Archive for January, 2012

The Oscar Quest: Best Supporting Actress – 1982

1982 is very ho-hum for me. Such good potential — such an obvious result. This is one of those years where you’re like, “Come on, Academy! Take a chance!” Gandhi wins Best Picture, which, is an easy decision. Because you also have Tootsie, The Verdict and E.T. nominated. See what I mean by easy?

Richard Attenborough wins Best Director for the film, which, I can’t really complain about too much, because I love Richard Attenborough, but, as I said here, there was a much better effort in that category that should have won instead. Ben Kingsley wins Best Actor for the film (which I talked about here), which is acceptable, because, one, it’s Gandhi, and two, it’s Ben Kingsley. Even though Paul Newman delivered yet another iconic performance in The Verdict, I understand that it’s Gandhi. Though, Peter O’Toole and Dustin Hoffman also delivered iconic performances here, but, it’s Gandhi, what are you gonna do? Best Actress this year was Meryl Streep for Sophie’s Choice (which I talked about here). ‘Nuff said. And Best Supporting Actor was Lou Gossett Jr. for An Officer and a Gentleman, which is just weird to me. I talked about it here.

As for this category — tough call. Could fall one of two ways, depending on your opinion. Either way, tough.

BEST SUPPORTING ACTRESS – 1982

And the nominees were…

Glen Close, The World According to Garp

Teri Garr, Tootsie

Jessica Lange, Tootsie

Kim Stanley, Frances

Lesley Ann Warren, Victor Victoria (more…)


Pic of the Day: “It wasn’t him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, ‘Kid, this ain’t your night. We’re going for the price on Wilson.’ You remember that? ‘This ain’t your night’! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palookaville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn’t have to take them dives for the short-end money… You don’t understand. I coulda had class. I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it. It was you, Charley.”

On the Waterfront - 44


The Oscar Quest: Best Director – 1964

Love 1964. My Fair Lady and Dr. Strangelove (and Mary Poppins!) are up for Best Picture. Obviously My Fair Lady is gonna win. My Fair Lady is always gonna win. It wins Best Picture, this category, and Best Actor for Rex Harrison (talked about here). Great decisions, since you know they were never gonna give Strangelove any love (they’re not that cool).

Best Actress was Julie Andrews for Mary Poppins. Self-explanatory. Best Supporting Actor was Peter Ustinov for Topkapi (talked about here). Blank, but not bad. And Best Supporting Actress was Lila Kedrova for Zorba the Greek, which, as I said here, is okay. The category was weak and she was an okay choice (though, really, Academy. No Agnes Moorehead?)

And this one — whether you love Strangelove or not — George Cukor had this earned twenty years before this.

BEST DIRECTOR – 1964

And the nominees were…

George Cukor, My Fair Lady

Michael Cacoyannis, Zorba the Greek

Peter Glenville, Becket

Stanley Kubrick, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Robert Stevenson, Mary Poppins (more…)


Pic of the Day: ♫ “My heart wants to beat like the wings of the birds / That rise from the lake to the trees / My heart wants to sigh like a chime / That flies from a church on a breeze.” ♫


The Oscar Quest: Best Actor – 1958

I don’t love 1958 as a year, but some of its categories (like this one) are really strong. The reason the year isn’t that strong is because the set of Best Picture nominees is pretty weak.

Gigi wins Best Picture. Not a bad film, but a bad Best Picture choice. Vincente Minnelli won Best Director for the film (talked about here), which actually needed to happen. That man was crazy overdue by this point. Best Actress was Susan Hayward for I Want to Live!, which, as I said here, was a long time coming, and was a good decision, even if I think she should have won three years earlier and someone else should have won here. Best Supporting Actor was Burl Ives for The Big Country, which was a great decision, since he was great in both that and Cat on a Hot Tin Roof this year. And Best Supporting Actress was Wendy Hiller for Separate Tables, which she had coming to her for a while before this.

And then we have this category. This is really tough for me. It’s the only time Tony Curtis was nominated, this was Sidney Poitier’s best nominated performance, Paul Newman was amazing, and David Niven is David Niven. What do you do here?

BEST ACTOR – 1958

And the nominees were…

Tony Curtis, The Defiant Ones

Paul Newman, Cat on a Hot Tin Roof

David Niven, Separate Tables

Sidney Poitier, The Defiant Ones

Spencer Tracy, The Old Man and the Sea (more…)


Pic of the Day: “Will you marry me? I’d make a good husband, Jenny.” “You would, Forrest.” “But you won’t marry me.” “You don’t wanna marry me.” “Why don’t you love me, Jenny? … I’m not a smart man… but I know what love is.”


The Oscar Quest: Best Actress – 1965

Oh, 1965. This year is a rock to me. It’s just — there. You don’t question a rock, it just, is. The Sound of Music wins Best Picture, and instinctively we all just understand that. It also won Best Director for Robert Wise, which, comes with the territory.

Then, Best Actor was Lee Marvin for Cat Ballou. Rather than explain, you can read my opinions on that here. Best Supporting Actor was Martin Balsam for A Thousand Clowns, which I guess works. I don’t really like the category, so whatever. And Best Supporting Actress was Shelley Winters for A Patch of Blue, which, as I said here, was a great decision.

So that’s 1965. And this category — whoa man, this is a top ten decision of all time. Julie Christie is incredible here. And also, despite that, this category is stacked. There are four legit winners here. Four!

BEST ACTRESS – 1965

And the nominees are…

Julie Andrews, The Sound of Music

Julie Christie, Darling

Samantha Eggar, The Collector

Elizabeth Hartman, A Patch of Blue

Simone Signoret, Ship of Fools (more…)


Pic of the Day: “What’s so special about him?” “They say he’s an honest man.”

All the King's Men - 5


Pic of the Day: “All right, I’m coming out. Any man I see out there, I’m gonna shoot him. Any sumbitch takes a shot at me, I’m not only gonna kill him, but I’m gonna kill his wife, all his friends, and burn his damn house down.”


Pic of the Day: “This song of the Man and his Wife is of no place and every place; you might hear it anywhere, at any time.”


Pic of the Day: “That was not Mozart laughing, Father… that was God.”


Pic of the Day: “You still think it’s beautiful to die for your country. The first bombardment taught us better. When it comes to dying for country, it’s better not to die at all.”


Pic of the Day: “You all take a good look at this lump of shit. Remember what it looks like. You fuck up in a firefight, and I goddamn guarantee you a trip out of the bush — in a body bag! Out here, assholes, you keep your shit wired tight at all times! And that goes for you, shit-for-brains. You don’t sleep on no fuckin’ ambush! And the next sumbitch I catch copping Z’s in the bush, I’m personally gonna take an interest in seeing him suffer. I shit you not.”


Pic of the Day: “Rich fellas come up an’ they die, an’ their kids ain’t no good an’ they die out. But we keep a’comin’. We’re the people that live. They can’t wipe us out; they can’t lick us. We’ll go on forever, Pa, ’cause we’re the people.“


Pic of the Day: “If you’re gonna do it, do it right. If you’re gonna hype it, hype it with the facts. I don’t mind what you did. I mind the way you did it.”


Pic of the Day: “I’ve never been alone with a man before, even with my dress on. With my dress off, it’s MOST unusual.”


Pic of the Day: “In his eagerness to save you, your God has also saved the Roman fleet.”


The Oscar Quest: Best Actress – 1954

This is the Oscar category. The quintessential category. The one everyone argues over. Grace Kelly or Judy Garland? Before we get into that, let’s recap 1954.

On the Waterfront wins Best Picture, Best Actor for Marlon Brando, Best Supporting Actress for Eva Marie Saint (talked about here), and Best Director for Elia Kazan (talked about here). All of them were perfect decisions. Then Edmond O’Brien wins Best Supporting Actor for The Barefoot Contessa (talked about here), which is historically a good decision, even though he didn’t give the best performance in the category.

Okay, back to the good part. This category may be the single strongest Best Actress category of all time. Most people look at Garland and Kelly, but look at the other three nominees — Dandridge, Hepburn, Wyman — there’s really great stuff there, too. But we all know this category comes down to Judy and Grace. So I’ll kill the suspense now and tell you flat out — Grace deserved this. Nothing against Judy, but when you weigh the two performances against one another, and then factor in the year Grace had on top of it — she’s actually an easy winner here. I know Groucho Marx called this “the biggest robbery since Brinks,” but it really wasn’t. Not when you factor in everything.

BEST ACTRESS – 1954

And the nominees were…

Dorothy Dandridge, Carmen Jones

Judy Garland, A Star is Born

Audrey Hepburn, Sabrina

Grace Kelly, The Country Girl

Jane Wyman, Magnificent Obsession (more…)


Pic of the Day: “If you’re looking for the captain, he isn’t here.” “And if I’m not looking for him?” “He still isn’t here.”

From Here to Eternity - 7