The Oscar Quest: Best Supporting Actress – 1982
1982 is very ho-hum for me. Such good potential — such an obvious result. This is one of those years where you’re like, “Come on, Academy! Take a chance!” Gandhi wins Best Picture, which, is an easy decision. Because you also have Tootsie, The Verdict and E.T. nominated. See what I mean by easy?
Richard Attenborough wins Best Director for the film, which, I can’t really complain about too much, because I love Richard Attenborough, but, as I said here, there was a much better effort in that category that should have won instead. Ben Kingsley wins Best Actor for the film (which I talked about here), which is acceptable, because, one, it’s Gandhi, and two, it’s Ben Kingsley. Even though Paul Newman delivered yet another iconic performance in The Verdict, I understand that it’s Gandhi. Though, Peter O’Toole and Dustin Hoffman also delivered iconic performances here, but, it’s Gandhi, what are you gonna do? Best Actress this year was Meryl Streep for Sophie’s Choice (which I talked about here). ‘Nuff said. And Best Supporting Actor was Lou Gossett Jr. for An Officer and a Gentleman, which is just weird to me. I talked about it here.
As for this category — tough call. Could fall one of two ways, depending on your opinion. Either way, tough.
BEST SUPPORTING ACTRESS – 1982
And the nominees were…
Glen Close, The World According to Garp
Teri Garr, Tootsie
Jessica Lange, Tootsie
Kim Stanley, Frances
Lesley Ann Warren, Victor Victoria (more…)
The Oscar Quest: Best Director – 1964
Love 1964. My Fair Lady and Dr. Strangelove (and Mary Poppins!) are up for Best Picture. Obviously My Fair Lady is gonna win. My Fair Lady is always gonna win. It wins Best Picture, this category, and Best Actor for Rex Harrison (talked about here). Great decisions, since you know they were never gonna give Strangelove any love (they’re not that cool).
Best Actress was Julie Andrews for Mary Poppins. Self-explanatory. Best Supporting Actor was Peter Ustinov for Topkapi (talked about here). Blank, but not bad. And Best Supporting Actress was Lila Kedrova for Zorba the Greek, which, as I said here, is okay. The category was weak and she was an okay choice (though, really, Academy. No Agnes Moorehead?)
And this one — whether you love Strangelove or not — George Cukor had this earned twenty years before this.
BEST DIRECTOR – 1964
And the nominees were…
George Cukor, My Fair Lady
Michael Cacoyannis, Zorba the Greek
Peter Glenville, Becket
Stanley Kubrick, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Robert Stevenson, Mary Poppins (more…)
The Oscar Quest: Best Actor – 1958
I don’t love 1958 as a year, but some of its categories (like this one) are really strong. The reason the year isn’t that strong is because the set of Best Picture nominees is pretty weak.
Gigi wins Best Picture. Not a bad film, but a bad Best Picture choice. Vincente Minnelli won Best Director for the film (talked about here), which actually needed to happen. That man was crazy overdue by this point. Best Actress was Susan Hayward for I Want to Live!, which, as I said here, was a long time coming, and was a good decision, even if I think she should have won three years earlier and someone else should have won here. Best Supporting Actor was Burl Ives for The Big Country, which was a great decision, since he was great in both that and Cat on a Hot Tin Roof this year. And Best Supporting Actress was Wendy Hiller for Separate Tables, which she had coming to her for a while before this.
And then we have this category. This is really tough for me. It’s the only time Tony Curtis was nominated, this was Sidney Poitier’s best nominated performance, Paul Newman was amazing, and David Niven is David Niven. What do you do here?
BEST ACTOR – 1958
And the nominees were…
Tony Curtis, The Defiant Ones
Paul Newman, Cat on a Hot Tin Roof
David Niven, Separate Tables
Sidney Poitier, The Defiant Ones
Spencer Tracy, The Old Man and the Sea (more…)
The Oscar Quest: Best Actress – 1965
Oh, 1965. This year is a rock to me. It’s just — there. You don’t question a rock, it just, is. The Sound of Music wins Best Picture, and instinctively we all just understand that. It also won Best Director for Robert Wise, which, comes with the territory.
Then, Best Actor was Lee Marvin for Cat Ballou. Rather than explain, you can read my opinions on that here. Best Supporting Actor was Martin Balsam for A Thousand Clowns, which I guess works. I don’t really like the category, so whatever. And Best Supporting Actress was Shelley Winters for A Patch of Blue, which, as I said here, was a great decision.
So that’s 1965. And this category — whoa man, this is a top ten decision of all time. Julie Christie is incredible here. And also, despite that, this category is stacked. There are four legit winners here. Four!
BEST ACTRESS – 1965
And the nominees are…
Julie Andrews, The Sound of Music
Julie Christie, Darling
Samantha Eggar, The Collector
Elizabeth Hartman, A Patch of Blue
Simone Signoret, Ship of Fools (more…)
Pic of the Day: “You still think it’s beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it’s better not to die at all.”
The Oscar Quest: Best Actress – 1954
This is the Oscar category. The quintessential category. The one everyone argues over. Grace Kelly or Judy Garland? Before we get into that, let’s recap 1954.
On the Waterfront wins Best Picture, Best Actor for Marlon Brando, Best Supporting Actress for Eva Marie Saint (talked about here), and Best Director for Elia Kazan (talked about here). All of them were perfect decisions. Then Edmond O’Brien wins Best Supporting Actor for The Barefoot Contessa (talked about here), which is historically a good decision, even though he didn’t give the best performance in the category.
Okay, back to the good part. This category may be the single strongest Best Actress category of all time. Most people look at Garland and Kelly, but look at the other three nominees — Dandridge, Hepburn, Wyman — there’s really great stuff there, too. But we all know this category comes down to Judy and Grace. So I’ll kill the suspense now and tell you flat out — Grace deserved this. Nothing against Judy, but when you weigh the two performances against one another, and then factor in the year Grace had on top of it — she’s actually an easy winner here. I know Groucho Marx called this “the biggest robbery since Brinks,” but it really wasn’t. Not when you factor in everything.
BEST ACTRESS – 1954
And the nominees were…
Dorothy Dandridge, Carmen Jones
Judy Garland, A Star is Born
Audrey Hepburn, Sabrina
Grace Kelly, The Country Girl
Jane Wyman, Magnificent Obsession (more…)













