Snake Pit were better choices there. All of them. Laurence Olivier won Best Actor for the film, and, as I said here, he actually deserved it, and it was a great decision (because Bogart wasn’t nominated). Best Actress was Jane Wyman for Johnny Belinda (talked about here), which I consider a top five decision, all time. Then John Huston, and his father, Walter Huston, won Best Director (talked about here), and Best Supporting Actor (talked about here), respectively, for The Treasure of the Sierra Madre. Both were terrific decisions.

And then we have this category. The only non-Best Picture decision I don’t like this year. It’s not so much because I don’t like Claire Trevor, her performance, or even Key Largo as a film. I just think Agnes Moorehead really deserved an Oscar, and I thought she was strong enough to win (as she always is). So I don’t see why she isn’t the vote here.

BEST SUPPORTING ACTRESS – 1948

And the nominees were…

Barbara Bel Geddes, I Remember Mama

Ellen Corby, I Remember Mama

Agnes Moorehead, Johnny Belinda

Jean Simmons, Hamlet

Claire Trevor, Key Largo (more…)


Pic of the Day: “I don’t want you to protest. I don’t want you to riot. I don’t want you to write to your congressman because I wouldn’t know what to tell you to write. I don’t know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you’ve got to get mad. You’ve got to say, ‘I’m a human being, god damn it! My life has value!’ So I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now and go to the window. Open it, and stick your head out, and yell, ‘I’M AS MAD AS HELL, AND I’M NOT GOING TO TAKE THIS ANYMORE!'”