So I know the Oscars are never a ‘fun’ show to watch. They’re always overlong and tedious and full of bad jokes and filler. But man, this year just felt so tedious, the way they did it. Which is weird, because I was into Soderbergh being one of the producers and loved how they set it up at the beginning. It started off so relaxed and seemed like it was gonna be something different and fun. Everyone hanging out at a cocktail hour beforehand outside and then going into that room and trying to do a different type of ceremony…
Then we had those overlong presenter intros that took way too long and didn’t translate as well in person as they maybe seemed when they thought them up. And then it felt almost like they were rushing through stuff rather than focusing on the right parts of the night. Somehow they avoided filler until right near the end, when they did that one bit with Glenn Close (which I didn’t hate, just because I know they have to do stuff to go viral nowadays, but you’d think they’d have done it an hour earlier, and not when we were all looking at the time like, “Okay, let’s wrap this up, guys”).
And then there was that ending, where you had three hours of Black presenters and Black winners and Black music, and an Asian woman winning and all sorts of diversity… and then the two older white people won to end the night. Honestly, how fitting. How ironically fitting, the Academy trying to go, “Look at us! We’ve changed!” and then the older white contingency still going, “…not so fast.”
It was the absolute perfect unintentional metaphor to end that ceremony, especially after you take into account how truly meaningless a lot of this is anyway. (more…)
Once more, unto the breach, dear friends.
It’s Oscar night, and we all know what that means: I get all analytical about what’s gonna win (and why) and nobody cares and only reads the picks. It’s okay. I don’t take it personally.
The goal this year has been brevity… so here’s my pick for Best Animated Short.
I really have tried to skip the rigamarole though, given all we’ve gone through this past year. I’m still gonna give you all the information you need to pick a ballot. I’m just gonna do it as succinctly as I can. Of course, last year I said that and still wrote 30,000 words. So we’ll see how it goes. (more…)
The Costume Designers Guild handed out their awards today.
Ma Rainey’s Black Bottom won Period, Mulan won Sci-Fi/Fantasy and Promising Young Woman won Contemporary.
All that basically means that despite the frills of Emma, Ma Rainey has won every single Costumes precursor and is basically gonna win the Oscar.
That was easy.
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Today is Best Costume Design. Normally I’d wait to go over a category like this until I see what BAFTA and the guild have to say, but given how this one looks I think we can make pretty solid guesses as to how it’s gonna turn out. If things change based on those other two, then we can recalibrate. But until then, we’re just gonna follow the usual logic for this category — follow the frills.
Everybody knows what normally wins in Costume Design, and I bet most people just glancing at all five nominees in this category will know automatically what’s most likely to win. That’s really the only kind of logic you need most of the time. (more…)
Today the Costume Designers Guild announced their nominations, and this is one of the bigger pieces of the Oscar nominations puzzle I’ve been waiting for. Most people probably wouldn’t care, but Costume Design is always one of those categories that feels like it’s always a 3/5 and there’s always something random. This year, perhaps, with the limited field, things might be easier. But it’s definitely one of those categories I’m always on my heels for. Plus, like ADG, they give us three categories, which is just a wealth of stuff to talk about.
Here are your CDG nominees: (more…)